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How a secret GOP memo became a bitter point of conflict

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J. Scott Applewhite/ AP Home Intelligence Committee Chairman Rep. Devin Nunes, R-Calif., right, accompanied by the committee’s ranking member, Rep. Adam Schiff, D-Calif., talks to reporters, on Capitol Hill in Washington, Wednesday, March, 15, 2017, about their investigation of Russian influence on the American governmental election.

Friday, Feb. 2, 2018|2 a.m.

WASHINGTON– In the 2 weeks given that the #Releasethememo hashtag very first grown on Twitter, a secret congressional report on the Russia examination has actually gone from an obscure, classified document to a bitter point of conflict between not only Democrats and Republicans but likewise the White Home and the FBI.

The intense argument has threatened the relationship between the president and his carefully picked FBI director and diverted spotlight from a special counsel’s investigation into potential ties in between Russia and Donald Trump’s project.

Democrats call the memo a cherry-picked set of Republican politician talking points, filled with errors and assertions removed of context. But Republican politicians associated with producing it say it will reveal monitoring run amok, and the White Home– perhaps picking up an opportunity to weaken special counsel Robert Mueller’s investigation– has actually backed the release over the intense objections of Justice Department and FBI leaders.

A look at how we got here and why everything matters:

WHAT IS THE MEMO EXACTLY, AND WHAT DOES IT SAY?

It’s hard to know for sure because the file has not been revealed. But it was produced by the staff of Rep. Devin Nunes, the Republican chairman of your house intelligence committee who for months has actually faced criticism over his close ties to the Trump White Home.

Republican politicians say the four-page memo will allege security abuse by the FBI throughout its Russia examination and incorrect usage of the Foreign Intelligence Security Act. The act, called FISA, enables federal representatives– with a warrant from a judge– to keep an eye on the communications of people it has possible cause to believe are agents of a foreign power.

Republicans are most likely to mention the memo as proof that any such warrant was gotten on false or incomplete grounds. They’re most likely to raise allegations that representatives relied a minimum of in part on Democratic-funded opposition research, performed by a former British spy, as a basis for monitoring in the examination’s early phases. And they may rally behind a former Trump project aide, Carter Page, who was questioned by the FBI last March about his Russia connections and who came under analysis numerous years earlier in a different counterintelligence probe.

Nunes foreshadowed those arguments in a declaration Wednesday, stating “it’s clear that top officials used unproven details in a court file to fuel a counter-intelligence examination throughout an American political campaign.”

WHAT DOES THE FBI SAY?

FBI Director Christopher Wray, who was selected by Trump after the president fired the previous director, James Comey, has actually examined the file and made a personal appeal to the White Home to lobby against launching it. Deputy Attorney General Of The United States Rod Rosenstein did the same.

Then, in a highly uncommon and unsigned public declaration, the FBI said it had had just a limited opportunity to evaluate the report and came away with “severe concerns about product omissions of fact that fundamentally effect the memo’s precision.”

The FBI also countered Nunes’ accusations of abuse by stating it takes “seriously its responsibilities to the FISA Court and its compliance with procedures overseen by career professionals in the Department of Justice and the FBI.”

Part of the issue for the FBI, though, will be its problem in publicly remedying frauds it determines in the Republican report. The FBI does not openly release applications it submits to judges in order to get warrants, so the bureau will likely be hamstrung in its own public declarations in opposition.

SO WHY WOULD THE WHITE HOME WANT THIS RELEASED?

Trump, who has slammed the FBI management throughout his period as biased against him, was overheard telling a Republican lawmaker on the Home flooring Tuesday night that he was “100 percent” in favor of the document’s release. His earliest boy, Donald Trump Jr., has actually likewise tweeted in support of revealing the memo.

The president and his fans have actually been looking for ways to challenge Mueller’s examination, which Trump has actually called a “witch hunt.” Raising allegations of surveillance abuse– even though vigorously rejected by the FBI, and even though the assertions almost certainly associate with occasions well before Mueller was selected– might provide an opportunity for him to do so.

In March, Trump tweeted a dubious claim that the Obama administration had wiretapped Trump Tower during the campaign. He might be expecting proof that he thinks can support that claim, which the FBI has actually already said is baseless.

WHAT DOES THE RELEASE MEAN FOR TRUMP’S RELATIONSHIP WITH THE FBI AND INTELLIGENCE COMMUNITY?

