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The Barrick Behind UNLV'' s Museum and Lecture Series

Benefactor Marjorie Barrick was born Oct. 9, 1917, in a little Iowa town. Marjorie Anne Jacobsen grew up the only kid of the town mayor and the local high school principal. An accomplished pianist, Marjorie stunned her moms and dads by denying a music scholarship so she could study economics at Creighton University in Omaha, Nebraska. Following graduation, she taught high school company till she satisfied and married her husband, Edward Barrick, in 1946.

Life in Las Vegas

The couple transferred to Las Vegas in 1951, where Ed was part owner of numerous gambling establishment residential or commercial properties, consisting of the Flamingo. Marjorie immediately accepted her brand-new house, committing herself to improving the community and herself. She started taking classes at UNLV, then called Nevada Southern University. It consisted of only three structures; the old gymnasium ultimately became the museum that now bears her name.

” I enjoy to be around young people, to pay attention to them in class and hear their views … You feel that you are in the mainstream of life, rather than sitting on the sidelines,” she informed a press reporter in 1980.

Her commitment to education led to her receiving an honorary doctorate in gentle letters from UNLV in 1995.

Neighborhood Effect

Barrick’s participation in UNLV and the community went far beyond the classroom. Throughout their marriage, she and Ed helped money the educations of 42 trainees, much of whom attended UNLV. She was an establishing member of the UNLV Foundation Board of Trustees and sat on the boards of numerous community organizations, consisting of the Nevada Ballet Theatre. She spent a few days a week offering at St. Rose de Lima Health Center in Henderson and founded a home for handicapped and disregarded children.

Following her husband’s death in 1979, Marjorie enhanced the university with more than $1 million to fund the Barrick Lecture Series, a nationally recognized program that continues to bring leading scholars from all disciplines, as well as presidents, politicians, and other professionals to Las Vegas.

Understood for playing an active role in all the jobs where she was involved, Marjorie personally picked a number of the early speakers for the lecture series, including President Jimmy Carter, Carl Sagan, and Mikhail Gorbachev. She also established the Barrick Graduate Fellowship, Barrick Professors Advancement and Travel Fund, and the Barrick Research Study Scholars Fund, all which assistance support university professors and college students in their research and profession development. In 1989, UNLV’s Marjorie Barrick Museum of Art was renamed in her honor.

Long lasting Tradition

Marjorie died on April 29, 2007, but she left a tradition of education and community service that continues to benefit UNLV and Las Vegas. She said it best herself in the Las Vegas Sun in 1989: “Life is not actually worth living if I cannot do something for another person.”

Timeline Oct. 9, 1917– Marjorie Anne Jacobsen born in

Harlan, Iowa. 1933– Marjorie wins an eight-state piano champion at 16, however turns down the scholarship attached to the competitors.

1940– Marjorie finishes from Creighton University in Omaha, Nebraska, with a bachelor’s degree in organisation administration.

1946– Marjorie and Edward Barrick are wed.

1951 – Marjorie and Edward Barrick transfer to Las Vegas, where Marjorie starts participating in classes at UNLV and volunteering in the community.

1979– Edward Barrick passes away.

1980– Marjorie endows UNLV with more than $1 million to discovered the Barrick Lecture Series in memory of her spouse, Edward, in addition to the Barrick Graduate Fellowship, the Barrick Faculty Development and Travel Fund, and the Barrick Research Scholars Fund.

1982– Marjorie gets the Distinguished Nevadan Award from the Board of Regents, and is recognized as a member of the UNLV Structure Palladium Society.

1987– Marjorie gets the Governor’s Arts Award for Distinguished Service to the Arts.

1988– Marjorie receives the Nevada Dance Theatre’s “Lady of the Year” award.

1989– UNLV’s museum is renamed in Marjorie’s honor, now the Marjorie Barrick Museum of Art; and Marjorie is granted the “Spirit of Hope” award from The City of Hope National Medical Center, where she had actually established the Marjorie Barrick Research Fellowship.

1995– Marjorie receives an honorary doctorate in humane letters from UNLV.

April 29, 2007– Marjorie passes away at age 89.

UNLV Barrick Lecture Series Welcomes Dr. Sanjay Gupta Nov. 14


UNLV welcomes Dr. Sanjay Gupta, Emmy-award winning CNN medical reporter and practicing neurosurgeon, for the most recent installation of the Barrick Lecture Series.


