Tag Archives: chelsea

Adam Sandler discovers the sweet spot for funny residency at the Chelsea

Adam Sandler has actually been a motion picture star for so long– and before Billy Madison made him mega-famous in 1995, he was a beloved Saturday Night Live cast member– it’s difficult to decide exactly what sort of expectations to take into his current stage show, which has found a repeating house at the Chelsea at the Cosmopolitan. You understand there will be tunes and d * ck jokes. However you don’t anticipate the 51-year-old household name to provide the very same uneasy, giggly-stoner stage presence that has guided his funny since he broke through playing characters on late-’80s MTV video game show Remote Control.

But he does. That goofball is older and has a spouse and kids, but as a comic he hasn’t altered, much to his fans’ roaring pleasure. The audience at his 2nd Cosmo show (November 17) couldn’t get enough of the Sandman, and the more juvenile and disgusting the material, the larger the applause. There was a healthy quantity of time committed to old men’s balls in the health club locker room. He thrice repeated the line “If you mistakenly make a farty,” from a tune about brand-new love, since he understood everybody desired him to. He aimed to disrupt his child’s winning mini-golf shot by whispering throughout her backswing: “I tea-bagged your mom today.” The joke continues, “And the kid sinks the putt and says, ‘I know, I saw.'”

Sandler even attempted philosophical toilet humor. “Have you ever been wiping your ass numerous wipes in a row that you go, Okay, no matter what, after this wipe, from concept, I’m f * cking done. That’s it. I don’t offer a f * ck what takes place later on in the day.” Later, one of the program’s openers, SNL buddy Rob Schneider, returned to duet (as cosmonaut Yuri) with Sandler on a song about 2 “accidentally” intertwined astronauts–“Now we remain in zero gravity simply spinning round and round/Next thing I understand I’m rightside up, and Yuri’s advantage down”– in among the evening’s peaks, “Simply Another Mishap on Station 69.”

However just because he’s remaining in his lane does not mean he isn’t remaining sharp. Sandler snuck a quick quip into the intro for his pianist Dan Bulla, informing the audience Bulla’s father was in the health center right now and wasn’t succeeding. At the first hint of sympathy sounds, Sandler inserted, “His daddy is Charles Manson.” His memorable rap about just having to take his phone, wallet and secrets every place he went was better composed and carried out that the majority of mumbly trap tunes on the radio.

If other comics earnestly lament getting older and settling down, Sandler is clearly pleased with his version domestic happiness, even in wonder of it– but he’ll never ever stop teasing it. He’s ideal on the cash with an anecdote about riding a roller coaster with some person from Oklahoma after his family leaves him in the dust to take their dad-less flight together; and in a quick tune about resolving arguments with his spouse by searching for the answer on his phone, only to pretend he can’t find that answer when it proves that he’s wrong.

“I’ve been with my woman Twenty Years now. It’s quite terrific,” Sandler says. “Marriage is the best, however it is fun to be alone on celebration. And I do not search for pornography, I search for empty driveways. Ooh … no one’s in the house. How f * cking beautiful. I do not need to enjoy ‘Cupcake Wars.'”

Sandler returns to the Chelsea on January 27.

Chelsea Manning: '' I believe I did the very best I could''.

Sunday, Sept. 17, 2017|12:51 p.m.

NANTUCKET, Mass.– Chelsea Manning informed a crowd at a “creative thinkers” conference in Nantucket that she’s not a traitor as her critics have actually declared and she did what she thought was the best thing to do.

Manning is participating in the yearly conference for The Nantucket Task on Sunday in Massachusetts. The Nantucket Project is an endeavor founded to bring together creative thinkers to reveal the ideas that matter the majority of. Organizers state about 600 people are attending.

This is only Manning’s second public look since being launched from a penal institution in Might.

“I believe I did the best I could in my scenarios to make an ethical choice,” she told the crowd when they asked if she was a traitor.

The 29-year-old Manning is a transgender woman who was called Bradley Manning when she was convicted in 2013 of dripping a chest of categorized documents. She was launched from a penal institution in Might after serving seven years of a 35-year sentence, which was commuted by President Barack Obama in his final days in office.