It’s difficult to state with certainty, but there’s a possibility it could be irreparably damaged.

By continuing to champion the document’s disclosure, Trump would be overthrowing the direct pleadings of his FBI director. Wray has been strikingly low-key in his very first months on the job, and the FBI statement was his very first open clash with Trump.

Wray has been an advocate of providing the government broad latitude to use FISA to surveil people private investigators believe to be foreign representatives or terrorists, though most just recently he’s been on a public relations tour to promote the reauthorization of a section of FISA focused on foreign targets, which Congress passed in January.

The file release might likewise raise questions about whether ordinarily categorized intelligence and info will continue to be politicized by the federal government.

Your house intelligence committee is normally supportive of FBI surveillance efforts and protective of the release of categorized details. Disclosing this report would definitely turn the script.

WHAT OCCURS NEXT?

The White House said Thursday that Trump was clearing the method for the publication of the categorized memo, and one authorities stated Congress would likely be informed of the choice on Friday.

Your home intelligence panel voted along celebration lines Monday to put it out, giving Trump 5 days to turn down the release under committee rules. However Trump likewise has the power to declassify the memo himself and either release it or give it to Congress to launch.

One White House authorities stated the memo would be in “Congress’ hands” after Trump declassified it and that there were not likely to be any redactions.

It’s unclear when the public would then see it, however it will probably cause more tensions within the executive branch and among the political celebrations.

How Las Vegas Became the 9th Island: Hawaiians and The California Hotel

Did you know that as many as 40 high school class reunions for Hawaiian high schools are kept in Las Vegas each year? Or that in Hawai’i you can acquire specialized greeting cards just for celebrating approaching journeys to Las Vegas?

About 1 in 10 residents of Hawai’i check out Las Vegas each year, with many going to 2 or three times each year. And when they pertain to the city that has ended up being passionately known as “the ninth island,” they overwhelmingly opt to stay and dip into The California Hotel, a Boyd Video gaming Corp. property near Fremont Street.

Initially opened in 1975 to target the Southern California market, “The Cal,” boasts outside murals commemorating the 1849 gold rush, the building of the Transcontinental Railway, and the natural charm of the Sierra Mountains’ foothills. The interior, however, reflects its 40-year history of improvement into a Hawaiian house far from house, with island-themed decoration, banquet rooms identified in the Hawaiian language, and numerous eateries offering Hawaiian favorites.


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For numerous who endured carnage, Tropicana became a safe haven

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class=” photograph” src =” /wp-content/uploads/2017/10/1002MassShooting18_t653.JPG” alt =” Image “/ > Steve Marcus FBI agents give in front of the Tropicana hotel-casino on Monday, Oct. 2, 2017, after a mass shooting throughout a music celebration on the Las Vegas

Family Help Center at Convention Center Release slideshow” Neighborhood Reacts to Las Vegas Strip Mass Shooting Introduce slideshow” Mass Shooting on Las Vegas Strip Launch slideshow” Related content It’s 11:08 p.m. Sunday, an hour after a barrage of shooting began to fall upon countless participants

of a c and w

concert, many of whom turned from dancing to running towards Tropicana Opportunity, frantically attempting not to be a statistic in the worst contemporary mass shooting in U.S. history. A lady runs and talks on the phone, informing the caller to alert somebody. Others sprint behind her, some jog, each noticeably distraught, and nobody looks back. “Terrorism …” a man questions out loud. At this point, medics have actually established a triage location near the Hooters casino, and people are treated on the spot, while ambulances fly down Tropicana. A male and a woman rest on an outside stairway of the Tropicana resort. Candace LaRosa is delighting in Jason Aldean’s efficiency at the Route

91 Harvest Festival. This is up until a guy smashes 2 glass windows of his

32nd flooring Mandalay Bay suite, and with an arsenal of rifles on hand, fires indiscriminately onto the crowd listed below. “We were all dancing having a good time, and all of an abrupt we hear all these shots as part of a fireworks reveal,” LaRosa said.” We just got to dancing, dancing, dancing and it simply went bananas. There needed to be a thousand rounds going off.” It wasn’t long before she learns it’s not fireworks she’s hearing, and the blood soaking the ground is there to show it. She said she saw a bullet pierce a boy she described as having to do with 16 or 17. Two guys wave people inside a dirty energy room at the Tropicana– there is water and you’ll be safe,

they state. As soon as the displaced concertgoers are inside, the men protect the door and direct the

evacuees toward a conjoined hallway, where a female’s arm is bleeding a lot while a guy uses a tourniquet. An older female whose back is bleeding is taken care of by a few do-gooders. Amid the turmoil, unproven rumors are swirling: Exists a task force of shooters who can soon make their way into the unscripted shelter? Has there been a surge at one of the gambling establishments?