Tuesday, Nov. 14 at 7:30 p.m.


Artemus W. Ham Auditorium at UNLV
Near Maryland Parkway and Cottage Grove Avenue


The Barrick Lecture Series provides nationally and internationally distinguished speakers through a generous grant from philanthropist Marjorie Barrick.

Dr. Sanjay Gupta, a nationally recognized medical news reporter and Emory Clinic staff neurosurgeon, plays an important function in CNN’s reporting on health and medical news for American Early morning, Anderson Cooper 360 °, CNN documentaries, and anchors the weekend medical affairs program Sanjay Gupta, MD.

. His medical training and public health policy experience distinguish his reporting on a series of medical and clinical topics consisting of brain injury, disaster recovery, healthcare reform, fitness, military medication, HIV/AIDS, and other areas. He has actually reported from New York following the 9/11 attacks, from earthquake-ravaged Japan and Haiti, and he added to CNN’s award-winning protection of the Gulf oil spill in 2010.

Gupta’s enthusiasm for inspiring Americans to lead much healthier, more active lives led him to introduce Fit Country, CNN’s multi-platform anti-obesity initiative. In 2011, Fit Nation followed the development of Gupta and 6 CNN audiences as they inspire each other while training for a triathlon.

In addition to his work for CNN, Gupta is a member of the personnel and professors at the Emory University School of Medication. He is associate chief of neurosurgery at Grady Memorial Health center and frequently carries out surgery at Emory University and Grady medical facilities.

Gupta contributes to the CBS newsmagazine 60 Minutes and Night News with Katie Couric. He is the author of two best-selling books, Chasing Life (2007) and Unfaithful Death (2009 ), both which ended up being buddy documentaries for CNN. In 2011, Forbes publication called him as one of the “Ten A Lot Of Influential Stars.”


The lecture is free and open up to the general public but tickets are needed. Tickets are limited to two per individual and can be obtained from the Performing Arts Center ticket office beginning:

Wednesday, Oct. 25 at 10 a.m. for UNLV professors, staff, and trainees.
Saturday, Oct. 28 at 10 a.m. for the general public

The Carrying Out Arts Center (PAC) ticket office is found off of Cottage Grove Opportunity at S. Maryland Parkway. Contact the PAC ticket office at (702) 895-2787 or visit unlv.edu/pac/tickets.

UNLV Barrick Lecture Series Invites Shark Tank’s Barbara Corcoran Oct. 3


UNLV invites Barbara Corcoran, real estate mogul and investor on ABC’s hit series “Shark Tank” for the most recent installation of the Barrick Lecture Series


Tuesday, Oct. 3 at 7:30 p.m.


Artemus W. Ham Auditorium at UNLV primary campus
Near Maryland Parkway and Home Grove Opportunity


The Barrick Lecture Series presents nationally and worldwide prominent speakers through a generous grant from philanthropist Marjorie Barrick.

Barbara Corcoran will share her inspiring rags-to-riches story and the tricks to success that led her to the top of her industry.

In 1973, she borrowed $1,000 from her sweetheart, stopped waitressing and began a property company in New York City called The Corcoran Group. Throughout the years, she parlayed that loan into a $5 billion realty organisation.

Now, as one of the stars and investors on ABC’s “Shark Tank,” Corcoran has ended up being an in-demand media character and strengthened her position as one of the most successful realty business owners in America. The author of 2 best-selling books, she’s helped successfully release more than 2 dozen services, from garments to skin care to customized bicycles.

With her signature tell-it-like-it-is attitude, Corcoran will share distinctive insight on the value of management, development, and an entrepreneurial spirit in today’s service environment.


The lecture is complimentary and open up to the public but tickets are needed. Tickets are limited to 2 per person and can be gotten from the Performing Arts Center ticket office.

The Carrying out Arts Center (PAC) ticket office is located off of Home Grove Avenue at S. Maryland Parkway. Contact the PAC ticket office at -LRB-702-RRB- 895-2787 or visit unlv.edu/pac/tickets.