Tom Scott, who co-founded The Nantucket Task with Kate Brosnan, said they invited Manning for “clarity of understanding.”

“My brother and dad are Militaries. They would respectfully challenge some of her decisions,” he said. “Barack Obama travelled her sentence. My instinct is that he’s a great and trustful man. How do those two things mix? Seeing her in person offers, perhaps, the best way to understand that.”

Several audience members stated they were interested to hear from Manning. Sara O’Reilly, a Nantucket resident who has actually attended a number of past conferences, said the speakers are usually a “little edgy.” She stated she does not evaluate Manning and other people have done “far worse” things.

Scott said a few of the attendees were disturbed that Manning was invited, but he didn’t think about pulling back the invitation. Harvard University reversed its decision to call Manning a checking out fellow Friday, a day after CIA Director Mike Pompeo scrapped an organized look over the title for Manning.

Manning said Harvard’s decision signaled to her that it’s a “police state” and it’s not possible to engage in political discourse in academic organizations.

“I’m not ashamed of being disinvited,” she stated. “I view that just as much of an honored distinction as the fellowship itself.”

Band of Horses keeps on rolling at the Chelsea

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Erik Kabik Band of Horses performs at the Chelsea on May 26.

Tuesday, Might 30, 2017|2 a.m.

. The Band of Horses concert at the Cosmopolitan’s Chelsea Friday night might very well have actually gotten lost in Las Vegas’ largely packed Memorial Day weekend, but nobody in the room was wanting they ‘d made other plans.

In spite of the reality that the Southern-ish indie rock band lost two members of the group less than a month earlier, it has actually soldiered on in style, carrying on the summer season portion of its tour behind in 2015’s well-known album Why Are You OK. After the powerhouse show at the Chelsea, they wrapped their holiday weekend at BottleRock restival in Napa Valley.

The last time Band of Horses was at the Cosmo, it performed a rollicking and favored set outdoors at the Boulevard Pool. This time, the Chelsea’s exceptional sound and staging paved the way for an uplifting experience, a completely paced show from a band that clearly likes playing its music. Maybe its current newbies, Matt Gentling on bass and Richie Kirkpatrick on guitar, help to bring bold energy to recent programs. Anchored by the secrets, guitar and balancing vocals of Ryan Monroe and guitar, vocals and beauty of frontman Ben Bridwell, the group started a slow burn with some older tracks prior to dipping into newer material, keep the crowd’s attention all the while. Favorites like “The Great Salt Lake” and “No One’s Going to Love You,” and “Exists a Ghost,” stood apart, culminating in the quiet-loud anthem “The Funeral,” a tune which is tough to beat performed live. “The General Specific” acted as a proper encore, unleashing a pleased audience to make the most of the weekend.

Empire of the Sun tosses a mini-chella inside the Chelsea

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Erik Kabik Empire of the Sun performs at the Chelsea at the Cosmopolitan on April

. While Woman Gaga admirably filled in for the pregnant BeyoncĂ© as headliner at the 2nd day of the Coachella Valley Music and Arts Celebration in Indio, California, the Las Vegas Strip had its own variation of the fest Saturday night– and it was even a little Gaga-ish.

Australian electronic outfit Empire of the Sun amped up a pleased crowd at the Chelsea inside the Cosmopolitan, a day after the band played the real Coachella. Festival acts have been benefiting from their distance to Vegas and booking Strip gigs for many years now, and Empire’s colorful show was simply one such runoff program; Toots & & the Maytals played Brooklyn Bowl that very same night, and Tove Lo, Phantogram, Kehlani and others play here this week.

The Chelsea may be the right location for a festival-suited act like Empire of the Sun, which features several layers of configured sound atop live drums and guitars, rather psychedelic video images on a cinema behind the band and 4 strange costumed dancers enhancing positive, anthemic tunes like “Strolling on a Dream” (made well-known in the States by a Honda commercial) and “We Are individuals.” Cosmo’s biggest location has lots of dance-floor area framed by rows and seats along with the upstairs gallery, all of which used a range of ways to experience the performance. The surprisingly diverse crowd appreciated their options.

