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Barrick Museum Hosts Artist Workshop with Bobbie Ann Howell April 20

The Marjorie Barrick Museum of Art presents a workshop start at 1 p.m. Friday, April 20, titled Snowflake Camp with artist Bobbie Ann Howell. Sessions start on the hour at 1, 2, 3, and 4 p.m. It is free and open up to the public.

About the workshop: Las Vegas artist Howell reveals you how to transform a sheet of paper into an elaborate and expressive artwork. Her cut paper and acrylic work entitled “Showgirls and Thunderbirds” is on view in the Barrick’s exhibition Plural. All materials will be supplied. Ages 8 and up are welcome!

About the artist: A native Nevadan, Howell equates current events, the lives of women, and components of the western landscape into cut paper imagery, photographic explorations, and other media. She has actually displayed at places throughout Nevada, including the Lost City Museum in Overton; Great Basin College, Elko; and the UNLV Donna Beam Art Gallery. Her works are held in public and private collections throughout the United States. She is the recipient of a 2018 Nevada Arts Council Visual Art Fellowship.

Barrick Museum Welcomes Acclaimed Author Lawrence Weschler April 17

The Marjorie Barrick Museum of Art is proud to welcome well-known author Lawrence Weschler at 7 p.m. April 17 for a talk titled “Art and Science as Parallel and Divergent Ways of Knowing.” The lecture is sponsored by the UNLV Department of Art and the Beverly Rogers, Carol C. Harter Black Mountain Institute.

Artists and scientists tend to consider their ways of penetrating the world as distinctly various, however such was not always the case. In truth, the divide is only a few centuries old. Nor might the differences be all that distinct– or even real. In a lecture initially developed for a conference sponsored by the National Science Foundation, longtime New Yorker author Weschler– director emeritus of the New York Institute for the Humanities at NYU (where the sciences were absolutely included as part of and main to the humanities) and author, among others, of Mr. Wilson’s Cabinet of Marvel and Whatever that Rises: A Book of Mergings– will theorize on such themes, with side-meanders into the thinking of artists Robert Irwin and David Hockney (topics of his two latest books) and an entire new interpretation of Rembrandt’s “Anatomy Lesson.”

Weschler (born 1952, Van Nuys, California), a graduate of Cowell College of the University of California at Santa Cruz, was for more than Twenty Years a staff author at The New Yorker, where his work shuttled between political tragedies and cultural funnies. He is a two-time winner of the George Polk Award (for cultural reporting in 1988 and publication reporting in 1992) and was also a recipient of Lannan Literary Award.

His books of political reportage include The Passion of Poland ( 1984 ); A Miracle, A Universe: Settling Accounts with Torturers ( 1990 ); and Disasters of Exile: Three Nonfiction Novellas ( 1998 ). Mr. Wilson was shortlisted for both the Pulitzer Reward and the National Book Critics Circle Award; and Whatever that Rises received the 2007 National Book Critics Circle Award for Criticism.

Weschler has actually taught, variously, at Princeton, Columbia, UCSC, Bard, Vassar, Sarah Lawrence, and NYU, where he is now identified writer in house at the Carter Journalism Institute.

He just recently graduated to director emeritus of the New York Institute for the Humanities at NYU, where he has been a fellow given that 1991 and was director from 2001-2013, and from which base he had aimed to start his own semiannual journal of composing and visual culture, Omnivore. He is likewise the creative director emeritus, still actively engaged, with the Chicago Liberal Arts Festival, and manager for New york city Live Ideas, a yearly body-based liberal arts collaboration with Expense T. Jones and his NY Live Arts.

When, happening upon a Portuguese edition of Weschler’s 1990 book on torture in Latin America throughout a photo opportunity in a Rio shopping center, Chilean General Augusto Pinochet flipped through its pages for a couple of moments, whereupon he pronounced, “Lies, all lies. The author is a phony and a hypocrite.”

Barrick Museum Invites Catherine Borg April 11

The Marjorie Barrick Museum of Art invites “Plural” artist and scholar Catherine Borg at 7 p.m. Wednesday, April 11. Watch as Borg unloads her “Scouted” series, a re-contextualization of location shots behind the traditional Martin Scorsese film Casino ( 1995 ). Integrating historical research study and a screening of her own work on video, the artist deals with the concealed labor of the culture industry and the connections it creates between the spectacle Las Vegas presents to the world and the network of personal areas where we live and work. Join us at the Barrick to explore the intricacies of our city’s historical record.

