Tag Archives: makes

Lady makes embarrassing car insurance mistake, owns it on social networks

(Source: Alyssa Stringfellow / Facebook) (Source: Alyssa Stringfellow/ Facebook) (Source: Alyssa Stringfellow/ Facebook). Tucson News Now -. Alyssa Stringfellow plainly has an excellent funny bone. She published a quite awkward moment on Facebook for her good friends to obtain an excellent laugh.

All of it began when she attempted to get on her grandmother’s automobile insurance coverage.

The instructions were simple: email the insurance coverage agent her motorist’s license number, date of birth, and an image straight on and a picture taken from each side. Easy enough.

However the agent’s reply revealed her mistake.

” Hello there Alyssa,

I am going to require images like you simply took, other than it has to be of your vehicle.:-RRB-“

Oops!

Alyssa’s grandmother sent her a text stating:” Alyssa Rachael, did you send him images of YOURSELF!? It was supposed to be of your vehicle!”

Thanks for the laugh, Alyssa!

MOBILE USERS: Download our Tucson News Now app for Apple and Android gadgets. Copyright 2017< a href=" http://www.tucsonnewsnow.com" target=" _ blank ” > Tucson News Now. All rights scheduled.

‘Purple Reign’ makes the relocation from Westgate to Tropicana

Wednesday, Nov. 1, 2017|2 a.m.

Jason Tenner has actually taken his “Purple Reign” Prince homage program to so many locations around Las Vegas throughout the years, it’s hard to keep track. But the show has actually never ever been to the Tropicana, till tonight.

After a successful three-year run at the Westgate– including the last year and a half in the historical International Theater– “Purple Reign” begins its brand-new residency this week in another timeless Vegas space, the Tropicana Theater that was once referred to as the Tiffany Theater and house for nearly 50 years to “Les Folies Bergere.”

“Hopefully some of that magic will rub off on ‘Purple Reign’ and we’ll have a show that will last there for a long time,” states Tenner. “I think it’s a testimony to Prince and everything he was an artist that our show has such appeal for people, and can hold down spaces of that size in Vegas. If we deliver it well, it has remaining power.”

Plainly, Tenner and his crew have been providing. “Purple Reign” is among Vegas’ preferred tribute programs and has been around (and explored the country) in some variation for nearly two decades, and Tenner is eagerly anticipating bringing it back to the Strip and assembling with the most recent remodellings at the Trop.

Current modifications to the program will see full bloom when it opens in its brand-new house. A bigger, multi-tiered phase set in usage at Westgate will make the move, and Tenner has actually added 2 brand-new guitarists recently along with additional female entertainers, leading to the addition of a Vanity 6 sector of the show. “Purple Reign” had long consisted of a tribute to Morris Day and the Time, and now the Vanity 6 part recognizes the other act immortalized in the 1984 film “Purple Rain.”

“We have actually included some numbers we didn’t do in the past, things with more choreography we could not do without the ladies like ‘Cream,’ upgraded costuming, and we’re wanting to add some brand-new video elements to the show that should be in prior to completion of the year,” Tenner states. “I don’t want to do a lot of dancers like the typical Vegas thing because I want to keep it all about the music, all performed by this live ensemble, but we are intensifying the production.”

Homing in on the music is essential to maintaining the spirit of Prince. The middle part of the program will be a time to play it loose and experiment, and sometimes even take demands. “We wish to have the ability to do what Prince would do,” he says. “I’ll state, ‘Exactly what do you desire?’ and we’ll take demands. Somebody screamed out ‘Free Bird,’ and we played it. We keep it enjoyable.”

“Purple Reign” debuts at the Trop on Nov. 1 and plays at 9 p.m. Wednesday through Saturday. To find out more, check out troplv.com.

Elton John makes a victorious and inspiring return to Las Vegas

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Denise Truscello Elton John will finish up his “Million Dollar Piano” residency at the Colosseum in the spring of 2018.

Friday, Oct. 13, 2017|midnight

Elton John was in Australia on Oct. 1, getting ready for a postponed go back to his headlining production “The Million Dollar Piano” at the Colosseum in Caesars Palace. The delay was due to a serious bacterial infection he unfortunately picked up while exploring in South America, triggering him to cancel a long string of spring shows in Las Vegas.