Did among the evacuees have a heart attack? A female desperately pleads for an asthma inhaler for someone in requirement. Exists aspirin in the first-aid package? Patrick Martin discovers relief when he speaks with his kid, who had stayed

behind to help evacuate the premises.” All I heard was a great deal of bang, bang, bang, and everyone struck the ground and everyone

began running “in different directions, Martin said about the shooting. It at first sounded like fireworks, a line oft duplicated by others. A guy who seized a management role announces,” They’re no place near us, you’re safe.” “Are they terrorists?” asked a lady, however the male does not know

. Paramedics and cops in armored equipment enter the utility room and through the

hallway carrying a stretcher, but they decide to leave without patients. The crowd continues through the hallway and into an office space of the Tropicana.

The gravity of exactly what simply happened begins to sink in amid the adrenaline, and survivors start to share their painful stories and look for phone battery chargers. A broadcast system

announces that cops have actually cleared the home and invites the survivors to a ballroom area. Water, white towels and sheets are distributed by hotel staff, and several hundred individuals begin to make their beds in the middle of the carpeted floor.

One of 2 women crying, Alex Walters, desperately looks for a mobile phone to call her boyfriend, who was likewise at the performance but had actually ended up being separated when he offered a hurt victim a flight to a medical facility. The Las Vegas woman added that she thought fireworks had actually been triggered,” then the music stopped” and everyone started running and ducking.” It’s( expletive) insane.” In among the ballrooms, a distraught male grabs a notepad and pen intended for the next early morning’s convention. He starts to scribble however

tears some pages with the pen in aggravation. Diane Martin’s white denims are stained by blood and dirt. She said that at the beginning of the attack,” Someone turned around and there was blood on the floor.” She explained running beneath tables and hearing shooting in succeeding staccatos. They were” actually hoping “and attempting to get everyone covered while the gunman stopped to apparently refill. “Individuals knew that more was coming. “Shots in “extremely fast fire “forced the crowd to scatter in various directions in”

mass confusion,” Marty Philip said.” You do not know where to go and you do not know ways to safeguard yourself initially.” There were volleys, pauses and more volleys,” Philip stated, including that he got on the ground in front of a food station, still not knowing where the gunshots were coming from or whether he was safe. Janet Muzio keeps in mind being near the front row when she heard gunshots and was quickly being stomped by others attempting to jump to security.” Get off my leg, leave my leg,”

she keeps in mind believing. As Muzio ran away, she recalled a desolated field with shoes and bottles littered about. It’s the middle of the early morning, and while some victims continue sharing survival stories, others were overtaken by sleep, maybe a welcome escape from the horror simply experienced. At some time, a City Authorities substation leader utilizes a loudspeaker

to plead for patience.” I’m so sorry that this happened

when you’re here on trip– do not let it be a reflection of our fantastic city. I hope you come back once again someday.”

How Brahms' ' ‘A German Requiem’ became an anthem for our time

Saturday, Might 13, 2017|12:05 a.m.

NEW YORK– The New york city show season waning was more or less bookended by performances of Brahms’ “A German Requiem,” meant to set the work in broader contexts. In October, Lincoln Center presented “human requiem,” including Simon Halsey and the Berlin Radio Choir in an immersive staging, with 2 pianists changing Brahms’ orchestra, and choristers in street clothes roaming amongst the audience members.

Skip forward to last Saturday, when Mark Shapiro conducted the Cecilia Chorus of New york city in Brahms’ requiem at Carnegie Hall, setting it alongside “A Garden Among the Flames,” a brand-new work by Syrian-born composer Zaid Jabri, based upon a Sufi text by 13th-century poet Ibn Arabi. And on Sunday, Alejandro Hernandez-Valdez led Musica Viva NY in “An Elegy for all Mankind,” at All Souls Church on the upper East Side, matching the requiem with Seymour Bernstein’s “Tune of Nature,” based on an essay by Ralph Waldo Emerson.