The night’s program includes a screening of video works by Borg made in between 2003 and 2010 consisting of: “All-American, Experiment Phantom Location” (with Amy Yoes), “I just have stars for you; you only hold stars for me,” and “Self-tending” with 2017 rating.

About the artist: Baltimore-based artist Catherine Borg uses photography, video, and other media to reposition her audience within the stories of identifiable cultural phenomena. The works consisted of in “Plural” become part of Borg’s project “Scouted: An Unintended Archive from the Search for a Cinematic Vegas,” which appropriates and re-contextualizes materials from UNLV Unique Collections. The images, originally developed by area scouts, have been reframed to expand the archival record of Las Vegas to include life “off the Strip” and to think about the labor and by-products of the culture industry. Her work has actually existed internationally, with exhibits and screenings at the National Gallery of Art, Washington D.C.; the San Francisco Museum of Modern Art; the Massachusetts Museum of Contemporary Art; and the Contemporary Art Center in Las Vegas.

Barrick Museum Hosts Artist Workshop “” Claim It”” April 7

The Marjorie Barrick Museum of Art hosts “Claim It” with artist and UNLV alum Noelle Garcia 1 – 5 p.m. Saturday, April 7. The event is totally free and open up to the public.

About the workshop: How do you claim something as your very own? Native cultures from the Americas are known for their applications of beads to items utilizing wax (huichol) or weaving strategies (peyote or brick stitch). Using beads themselves can be a declaration of identity. Although beads have been used in the Americas given that pre-Columbian times, industrial market has managed us an amazing range of manmade beads in a huge selection of colors. These best plastic beads are a reflection of the times we reside in and the land we reside on.

Individuals will find out basic bead weaving skills to cover and customize a things of their choice. Pick from a range of patterns and colors to make a style that reflects you. Different bead sizes will be provided to accommodate numerous skill/ age levels.

About the artist: Based in the Chicago metropolitan area, Garcia, ’12 MFA Art, uses a series of media to form a personal reaction to the complexities of household relationships and Native American identity. Raised in Reno Stimulates Indian Nest and other Nevadan reservations, she is an enrolled member of the Klamath people. Her work has actually been exhibited in galleries and organizations throughout the United States. Garcia has been a fellow of the Smithsonian’s National Museum of the American Indian and the Nevada Arts Council.

Garcia’s reimagined food and cigarettes in “Plural” bring Native American customs of beadwork to bear upon signs of prevalent, prevalent cultural modification.

Barrick Museum Hosts “” Interior: Night”” a Curated Screening by Chris Coy April 4

Artist and filmmaker Chris Coy will reveal his movie, BARNRAZER, a new addition to the Marjorie Barrick Museum of Art irreversible collection, at 7 p.m. Wednesday, April 4, in the Barrick auditorium. As part of the curated screening entitled Interior: Night, Coy likewise has chosen works by artists Jon Rafman and Andrew Norman Wilson.

Coy mines the poetics of repression as a generative building block for popular culture. His work has actually revealed at the New Museum of Contemporary Art in New York City, the Sundance Movie Celebration, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and various global art celebrations and exhibitions. He got his MFA from the University of Southern California in 2012.

American activist artist Wilson makes work that makes every effort to determine the pressure applied by worldwide corporate capital on the experience of mental and physical selfhood. Working mostly in video, he has recorded intricate cooperations and experiments such as Virtual Assistance(2009 – 11), The Unthinkable Bygone ( 2015 ), and Ode to Seekers 2012 ( 2016 ). Wilson’s art has been exhibited at the Whitney Museum, MoMA PS1, Centre Pompidou, Gwangju Biennial, Berlin Biennial, and in galleries and museums all over the world.

Montreal artist Rafman makes videos and sculptural installations that check out the variation in between human desires and the services provided by digital technology. Rafman’s art often considers the effect of gaming (A Male Digging, 2013) and the internet (Kool-Aid Male in Second Life (2009 -). His work has actually been shown in Europe and the Americas, with programs in Berlin, New York City, Los Angeles, and Buenos Aires.

Barrick Museum Hosts “” Interior: Night”” a curated screening by Chris Coy April 4

Artist and filmmaker Chris Coy will show his movie, BARNRAZER, a new addition to the Marjorie Barrick Museum of Art irreversible collection, at 7 p.m. Wednesday, April 4, in the Barrick auditorium. As part of the curated screening titled Interior: Night, Coy likewise has actually selected works by artists Jon Rafman and Andrew Norman Wilson.