“I couldn’t think it,” he said of enjoying reports of the Path 91 shooting from another continent. “This is a town that has actually been so kind to me. I have actually been appearing here throughout my career however a lot considering that 2005 and it has a big location in my heart. Each time something happens like that, a killing like that, it stays in our hearts as artists since we cannot do anything other than play music to attempt and recover the wounds. But it does have a profound impact on us, and I just feel for this town.”

John and his band did whatever they could to heal in his first show back Wednesday night, powering through hits from various ages and individual favorites that resonated with a near capacity Colosseum audience. After opening with “The Bitch is Back” and a powerfully percussive variation of “Bennie and the Jets,” John moved into “Rocket Male” and added a prolonged musical coda, stunning on the keys with some aid from guitarist Davey Johnstone. Three songs in and the audience feared.

Another prolonged jam session trailed the next tune, “Levon” from 1971’s “Madman Across the Water” album. Then it was back to the classics with “Tiny Dancer” and “Your Tune,” the latter which previewed by a brief explanation of how John and longtime composing partner Bernie Taupin have actually crafted their brochure. “We’ve been together 50 years and it’s rather remarkable. We have actually never ever had an argument,” he said. “He gives me a lyric and from the word go, I have actually gone always gone into another space and written the tune. We’ve never ever been in the exact same space when we have actually written a tune, which is probably why we’ve lasted 50 years.”

The 70-year-old legend’s voice ended up being warmer and more flexible for “Your Song,” and he sounded much better and much better as the show went on. “Bye-bye Yellow Brick Road,” “I Guess That’s Why They Call it the Blues” and “I’m Still Standing” came out to play, naturally, but he also dug into “Indian Sunset” (with some dramatic drumming from another legend, percussionist Ray Cooper) and “Empty Garden,” a song composed in 1982 for John’s dear buddy John Lennon. Early, hard-charging hits “Crocodile Rock” and “Saturday Night’s Alright for Combating” worked the audience into a climactic frenzy– and welcomed some onstage– prior to John re-emerged in a hot pink sequined jacket for the finale, “Circle of Life.”

Elton John couldn’t be happier to be back in town, and Las Vegas couldn’t be better to have him. But bear in mind: His residency wraps up in the spring, with final dates set for April 28 to May 19, 2018. This is not a show you want to miss.

“Elton John: The Million Dollar Piano” continues at the Colosseum at Caesars Palace at 7:30 p.m. on Oct. 13, 14, 15, 18, 20, 21, 24, 25, 27 and 28, and Nov. 1, 3 and 4. The program returns once again in February. For additional information, check out thecolosseum.com.

Expert says shooter'' s behavior makes probe tough

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Individuals leave messages at a makeshift memorial for victims of the mass shooting at a music festival, Tuesday, Oct. 3, 2017, in Las Vegas. Authorities stated Stephen Craig Paddock broke windows on the Mandalay Bay gambling establishment and began shooting with a cache of weapons, killing dozens and hurting hundreds at the celebration. (AP Photo/John Locher)

Friday, Oct. 6, 2017|3:58 p.m.

Las Vegas shooter Stephen Craig Paddock’s anti-social personality will only hamper detectives as they try to figure to piece together what caused the shooting.

“It’s very difficult,” said Erroll Southers, the director of homegrown violent extremism studies at the University of Southern California.

“The absence of a social media footprint is likely intentional,” Southers said. “We’re so utilized to in the first 24 to 2 Days having the ability to review social networks posts. If they don’t leave us a note behind or a manifesto behind, and we’re not seeing that, that’s exactly what’s making this longer.

“What’s actually confusing is that we’ve seen him with comparable sort of activity– reserving rooms in other places– so you need to ask yourself the factor he selected Las Vegas and not somewhere else.”

Paddock fired indiscriminately Sunday from his upper-level room at the Mandalay Bay hotel casino at people participating in a c and w celebration below, eliminating dozens and injuring nearly 500 people. The 64-year-old Paddock killed himself as authorities closed in.

Because so few people knew Paddock well, investigators will likely have an even more difficult time arranging through his background to aim to discover any possible leads, Southers stated.

“You do not have any cases of leakage– no one to state who’s he mad at, what his intention is,” Southers stated. “The key to this case right now is the girlfriend.”

“The reason you wish to take part in a fear attack is you wish to accentuate an extremist ideology, you want publicity,” he said. “You desire people to be afraid of what you believe what you do.”