Art & & Culture Day at the UNLV Barrick Museum of Art June 16

Sign up with the UNLV Marjorie Barrick Museum of Art for a day of fun, creativity, and learning. From 9am-5pm on Friday, June 16, the museum will be filled with totally free activities f or the whole community. Discover brand-new methods to value art as an audience and a maker by seeing our Summertime art exhibitions and participating in among our hands-on workshops. Visitors will enjoy Museum Eye Sp y, Storytime provided by Las Vegas Clark County Library District, modern-day dance, and art making. Bring your productions home or exhibit them in the Museum lobby. Arrange

10 am & 3pm: Storytelling provided by Las Vegas-Clark County Library District

12:30 -1:15 p.m.: Modern Dance Performance courtesy the UNLV Department of Dance and the Erick Hawkins Institute West

Continuous 9 a.m.- 5 p.m.:

Hands-on Art Project: Texture: A Sculpture station.
Hands-on Art Project: Quilting Workshop with the Artist.
Hands-on Art Job: In-depth Illustration: A Collaborative Workshop.
Hands-on Art Task: Make Your Own Mask.
Free Museum Eye-Spy Activities for all ages.
Story-Building Workshop: Comprise a history about a found things.

Admission is totally free and materials will be offered.

Exhibits Details.

Details on the current exhibitions is availabe on the Barrick Museum website.

The Marjorie Barrick Museum of Art is easily accessed from the west side of the UNLV campus. Drive east on East Harmon Ave until the roadway enters the school and terminates in a parking lot. The Museum will be on your right, next to a desert landscape garden.

Keep in mind: All buildings on the UNLV school share the exact same street address. To find the Barrick Museum building, use the Google Mapslink.


Parking in staff, student, and metered areas is complimentary after 1 p.m. Fridays. Metered parking is readily available behind the Lied library and along Harmon. To purchase a daily pass or for questions about parking on school, contact Parking and Transport Services at 702-895-1300.

Neuroscience, Art Come Together in Barrick Museum Display

Artists and researchers both know that collaboration is crucial to their work. So when UNLV Marjorie Barrick Museum of Art Interim Director Alisha Kerlin satisfied Rochelle and Dustin Hines, 2 neuroscience teachers from the department of psychology, they understood that this was a possibility for severe interdisciplinary cross-pollination.

Kerlin interviewed the professors about the paintings of Julie Oppermann, an American artist whose optically deceptive paintings are currently on view at the museum. Oppermann had one biographical information that made her especially interesting– she received a master’s degree in neuroscience prior to she ended up being a painter.

I observed that Julie Oppermann’s paintings are physically difficult to take in. At certain seeing ranges, I feel destabilized from the eyeballs down. I’ve heard students say that the work makes them nauseous.

Rochelle: I definitely felt the destabilization and lightheadedness. From one angle I was certain there was depth to the work, but as I altered my perspective I was shocked to see that it was an illusion. The neuroscience of understanding entered your mind. I thought of how the eye and brain extract and separate color and form/motion (black and white) details to process it initially. Eventually, the brain is then tasked with stitching this info back together to create our visual reality. Our experience of a visual impression in Oppermann essentially emerges from a harshness in this latter process of understanding.

Does it amaze you to discover that she has a master’s in neuroscience from UC Berkley?

Dustin: Not. It makes me really delighted to hear this! It is clear that she comprehends this separation between color and form/motion vision, and has actually taken advantage of features that will develop these results. In neuroscience, we call the form/motion vision processing system the dorsal stream (“where” system), and the color vision processing system the forward stream (“what” system).

Rochelle: The dorsal stream offers us with vision for action and governs our ability to react rapidly to visual scenarios, and visually direct the motions we make. The dorsal stream processing is unconscious. In contrast, the forward stream provides us with visual truth, and supplies us with a rich and detailed perception of the world, which is a conscious procedure. Illusions take advantage of our unconscious system, and utilize it to feed information into our mindful system.

I strongly think that a person can benefit from seeing art in person. What you see in print or on a screen will not provide you the complete experience, particularly in Oppermann’s case. Dustin: The reason they are most effective in person returns to what Rochelle stated about changing her perspective. Having the ability to move around the work and take different perspectives enables more details for our visual system, exposing the “trick” and enabling the illusion to be appreciated by our mindful system.

What would you say to someone (perhaps a researcher, or a non-art major) who generally would not wander into the museum trying to find abstract painting?