Overall, the performance was a large enhancement on Empire’s last Vegas program, a loud outdoor set at the Life Is Lovely Celebration in September. At the Chelsea, when the band strayed from its hits and dipped much deeper into its collection of spacey, robotic synth-funk, energy likewise dipped. But then those dancers from another planet would return and the crowd would get crazy and bounce along to the beat. Frontman Luke Steel closed the main set with a legit onstage guitar smash prior to returning for a thunderous repetition efficiency of “Alive.” It might not have been as huge as Coachella, but it was big enough for the Cosmo.

Review + photos: Neil Young is too huge to fail at the Chelsea

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Erik Kabik/ ErikKabik.com

Neil Young at the Chelsea on Sunday, Oct. 11, 2015, in the Cosmopolitan of Las Vegas

Tuesday, Oct. 13, 2015|1:07 a.m.

Neil Young at the Chelsea
Neil Young at the Chelsea on Sunday, Oct. 11, 2015, in the Cosmopolitan of Las Vegas.Introduce slideshow “

Ask former bandmate Graham Nash, simply in passing, simply making discussion at a mixer, why they just do not make music the way Neil Young did anymore, and the genteel British singer-songwriter will provide an almost-imperceptible sigh before telling you really pleasantly that you have no concept what you’re talking about.

Neil Young still writes songs like Neil Young did.

Young, the 69-year-old rock star, invested more than 3 hours at the Cosmopolitan on Sunday night with band Guarantee of the Genuine proving the point and demonstrating why Wanderer called the tour “impressive.”

It was epic. The triune Young was in complete display screen: the father of grunge, kid of the ’60s and ghostly bittersweet balladeer.

Outside the Chelsea, tents had actually been established for political activists who work on causes important to Young. They visit with him passing out free copies of Mom Jones and Earth Island Journal, packets of romaine lettuce seeds and condoms with images of endangered wildlife on their wrappers.

Concertgoers were asked to boycott Kellogg’s, indication letters to their congress member over GMO labeling, save emperor butterflies and return buffalo to Native American lands. There also was a sparsely gone to camping tent offering Young’s Pono music gamer and a well-attended kiosk hawking T-shirts.

Inside, 2 men dressed as farmers– straw hats and blue jeans– opened the show by spreading seeds throughout the stage. Young snuck on as they leaked water from cans, playing piano and singing “After the Gold Rush.”

Drawing heavily on tracks from 1972’s “Harvest” and its 1992 follow-up “Harvest Moon,” Young was soon joined by his current band, which had fun with him on his 2015 cd “The Monsanto Years” and consists of Lukas and Micah Nelson, kids of nation vocalist Willie Nelson.

(Lukas revealed an uncannily comparable voice to his daddy’s when he took a turn in the spotlight covering “September Tune.”) Young’s high-range, tremulous voice revealed little indications of age, even on “Burned,” a Buffalo Springfield workout he seldom plays live, but he revealed more of a sense of duty than enjoyment in covering crowd favorites.

The middle section of the performance was announced by a group of men using white Hazmat fits and spraying smoke onstage (roundly booed). That was when Young flaunted simply how important an artist he remains regardless of his 70th birthday next month. The male who as soon as alerted that “Nixon’s coming” now sounds alarms about agribusiness giant Monsanto, Starbucks, the Keystone pipeline, the Resident’s United decision, “fascist” politicians and too-big-to-fail banks.

In the most artistically achieved song of this area, “Individuals Wish to Hear About Love,” Young sang about how audiences would rather not to listen to songs about how Monsanto and Starbucks blocked a GMO-labeling law in Vermont– after having actually played some of the most heartbreaking love songs in the rock canon.

(Doesn’t really matter the number of times you have actually heard “Harvest Moon”– hearing it live will send out fat tears streaming down your face.) Then, to stick the contrarian posture home, Young got into an ironical argument with an audience member who disagreed with him. In other words, it was crispy protest granola for the NPR set– as if Jonathan Franzen traded pen for guitar, or if Bernie Sanders could carry a tune.