Path to totality: The heavy Psycho Las Vegas festival makes year 2 simply as unforgettable

The moon blacked out the sun on Monday, however a deeper type of darkness descended upon Las Vegas some Two Days earlier, as Virginia doom-metal band Cough chanted about “ritual suicide” inside on a bright Saturday afternoon. Invite to Psycho Las Vegas.

2017 Psycho Festival

: Friday For the 2nd August weekend in as several years, the celebration took devoted fans of metal, psychedelia and other heavy music on a regularly interesting journey inside the Hard Rock Hotel. As in 2016, Psycho disappointed selling out tickets but drew a substantial crowd– and extremely prospered as a destination occasion, logistically and sonically speaking.

This year’s Psycho played a bit like 2 festivals, one tucked carefully inside the other. Metal remains the piece de resistance– Virginia doom leader Pentagram headlined Thursday’s VIP swimming pool celebration; stoner mainstay Sleep provided an expectedly beast set on Friday; falsetto-voiced Danish veteran King Diamond re-created 1987 concept-album Abigail (complete with haunted-house staging) on Saturday; and Southern prog-metal favorites Mastodon liquidated the vacation on Sunday– and most of the crowd ended up for that, judging from turnout and the abundance of Motörhead spots.

However Psycho creator Evan Hagen’s tastes clearly run in varied directions, and he programmed the fest for others with roaming spirits. On Friday alone: Sludge champs the Melvins fuzzed-out The Beatles’ “I Want to Hold Your Hand” in the middle of their loud assault; French prog-rock outfit Lava wowed with an arty efficiency verging on musical comedy; Ethio-jazz legend Mulatu Astatke got the room grooving (even if the sound team blended the bandleader too low in the mix); and psych-rock warriors The Brian Jonestown Massacre droned indefatigably previous 3 a.m.

2017 Psycho Festival: Saturday

Psycho’s exploratory vision peaked with a two-hour Swans performance Sunday night. Progressive icon Michael Gira steered his five bandmates through a series of long structures– rather literally, the 63-year-old conducted them with his body as he played guitar and sang in his moaning baritone. Gira modulated dynamics so deliberately, at points it felt as if he were lobbing balls of sound onto the audience. It was less rock program than classical concerto, with electric guitars in place of strings.

Oakland quintet Neurosis likewise produced an enormous efficiency. Standing near the metal/experimental nexus at the heart of Psycho, the band merges standard metal sounds with less conventional tune structures– and put those weapons to effective usage during a Saturday-night set that never ever let up.

The celebration when again produced some cool discoveries, mostly inside intimate Vinyl. Ohio’s Mouth of the Designer dusted electronic weirdness onto its metal foundation on Friday; Brazilian trio Saturndust jammed out on tribal psych late Saturday; and Kansas City act Merlin– whose frontman used a cape and sunglasses– left an endearingly semi-pro impression on Sunday.

2017 Psycho Festival: Sunday

The host residential or commercial property stayed a strength for Psycho, offering– in addition to its 3 places– hotel spaces for much of the crowd, an array of solid dining alternatives (Pizza Specialty, Pink Taco, Culinary Dropout) and toilets that put any celebration equivalent to shame. On the drawback: beefed-up security, which appeared overly concerned with potential moshers, and the disappearance of free water inside the Joint on day two, with bartenders offering $8 bottles instead. The fest was once again boosted by outstanding noise, its phase lighting was greatly improved and, though it hardly seemed possible after 2016, the merch area’s stockpile of Tee shirts felt a lot more enormous, with the room acting as de-facto celebration HQ.

In 2015, Psycho developed itself as a winner, standing out in a market jumbled with celebration choices. Last weekend, it proved it was no 1 year marvel, laying the groundwork for another successfully heavy edition in 2018.

Here'' s exactly what makes health care policy so tough

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Mengxin Li/ The New York Times Anyone who has spent some time thinking about healthcare policy sees its intricacy. But, there are some pointers for comprehending why it is so vexing.

Tuesday, Aug. 1, 2017|2 a.m.

“No one understood that health care could be so complicated.” President Donald Trump said that in February, yielding more than a couple of laughes from experts and late-night comics.

In reality, anyone who has actually spent a long time thinking about the problem sees its complexity. With the collapse of the Senate healthcare costs last week, the president has certainly been reminded of it.

But Trump’s surprise raises some concerns: Why is health care so made complex? How does it vary from most of the other products and services that the economy produces? What makes health policy so vexing?