Rochelle: We are starting to value the crossways between arts and sciences a growing number of, and in teaching it works to make use of the arts to assist relay hard ideas about visual and auditory perception. This enables a trainee to have an experience, then consider exactly what their own brain may have done to process or develop that experience. I frequently find myself talking about the visual charm of data that we collect in the laboratory. A Nobel Prize-winning microscopist, Santiago Ramón y Cajal, was in truth an artist, and his drawings of brain cells that he saw through the microscope have been a significant contribution to neuroscience. Oppermann’s work is also a great example of how arts and sciences can sustain one another.

It’s effective that these paintings are still images but develop an active action in the viewer’s body. These are visceral artworks that are certainly not static.

Dustin: Absolutely. She skillfully taps into the juxtaposition of luminance and contrast borders in cautious mix with equiluminace that can produce the impression of motion or depth. Movement detection happens to be a crucial system for our survival, perhaps more so in an evolutionary sense, since discovering the motion of our bodies in space or the motion of animals and objects in our instructions helps ensure our security. Ultimately, our nerve system integrates not only the drawn out elements of visual scenes, however all types of sensory, homeostatic, rewarding, determined, and emotional info to create our total experience.

Visual art can powerfully stimulate emotional responses, such as joy or elation. I enjoy hearing how people react to artworks, and there is naturally no ideal way to respond. The variety of reactions have been from the feeling puzzled to feeling satisfaction.

Rochelle: Processing the world around us, including our visual world, is hardwired to produce sensations of pleasure in the brain. The pleasure-producing reward system is believed to exist to promote behaviors that improve our survival.

Dustin: Understanding the visual world use the benefit system since making sense of exactly what is going on around us enhances our opportunities of success. Visual stimuli, and specifically illusions, develop preliminary confusion for our brain, however having the ability to deal with the confusion by recognizing features triggers enjoyment centers of the brain. Acknowledgment of patterns, or subject matter, and so on, can be extremely pleasing due to the fact that it helps us to comprehend how to act.

Barrick Lecture Series Invites Emmy-Winning Newsman John Quiñones May 8


UNLV invites Emmy-winning anchor John Quiñonesas the next featured guest of the Barrick Lecture Series.


Monday, May 8, at 7:30 p.m.


Artemus W. Ham Auditorium at UNLV main school
( Near Maryland Parkway and Home Grove Opportunity)


The Barrick Lecture Series provides nationally and internationally popular speakers through a generous grant from philanthropist Marjorie Barrick.

John Quiñones is the Emmy acclaimed co-anchor of ABC newsmagazine Primetime and has been with the network almost 30 years. He is the sole anchor of the Primetime series What Would You Do?, one of the highest rated newsmagazine franchises in the last few years. During his period, he has reported extensively for ABC News, mainly acting as a reporter for Primetime and 20/20.

On May 8, Quiñones will check out UNLV to discuss his new book, What Would You Do? Words of Knowledge about Doing the Right Thing. Its pages force readers to take an excellent appearance in the mirror, holding it up not only to themselves, however to the nation too. When we witness oppression, bigotry, and bullying, do we action in or step aside?


The lecture is complimentary but tickets are needed for entry. Tickets are restricted to 2 per individual and can be gotten at the Performing Arts Center box office located off Home Grove Avenue at South Maryland Parkway.

Tickets will be available for UNLV professors, personnel, and students starting at 10 a.m., Wednesday, April 19. General public tickets appear at 10 a.m., Saturday, April 22.

To learn more, please call -LRB-702-RRB- 895-2787 or check out the UNLV Performing Arts Center site.

'' Reading ' Images at the Barrick Museum

While art is a focal point for visuals, this story reminds us of the effect it can have on the composed word.

Arts & & Culture| Sep 29, 2015|By UNLV News Center

English 101 students visit the “Recent Acquisitions” display at the Barrick Museum. (Courtesy Marjorie Barrick Museum)

Editor’s Note:

This short article by Ed Fuentes, a college student in the MFA in Fine Arts program, was originally published on the Barrick Museum’s blog site. Discover more about the Barrick Museum’s education programs.

A museum can be a laboratory for sticking around. When students from UNLV, College of Southern Nevada, and Nevada State College see UNLV’sMarjorie Barrick Museum to fulfill art assignments, it’s a possibility to look, not look, at art. Now UNLV English 101 students are being challenged to take a look at works and “read” them gradually.