Coy mines the poetics of repression as a generative foundation for popular culture. His work has actually shown at the New Museum of Contemporary Art in New York City, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and various global art festivals and exhibits. He got his MFA from the University of Southern California in 2012.

American activist artist Wilson makes work that aims to determine the pressure applied by global business capital on the experience of psychological and physical selfhood. Working mainly in video, he has recorded complex cooperations and experiments such as Virtual Help(2009 – 11), The Unthinkable Bygone ( 2015 ), and Ode to Seekers 2012 ( 2016 ). Wilson’s art has actually been exhibited at the Whitney Museum, MoMA PS1, Centre Pompidou, Gwangju Biennial, Berlin Biennial, and in galleries and museums around the world.

Montreal artist Rafman makes videos and sculptural setups that explore the variation in between human desires and the services offered by digital innovation. Rafman’s art typically considers the impact of video gaming (A Guy Digging, 2013) and the web (Kool-Aid Guy in Second Life (2009 -). His work has actually been displayed in Europe and the Americas, with shows in Berlin, New York City City, Los Angeles, and Buenos Aires.

UNLV Barrick Lecture Series Welcomes Adventurer Erik Weihenmayer for “No Barriers” April 9

What

UNLV invites acclaimed traveler and author Erik Weihenmayer for “No Barriers,” the latest installation of the Barrick Lecture Series

When

Monday, April 9 at 7:30 p.m.

Where

Artemus W. Ham Auditorium at UNLV primary campus
Near Maryland Parkway and Home Grove Opportunity

Details

The Barrick Lecture Series presents nationally and internationally popular speakers through a generous grant from philanthropist Marjorie Barrick.

Erik Weihenmayer is among the most renowned and accomplished athletes on the planet. In 2001, he ended up being the very first blind individual in history to climb up Mount Everest and all of the 7 Tops – the tallest peak on each of the seven continents.

In 2014, Erik and Lonnie Bedwell, a blind Navy veteran, kayaked the entire 277-miles of the Grand Canyon – one of the most powerful whitewater locations worldwide. Erik constantly looks for brand-new experiences, founding No Barriers to empower people with difficulties to take advantage of the human spirit and break through barriers.

Erik is the author of the best-selling narrative, Touch the Cloud Nine, which was made into a feature film. His newest book, No Barriers, is a dive into the heart and mind at the core of the turbulent human experience. It is an expedition of the light that burns in all of us, the barriers that threaten to snuff out that light, and the treacherous ascent towards growth and renewal.

Erik, his wife and 2 kids live in Golden, Colorado.

Tickets

The lecture is totally free and available to the general public however tickets are needed. Tickets are limited to two per individual and can be gotten from the Performing Arts Center box office.

The Performing Arts Center (PAC) ticket office is located off of Cottage Grove Opportunity at S. Maryland Parkway. Contact the PAC box office at (702) 895-2787 or visit unlv.edu/pac/tickets.

Artist-in-Residence Cayetano Ferrer Speaks at Barrick Museum March 7

The UNLV art department’s spring 2018 artist in residence, Cayetano Ferrer, lectures in the Barrick Museum of Art auditorium at 7 p.m. on Wednesday, March 7. The talk is free and open up to the public.

At the core of Ferrer’s practice is the treatment and transmutation of cultural items and signs, pulling from popular iconography to art historic artifacts. These kinds usually get to the artist’s attention with complex, and often uncertain, histories connected. Consequently, the work typically adds to the chronological unpredictability of the topic, and at other times exposes obfuscated stories embedded in the forms. His work within and around the institutions accountable for protecting and providing items of cultural significance presents concerns about the procedure of mediation that is necessarily carried out by museums. Operating in these and other places, the physical and historical absences that attend cultural fragments have actually ended up being a site for Ferrer to diffuse the limits of the art things and utilize context as both a framing device and product.

Ferrer was awarded a 2015 Art + Technology Lab grant from the Los Angeles County Museum of Art (LACMA) and in 2013, Ferrer was an Artadia Award for visual art. His latest solo exhibit, Tropos, was staged in a former grain mill in Buenos Aires Argentina, and he has recently shown at group reveals at the Henie Onstad Kunstsenter in Oslo (2017) and the Institute of Contemporary Art in Philadelphia (2017 ). In 2015, Ferrer understood his first solo museum exhibit at the Santa Barbara Museum of Art. Ferrer’s work has actually been exhibited at the Hessel Museum of Art in New York City (2015 ); at the Swiss Institute in New York City (2014 ); in partnership with other artists, musicians and designers at Human being Resources, Los Angeles (2014 ); at the Los Angeles Municipal Art Gallery in Barnsdall Park and a billboard in Hollywood as part of Made in LA (2012 ), the Hammer Museum’s first Los Angeles biennial.