From there, Young and the band entered into complete traditional rock mode, including a prolonged jam on “Cowgirl in the Sand” in which the 4 males carrying guitars huddle together to riff. It was everything that poptimist critics cannot stand about dad rock: Stompy, unsubtle, face-melting, fedora-wearing, repeated, loud, barely held together, onanistic, manspreading guitarsplaining.

It was splendid, as opener Jenny Lewis, a Las Vegas native and previous lead singer of indie band Rilo Kiley, put in hours earlier throughout her by turns cocky and confessional set. “My moms and dads fulfilled in Vegas. They had a lounge act at the Sands,” she stated. “If I could inform my dad, who’s not with us, that I was opening for Neil Young, he ‘d go crazy.”

Neil Young was with us. And to enjoy the faces of his bandmates, young enough to be Young’s grandchildren, throughout closing renditions of “Powderfinger” and “Love and Only Love” was to observe that they were going crazy, too.

He didn’t play “Helpless,” though.

Scott Lucas is the assistant handling editor for politics at the Las Vegas Sun.

Cosmopolitan of Las Vegas.

The Cosmopolitan of Las Vegas dares to be different. From the hotel’s red reservations desks to fine art found throughout the resort, The Cosmopolitan’s signature design is helping to pave its own path on the Las Vegas Strip.

Upon entering the resort, you’re greeted by pillars of video boards playing video art by Digital Kitchen and David Rockwell Studio specifically produced for The Cosmopolitan. Simply beyond that, you’ll find all your preferred gambling establishment video games on the resort’s 100,000-square-foot casino floor.

The Cosmopolitan’s rooms standout as the resort’s most unique feature. About 2,220 of The Cosmopolitan’s 2,995 rooms have 6-foot deep balconies that cover the length of the space, an initially at a modern-day Strip hotel. Other in-room facilities include soaking tubs, kitchenettes and quirky devices like artsy coffee table books.

The dining experience at The Cosmopolitan isn’t something you’ll discover at other Strip resorts, either. All The Cosmopolitan’s 13 restaurateurs are brand-new to the Las Vegas market. You’ll find American steakhouse fare in a modern-day setting at STK, superior sushi at Blue Ribbon Sushi Bar & & Grill and the freshest fish flown in from the Mediterranean everyday at Estiatorio Milos.

Whether the sun is up or down, Marquee Club & & Dayclub is the place to find the celebration at The Cosmopolitan. The venue is a dayclub/nightclub, total with a swimming pool and cabanas outside and 3 different rooms with three different vibes inside.

If clubs aren’t your thing, you can get hold of a drink at one of The Cosmopolitan’s five other bars, like The Chandelier, which is encased in 2 million leaking crystals.

3708 S. Las Vegas Blvd. Las Vegas, NV 89109
702-698-7000

Evaluation + images: Lenny Kravitz at the Chelsea– better late than never?

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Erik Kabik/ ErikKabik.com

Lenny Kravitz performs at the Chelsea on Tuesday, Sept. 8, 2015, in the Cosmopolitan of Las Vegas

Sunday, Sept. 13, 2015|2 a.m.

Lenny Kravitz at the Chelsea
Lenny Kravitz performs at the Chelsea on Tuesday, Sept. 8, 2015, in the Cosmopolitan of Las Vegas.Introduce slideshow “

Click to enlarge photo

Lenny Kravitz performs at the Chelsea on Tuesday, Sept. 8, 2015, in the Cosmopolitan of Las Vegas.

Click to enlarge photo

Lenny Kravitz carries out at the Chelsea on Tuesday, Sept. 8, 2015, in the Cosmopolitan of Las Vegas.

Click to enlarge photo

Lenny Kravitz carries out at the Chelsea on Tuesday, Sept. 8, 2015, in the Cosmopolitan of Las Vegas.

Discuss a difficult sell for rock-star headliners and fans– a Tuesday night concert on the Las Vegas Strip after a packed four-day Labor Day Weekend with a reported 315,000 visitors.

However singer-songwriter, star and designer Lenny Kravitz (“Fly Away,” “Let Love Rule,” Cinna in “The Hunger Games” and hotel suites, respectively) registered for the difficulty at the Chelsea in the Cosmopolitan of Las Vegas.