“I’ve never been to a gallery like this before,” said Anayeli De Leon, a member of Lorinda Toledo‘s English 101 class on a recent tour of the Barrick’s “Current Acquisitions” exhibit, on display through Oct. 10. Students are appointed to select a work as a timely for an analytical essay, which teaches them to treat images like text, to discover signifiers, or just respond at seeing brushstrokes face to face. Some realize how art can be more than a fast visual reference, a trap we all fall under when bombarded by images, particularly in Las Vegas.

Writing about art not simply an exercise for the college viewer. On one Saturday afternoon, a thorough Sixth grader named Tristan may have outdone his older associates. He likewise was designated to pick an art piece and write a reflection. The young art-goer selected Justin Favela’s Estardas to study and took his time looking at the cardboard gambling establishment sign.First he stared at it up-close, then stood far; he returned to the piece to look at angles and study the edges. Then he took pictures and video to “read” later. “It was cool,” said the young art gazer.

“”Break Ups & & Split Downs” at the Barrick Museum

The Barrick Museum provides Kveck, Russ & & Stellmon: Break Ups & & Tear Downs, ranging from Oct. 23– Jan. 23. These three Las Vegas artists provide distinct bodies of work that spring from a typical practice of breaking down their subject, then restructuring and reordering the pieces. The results, whether paintings, collages, photos, or buildings, are sensational and thoughtful revisualizations of modern styles. The work of each artist reflects distinct style and method, refined during careers as extremely related to experts.

“This exhibit will certainly be effective both visually and in social commentary,” says Barrick Museum program director Aurore Giguet. Wendy Kveck incorporates discovered images from art history, contemporary media, and princess coloring books into her work as cultural signifiers of excess, desire, stress and anxiety, worry, regret, and loss; JK Russ creates surreal landscapes using found images from magazines, juxtaposing fashion icons with images from the natural world developing dream-like meditations on gender and sexuality; and Erin Stellmon utilizes multimedias collage to stand for the cycle of destruction and rebuilding that we typically see in Las Vegas.

A public opening reception will certainly be held Oct. 23 from 6– 8 p.m.

. More About the Artists

Wendy Kveck is a visual artist from the Chicago location who lives and works in Las Vegas. Through her work in painting, drawing, collage, and efficiency she examines photos of ladies from art history and contemporary media as cultural signifiers of excess, desire, stress and anxiety, fear, remorse, and loss. Her interest in efficiency as a reflective, reactive, and transformative action has been stimulated by the examples of early and contemporary feminist artists. In her recent work she has utilized food and drink imagery to represent women as both customers and taken in.

JK RussJK Russ is an artist from New Zealand who moved to the United States in 2010 and settled in Las Vegas. She utilizes cut-paper collage to produce investigative contrasts between the bodies of sexy females and images of landscape and wildlife. Her style is informed by a longstanding interest in surrealism, photographic illustration, and the photomontage work of the German Dada artist Hannah Höch (1889 – 1978). The Nevada desert is an existing source of inspiration, as are Las Vegas’ burlesque clubs. By eschewing digital control and instead demanding the purposeful imperfections of the analog procedure, Russ makes use of the ambiguous relationship that the medium of collage naturally establishes between realism and fantasy.

Erin Stellmon is a multi-disciplinary artist from Oregon who resided in Las Vegas for more than a years. Her community-focused practice explores regional symptoms of transience, memory, and reinvention. In her mixed-media collage work she regularly highlights the visual fragmentation of the compositions in order to highlight the cycles of damage and reinvention that she views are endemic to the Las Vegas municipality’s civic culture.

About the Barrick Museum

The UNLV Marjorie Barrick Museum, a public arts unit under the UNLV department of art and the College of Fine Arts, aims to offer a welcoming environment in which students, members of the university neighborhood, Southern Nevada locals and the public in general can study and find out by straight experiencing artworks. Our objective is to boost the visitor’s understanding of art as a long-lasting human endeavor and to promote visual literacy for all clients. To this end, the museum gets, exhibits, interprets, and preserves artworks agent of past and present cultures, and creative imagination.

For existing program and exhibition information, call 702-895-3381 or check out unlv.edu/barrickmuseum.

Mondays – Fridays: 9 a.m.– 5 p.m.
Thursdays till 8 p.m.
Saturday: 12 p.m.– 5 p.m.
Closed Sundays and state and federal holidays.