Barrick Museum Presents Art & & Science of Color Theory Feb. 12

Go To the Marjorie Barrick Museum of Art at 7 p.m. Feb. 12 for an unique look into the art and science of color theory with Julie Oppermann. Learn what it suggests to consider vision as an active procedure in the brain, not just the eye.

Informed by Oppermann’s neuroscience background as well as her active international painting practice, this presentation will discuss everybody from 19th-century French chemist Michel Eugène Chevreul to Op Art’s Bridget Riley as we travel through the history of color theory in Europe and its journey to the U.S.

. This talk will become part of a series of lectures and workshops by artists in our spring 2018 exhibit “Plural.”

Admission Info

This occasion is free and available to the general public.

Recommended voluntary contribution:

$ 5 adults
$ 2 kid and senior

Barrick Museum’s latest displays check out identity, culture and regional vision

On February 9, the Marjorie Barrick Museum of Art will debut its Spring 2018 programs. 3 significant exhibitions– Plural, Identity Tapestry and Vessel– will show the depth and breadth that Southern Nevada’s leading museum deals. Here’s exactly what to anticipate:

Plural The Barrick’s long-term collection has always been noteworthy. Plural features new acquisitions from an all-star roster of almost 50 worldwide artists connected to Las Vegas in some way. “Some of the themes are challenging. Some of the work is aggressive,” Interim Director Alisha Kerlin states. “Plural will make you re-evaluate the quality of art that Las Vegas can provoke.”

More than a year in the making, the program was influenced by the Barrick’s 50th anniversary in 2017. “All this is still in motion,” the Barrick’s D.K. Sole says. “This is not some sort of victorious point where we plan to stop; it’s more a tip of the instructions we want to travel in the future.”

Sole, in charge of research study and academic engagement, asks herself: “How can we show to a young CCSD trip that they, too, can be artists from Las Vegas, if we’re only revealing them work by one group of individuals?”

The response: A wide array of products, designs, sizes and voices. “We have things like Andreana Donahue’s paper sculpture, ‘rake,’ made with natural products from the environment around her in Alaska, as well as more traditional oil-on-canvas metaphorical work by Gig Depio.” Sole says.

The pieces in Plural range from drawing and photography to costuming and ceramics. Artists consist of Tim Bavington, Mary Warner, Lance Smith, Krystal Ramirez, JK Russ, Justin Favela, Maureen Halligan, Nancy Good Linda Alterwitz, Mikayla Whitmore, Noelle Garcia and Aaron Sheppard.

Vessel: Ceramics of Ancient West Mexico Archeologist and Barrick staffer Paige Bockman curates this show, with a goal of highlighting the “innovations, ability and intelligence that ancient individuals needed to have in order to make these items.” Since the museum’s collection of artifacts is so large, she picked only ceramic vessels from west Mexico from 300 BCE to 400 CE. Because the Mayans and Aztecs usually get the most attention, Bockman wished to study and highlight this “significant and accomplished” cultural group.

Identity Tapestry In her interactive piece, entitled “Identity Tapestry,” California artist Mary Corey March sets the stage for a journey into the self, however it depends on the audience to take the actions. The installation begins with a couple of hundred balls of yarn, hand-dyed various colors and each twisted around a stone. Think of them as lives yet to be lived. On the wall, more than 200 identity declarations declare: “I’m drawn in to females”; “I’m a mother”; “I have fought in a war”; “I love to prepare”; “I have actually seen somebody die.” These represent lived experience.

One at a time, viewers take a yarn-wrapped stone and walk through the declarations, covering the yarn around each declaration that applies. The tapestry forms as each thread of yarn weaves over and under shared private experiences. “People do it playfully, and after that it can get sort of intense,” March says. “It’s difficult to face difficult ideas.”

Barrick Museum Spring Exhibitions Monday-Friday, 9 a.m.– 5 p.m. (Thursdays up until 8 p.m.); Saturday, noon– 5 p.m. Opening reception February 9, 5-9 p.m., UNLV, 702-895-3381.