“A German Requiem,” it appears, has ended up being something of an anthem for our time, with grand social and political reverberations. Yet, for its author, the work developed from deeply personal motives. The idea of a requiem appears to have actually struck the young artist in 1854, after a suicide attempt by his newly found compositional daddy figure, Robert Schumann, who passed away in 1856. According to an early biographer, Max Kalbeck, Brahms discovered the title “Ein Deutsches Requiem” among manuscripts left by Schumann.

A false start on this work resulted instead in Brahms’ First Piano Concerto, of 1857-58, and the requiem concept pertained to fulfillment just after the death of his mother in 1865. “A German Requiem,” in 6 movements for baritone soloist, chorus and orchestra, had its best in 1868, however even then, Brahms went back to the work, including a seventh motion, for soprano, with the words “I will comfort you as one whom his own mother comforteth.”

Brahms assembled the texts himself from Luther’s German translation of the Bible, bypassing the basic liturgical requiem text, with its terrifying Passes away Irae, so clearly set by other composers. Instead of house on the judgment of the deceased, he seemed intent on consoling those left behind. It was Brahms who came from the term “human requiem,” in a letter to Clara Schumann, Robert’s widow and, already, Brahms’ intimate. This human focus, in addition to the work’s liberty from angry spiritual judgment, makes it simple to seize on in our more slightly spiritual time.

For its performance Saturday, the Cecilia Chorus commissioned a brand-new piece that– as Shapiro, Cecilia’s music director, composed in a program note– “may be considered beginning, spiritually and philosophically, where Brahms ended.” Jabri– like Brahms, utilizing soprano and baritone musicians– sets a libretto by South African-born poet Yvette Christianse, based on the ancient Arabi text, ending “I proclaim the religion of Love;/ Wherever its caravan turns along the way,/ That is my belief,/ My faith.”

Christianse includes text of her own, reflecting on the Syrian refugee crisis: “We left our gardens,/ even the worms./ We turned our faces to the roadway,/ and the road snarled.”

On the chorus’ site, Chelsea Shephard, the soprano soloist, described the desired impact: “After hearing ‘A Garden Amongst the Flames,’ who can pay attention to the Brahms Requiem without hearing it as a requiem for Syria?” With a full intermission following the Jabri work, it was simple adequate to lose the connection.

Jabri’s music was striking, but the work lost much of its result, with the English text mostly garbled in the hubbub of a chorus of 178, abetted by a kids’s chorus of 28, the Every Voice Show Choir.

Musica Viva was even more ambitious in scope with its “Elegy” on Sunday. In a program note, Hernandez-Valdez, the group’s creative director, called it “a concert designed to make a difference in today’s conflicted world,” reflecting on “our death and our planet.” As a companion to the requiem, it provided “Tune of Nature,” a 1996 work by Bernstein, who was the subject of Ethan Hawke’s 2014 documentary film, “Seymour: An Intro.”

“Tune of Nature” takes its text from Emerson’s essay “Nature”: “The happiest male is he who learns from nature the lesson of praise. As a plant upon the earth, so a man rests upon the bosom of God.”

In Hernandez-Valdez’s arrangement, “Tune of Nature” runs a crowded 10 minutes approximately. The music traverses the dynamic gamut, soft to loud, a number of times, however the message, generalized as it was, was effectively communicated by the exceptional chorus of 35 and the storyteller, David Rockefeller Jr.

. For the requiem, Musica Viva released 11 gamers in Joachim Linckelmann’s plan for chamber ensemble to great effect, and again, the chorus came through . With Devony Smith and Joseph Beutel as fine singing musicians in the Brahms, and Shabnam Abedi in the Bernstein, this was undoubtedly a stirring show, though what distinction it might make in the bigger world was far from evident.

Surely the impulse to mine a masterwork for all its significances is praiseworthy, and the unexpected style for “A German Requiem” is welcome, whatever it might state about our time. And the Cecilia Chorus’ commissioning of a brand-new work for the occasion is entirely exceptional, however much you might have wanted a more powerful performance.

But all of this added significance is a heavy concern for Brahms’ elegant goodbye to his mentor and his mother. Possibly the contexts require more in-depth discussion and advancement to bring such presentations beyond the worlds of novelty and good objectives.