Free. Recommended voluntary contribution: $5 for grownups; $2 for youngsters and elders.

About the University

UNLV is a doctoral-degree-granting organization of 28,000 students and 3,300 faculty and staff. Established in 1957, the university provides more than 220 undergrad, master’s and doctoral degree programs. UNLV is found on a 332-acre school in dynamic Southern Nevada and is categorized in the category of Research Universities (high research study activity) by the Carnegie Foundation for the Improvement of Teaching.

An advance for tech: Barrick opens IT hub in Henderson


Mikayla Whitmore

Barrick Gold board member Brian Greenspun, from left, Chief Operating Policeman Richard Williams, Chairman of the Board John Thornton, Gov. Brian Sandoval and President Kelvin Dushnisky take part in the ribbon-cutting ceremony for Barrick’s worldwide IT operations center in Henderson on Friday, Sept. 25, 2015. Greenspun is CEO, publisher and editor of Greenspun Media Group.

Friday, Sept. 25, 2015|6:15 p.m.

Barrick Gold Office Bow Cutting
Barrick Golds global IT operations center in Henderson on September 25, 2015.Launch slideshow “

Nevada’s mining deposits brought in Barrick Gold Corp. to the state years back.

But a modern resource– technology– made Southern Nevada stand apart to the company as it searched for a house for its international IT operations and corporate affairs hub.

The business, which sources almost half of its output from five Nevada mines, established its first physical presence in the southern half of the state Friday when it opened its brand-new technology center in Henderson.

An essential consider the website option was a trip of Change, the Las Vegas data firm that runs among the world’s top-rated data centers. “The tour was a transformational minute for our IT group,” stated Michael Brown, Barrick’s executive director for the United States, at a ribbon-cutting ceremony.

The presence of Change has prompted several business to develop a presence in the Las Vegas Valley. Most recently, the app-based computer game business Device Zone announced it was setting up an office here. At the Barrick opening on Friday, Henderson Mayor Pro Tem Debra March stated she hoped the business’s move would prompt others to planning to the city as a tech hub.

“Diversity of our economy is essential for the sustained development of our community,” she stated. “State-of-the-art jobs in the field of infotech, such as those right here at Barrick Gold, position the city of Henderson as a leader in innovation.”

In an interview after the ribbon-cutting, Barrick President Kelvin Dushnisky said the desire to look for innovative technology may have struck some as odd. When the majority of people think about mining, he stated, they associate it with processes dating back centuries. “It’s not perceived as being front-edge when it concerns innovation,” he said.

But Barrick executives highlighted that their mining, due to the fact that gold is typically found 1,500 feet underground and is nearly microscopic, includes a good deal of technical precision. And with a spurt of activity at Switch, Dushnisky stated he hoped the new area would assist stimulate innovation.

“You get a sense that things will certainly sprout from here that may not somewhere else,” he said.

With operations that span 5 continents, Toronto-based Barrick is the largest gold mining company in the world. The Henderson workplace will certainly begin operations with more than 30 workers, mainly comprising its innovation department. However Barrick executives state they have plans to expand to a personnel to about 90 and potentially rent more area.

In addition to its ease of access to Change, the Barrick executives stated the Henderson location was beneficial for its distance to McCarran International Airport. “It’s actually a global office,” Dushnisky said, anticipating that Barrick would use it as a hub for receiving business visitors and dispatching workers to its mines, which cover from Australia to Peru.

The new office is anticipated to house the business’s international finance group and worldwide supply team.

Dushnisky said the workplace opened with encouragement from Gov. Brian Sandoval, who, at the ribbon-cutting event, applauded the company for a commitment to financial advancement, accountable stewardship of Nevada land and community outreach throughout the state. “This is the brand-new Nevada I discuss all the time,” Sandoval said.

Barrick, founded in 1987, utilizes 4,000 individuals in Nevada and is the state’s largest mining company. In addition to the gold mines that the company runs in northern Nevada, it likewise has a power plant and solar power facility near Triggers. Senate Minority Leader Harry Reid praised the firm’s decision to broaden in the south.

“For more than 3 years, Barrick Gold Corp. has actually played a crucial role in Nevada’s economy, supplying good-paying tasks from their operations in Northern Nevada,” Reid said in a statement. “I enjoy to see them expand to Southern Nevada and develop even more jobs in the Silver State.”