Did fans and the performance go his method? Were there American ladies in the audience? Did he escape– did he fly away? And why was it hot as Hades in the Chelsea?

Kravitz’s 2-hour concert started nearly 45 minutes late after a terrific opening set by singer Andra Day. Chelsea doors opened at 8 p.m., and Day took the stage an hour later on, carrying out a captivating 30-minute set in a gorgeous blue dress. Her blues-y variation of Eminem’s Academy Acclaimed “Lose Yourself” from “8 Mile” was wonderful.

Day departed at 9:30 p.m., with Kravitz scheduled to hit the spotlight 30 minutes later. At 10:30 and after that time, there was a constant stream of boos and whistles, and the Chelsea was Bikram yoga hot, provened by audience members fanning themselves and people leaving the Chelsea– and not returning.

Kravitz finally struck the phase at 10:40 p.m., and there is no rejecting that the 51-year-old is a rock star. He definitely looked the part in his brown snakeskin coat and blue pants fronting a 10-member band– three female backup singers and each instrumentalist who would get a solo as the evening progressed (more on that later).

Later, nevertheless, he bounded onstage in a mesh t-shirt with inexplicably big tear under his left underarm. Heard nearby: “That’s absurd.” On the subject of fashion, there was (sadly) no wardrobe malfunction– no split of the pants to reveal his … well, let’s keep it at Kravitz saying that he hasn’t put on underclothing in decades.

Kravitz excused being late– “I heard you guys booing”– and explained that he had no voice Tuesday early morning and was onstage “by the grace of God” after medication and vocal workouts. He figured, “It’s much better to be late than disappoint up at all. I enjoy you all.” So he was 40 minutes late why?

Miraculously, his voice remained in strong kind the whole concert. While an 11-song setlist would be short for numerous artists, not for Kravitz, who unapologetically turned numerous of his numbers Tuesday night into jam-band marathons– 4-minute tunes into 16-minute workouts in patience at a show starting 40 minutes late on a school night. He called it “improvisation– and thank you for your patience.”

The musicianship was excellent, however some folks weren’t having it, as the energy rapidly seeped from the Chelsea as quickly as ticketholders. The energy did pick up halfway with “Always on the Run,” a ditty Kravitz penned with Saul Hudson, better known as Slash from Weapons ‘n Roses.

Kravitz talked about how the two went to the same high school– “I avoided school a lot to smoke weed”– but encountered each other years later at the American Music Awards in 1991, then later penned the work.

Kravitz ended the late night/early early morning show with a promise: “Next time I won’t be late.” To quote Kevin Hart from Saturday night of Labor Day Weekend at the Chelsea, “Riiight.” Thanks to Erik Kabik for his picture gallery of Kravitz at the Chelsea.

Tuesday night’s setlist: “I Need Love,” “American Lady,” “It Ain’t Over Til It’s Over,” “Dancin’ Til Dawn,” “Sis,” “Believe,” “Constantly on the Run,” “I Belong to You,” “Let Love Guideline,” “Fly Away” and “Are You Gon na Go My Method.”

Don Chareunsy is the Las Vegas Sun’s home entertainment and luxury senior editor and has been a reporter for nearly two decades.

Robin Leach of “Lifestyles of the Rich & & Famous fame” has actually been a reporter for more than 50 years and has actually spent the previous 15 years providing readers the inside scoop on Las Vegas, the world’s premier platinum play area.

Follow Sun Entertainment + Luxury Elder Editor Don Chareunsy on Twitter at Twitter.com/ VDLXEditorDon.

Follow Robin Leach on Twitter at Twitter.com/ Robin_Leach.

Cosmopolitan of Las Vegas.

The Cosmopolitan of Las Vegas attempts to be different. From the hotel’s red reservations desks to art found throughout the resort, The Cosmopolitan’s signature style is assisting to pave its own course on the Las Vegas Strip.

Upon getting in the resort, you’re welcomed by pillars of video boards playing video art by Digital Kitchen and David Rockwell Studio solely produced for The Cosmopolitan. Just beyond that, you’ll find all your favorite casino games on the resort’s 100,000-square-foot gambling establishment floor.

The Cosmopolitan’s living rooms standout as the resort’s most distinct feature. About 2,220 of The Cosmopolitan’s 2,995 living rooms have 6-foot deep terraces that span the length of the living room, an initially at a modern-day Strip hotel. Other in-room facilities include soaking tubs, kitchen spaces and quirky accessories like artsy coffee table books.

The dining experience at The Cosmopolitan isn’t something you’ll discover at other Strip resorts, either. All of The Cosmopolitan’s 13 restaurateurs are new to the Las Vegas market. You’ll find American steakhouse fare in a modern-day setting at STK, top-notch sushi at Blue Ribbon Sushi Bar & & Grill and the freshest fish flown in from the Mediterranean everyday at Estiatorio Milos.

Whether the sun is up or down, Marquee Club & & Dayclub is the location to discover the party at The Cosmopolitan. The place is a dayclub/nightclub, full with a pool and cabanas outside and three various spaces with three various vibes inside.

If nightclubs aren’t your thing, you can get hold of a drink at one of The Cosmopolitan’s 5 other bars, like The Chandelier, which is framed in 2 million dripping crystals.

3708 S. Las Vegas Blvd. Las Vegas, NV 89109
702-698-7000

Review + images: D’Angelo is at the top of his video game at the Chelsea

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Erik Kabik/ ErikKabik.com

D’Angelo and The Vanguard carry out at the Chelsea on Friday, Aug. 21, 2015, in the Cosmopolitan of Las Vegas

Monday, Aug. 31, 2015|10:34 p.m.

D’Angelo at the Chelsea
D'Angelo and The Vanguard perform at the Chelsea on Friday, Aug. 21, 2015, in the Cosmopolitan of Las Vegas.Launch slideshow “

D’Angelo is not your typical neo-soul entertainer.

Since the release of his comeback album “Black Messiah” in 2014, D’Angelo has totally revamped himself– from his noise to phase presence and his overall image.

This was no exception throughout his show Aug. 21 at the Chelsea in the Cosmopolitan of Las Vegas.

The R&B crooner, extensively understood for his smooth love hits consisting of “Brown Sugar,” “Girl” and “Untitled (How Does It Feel),” brought indisputable energy to the Chelsea stage as he directed the spirit of music icons James Brown and Prince.

He has even recruited a new band, The Lead, which includes bassist Pino Palladino of The Who, guitar players Jesse Johnson of The Time and Isaiah Sharkey and drummer Chris “Daddy Dave.”

The crowd roared with enjoyment as members of the 10-man band entered the stage one at a time and took their positions about 9:30 p.m.

. As The Lead began playing the guitar-heavy single “Ain’t That Easy,” D’Angelo made his method to the stage holding a bedazzled guitar with his name inscribed on it.

Each entertainer was garbed in mainly black clothes, however D’Angelo stuck out in a long black raincoat with scruffy sleeves and advanced fedora. Nevertheless, he dumped the coat by the second tune.

D’Angelo went on to perform “Betray My Heart” from the December-released cd and transitioned into crowd favorites including “Wish You” and “Really Love,” which sounded much more exceptional live than taped.

When it pertained to vocals, he was at the top of his game as he went from his falsetto to tenor and greater notes effortlessly. He even wailed at times like a minister and permitted his voice to go wherever the spirit led him. His vocalists harmonized with him wonderfully like a choir.

An emphasize from the night consisted of an emotional performance of “The Charade” as D’Angelo spoke about police cruelty in black communities. Red-and-white lights flashed quickly onstage appearing like sirens, and the artists started to play louder, developing an intense state of mind.

“We’re going to do this for all the family victims of police cruelty,” he stated.

D’Angelo told the reader to hold up their ideal fists. In the chorus, he sings, “All we wanted was a possibility to talk/ ‘Stead we just got laid out in chalk/ Feet have bled a million miles we’ve strolled/ Revealing at the end of the day, the charade.”

After the enthusiastic efficiency, D’Angelo went into his 1995 launching single “Brown Sugar.”

He bounced around the phase as if he was a choir leader and broke the audience into 2 singing parts, advising the females to sing “suggaa-ahhh” and the men to balance “I desire some of your brown sugar.”

They did as they were informed.

D’Angelo and The Vanguard mastered musicianship, and each song they performed was at least 10 minutes long with jam sessions at the end. D’Angelo funnelled the spirits of Brown and Prince as he called the band to hit him one time, then two times, then eight times and so forth. The band showed that they might hang.

About 2 hours into the program, D’Angelo thanked the reader for coming and then left the phase. The crowd shouted for a repetition and within a couple of minutes he returned to perform his 2000 “Voodoo” single “Untitled (How Does It Feel).”

Considered as one of the most seductive songs he’s ever made, he made it even sexier with a bluesy feel. But this time he was fully dressed, putting on a black tunic, fitted trousers and a blue hat.

D’Angelo teased the reader, approaching the mic to sing and then withdrawing, smirking and shaking his head as if the reader could howl louder (which was probably not possible). He did this several times prior to finally vocal singing.

He flirted and winked at girls closet to the phase. One female in the crowd literally fell to the ground as if the holy spirit at a Baptist Church had actually moved her when he touched her hand.

D’Angelo went to the keys, and the spotlight shined on each of the musicians as they displayed their abilities separately. Fittingly, D’Angelo was the last person left onstage.

Not only did D’Angelo rock the phase, but he also had fun doing it. As he took the reader on a journey through gospel, funk, pop and R&B, he showed that, although he had been away from music for almost 14 years, he never left. The “Black Messiah” is only getting better.

The night’s setlist consisted of “Ain’t That Easy,” “Betray My Heart,” “Prayer,” “The Charade,” “Brown Sugar,” “Sugah Daddy,” “Back to the Future,” “Left & & Right” and the repetition “(Untitled) How Does It Feel.”

Kailyn Brown is a Las Vegas Sun intern.

Robin Leach of “Lifestyles of the Rich & & Famous” popularity has been a reporter for more than 50 years and has actually invested the past 15 years providing readers the within scoop on Las Vegas, the world’s premier platinum playground.

Follow Robin Leach on Twitter at Twitter.com/ Robin_Leach.

Follow Las Vegas Sun Home entertainment + Luxury Elder Editor Don Chareunsy on Twitter at Twitter.com/ VDLXEditorDon.

Cosmopolitan of Las Vegas.

The Cosmopolitan of Las Vegas attempts to be different. From the hotel’s red reservations desks to art discovered throughout the resort, The Cosmopolitan’s signature design is helping to pave its own path on the Las Vegas Strip.

Upon getting in the resort, you’re greeted by pillars of video boards playing video art by Digital Kitchen area and David Rockwell Studio exclusively produced for The Cosmopolitan. Just beyond that, you’ll find all your favorite casino games on the resort’s 100,000-square-foot gambling establishment floor.

The Cosmopolitan’s rooms standout as the resort’s most unique feature. About 2,220 of The Cosmopolitan’s 2,995 spaces have 6-foot deep balconies that extend the length of the room, an initially at a contemporary Strip hotel. Other in-room amenities include soaking tubs, kitchenettes and wacky accessories like artsy coffee table books.

The dining experience at The Cosmopolitan isn’t really something you’ll find at other Strip resorts, either. All The Cosmopolitan’s 13 restaurateurs are new to the Las Vegas market. You’ll find American steakhouse fare in a modern setting at STK, top-notch sushi at Blue Ribbon Sushi Bar & & Grill and the best fish flown in from the Mediterranean daily at Estiatorio Milos.

Whether the sun is up or down, Marquee Nightclub & & Dayclub is the location to find the celebration at The Cosmopolitan. The venue is a dayclub/nightclub, complete with a pool and cabanas outside and 3 various living rooms with 3 various vibes inside.

If clubs aren’t your thing, you can grab a beverage at one of The Cosmopolitan’s five other bars, like The Chandelier, which is enclosed in 2 million leaking crystals.

3708 S. Las Vegas Blvd. Las Vegas, NV 89109
702-698-7000