In Econ 101, students discover that market economies allocate scarce resources based on the forces of supply and need. In many markets, producers choose just how much to market as they try to optimize profit, and customers choose how much to purchase as they try to achieve the very best standard of living they can. Prices adjust to bring supply and demand into balance. Things frequently exercise well, with little function left for federal government. Hence, Adam Smith’s vaunted “invisible hand.”

Yet the magic of the free market often fails us when it concerns healthcare. There are several reasons.

Externalities are plentiful. In most markets, the main interested parties are the buyers and sellers. But in health care markets, decisions often affect unwitting bystanders, a phenomenon that financial experts call an externality.

Take vaccines, for instance. If a person gets a vaccination against an illness, she or he is less most likely to capture it, become a carrier and contaminate others. Due to the fact that individuals might neglect the positive spillovers when weighing the costs and benefits, too few people will get vaccinated, unless the federal government in some way promotes vaccination.

Another positive spillover issues medical research. When a doctor finds out a new treatment, that details enters society’s swimming pool of medical understanding. Without federal government intervention, such as research subsidies or an efficient patent system, too couple of resources will be devoted to research.

Consumers typically don’t know exactly what they require. In the majority of markets, consumers can evaluate whether they are happy with the items they buy. But when people get ill, they frequently do unknown exactly what they require and often are not in a position to make excellent choices. They rely on a doctor’s recommendations, which even with hindsight is tough to evaluate.

The inability of health care customers to monitor item quality causes regulation, such as the licensing of doctors, dental experts and nurses. For similar reason, the Fda oversees the safety and effectiveness of pharmaceuticals.

Health care spending can be unforeseen and expensive. Investing in a lot of things individuals purchase– housing, food, transport– is easy to anticipate and spending plan for. However health care expenditures can come arbitrarily and take a big toll on an individual’s finances.

Medical insurance resolves this problem by pooling dangers among the population. However it likewise suggests that consumers no longer pay for most of their healthcare out of pocket. The big function of third-party payers minimizes financial uncertainty however creates another issue.

Insured consumers tend to overconsume. When insurance coverage is selecting up the tab, people have less incentive to be cost-conscious. For example, if patients don’t need to spend for each physician visit, they may go too rapidly when they experience small symptoms. Physicians might be more likely to buy tests of dubious value when an insurance provider is footing the bill.

To mitigate this issue, insurers have copays, deductibles and rules limiting access to services. However copays and deductibles minimize the ability of insurance to pool risk, and gain access to rules can produce disputes in between insurance providers and their clients.

Another problem that develops is called negative choice: If clients differ in appropriate methods (such as when they have a chronic illness) and those differences are understood to them however not to insurance providers, the mix of individuals who buy insurance coverage might be especially expensive.

Negative selection can result in a phenomenon called the death spiral. Suppose that insurer need to charge everybody the very same cost. It might seem to make sense to base the rate of insurance coverage on the health characteristics of the average person. However if it does so, the healthiest individuals may decide that insurance coverage is unworthy the expense and leave of the insured pool. With sicker clients, the company has greater costs and must raise the rate of insurance. The higher cost now induces the next healthiest group of people to drop insurance, increasing the cost and rate again. As this process continues, more individuals drop their protection, the insured swimming pool is less healthy and the price keeps rising. In the end, the insurance market may disappear.

The Affordable Care Act (aka Obamacare) attempted to reduce negative selection by needing all Americans to purchase medical insurance or pay a penalty. This policy is questionable and has been a mixed success. More people now have health insurance, however about 12 percent of grownups aged 18 to 64 remain uninsured. One thing, however, is specific: The existence of a federal law mandating that individuals purchase something demonstrates how uncommon the marketplace for health care is.

The very best method to browse the issues of the healthcare marketplace is fiercely discussed. The political left desires a more powerful government function, and the political right desires regulation to be less heavy-handed. However policy wonks of all stripes can agree that health policy is, and will always be, made complex.

Netflix makes Hall H debut with big spending plan Will Smith picture

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Al Powers/ AP Will Smith reacts at the Netflix Films’ “Bright” panel on the first day of Comic-Con International on Thursday, July 20, 2017, in San Diego.

Thursday, July 20, 2017|6:38 p.m.

SAN DIEGO– Picture “End of Watch” but with orcs and fairies and magic. That’s the vibe of Will Smith’s big budget Netflix film “Bright,” which unveiled its very first complete trailer Thursday in a presentation at Comic-Con.

The movie reunites Smith with his “Suicide Squad” director David Ayer and takes audiences to a gritty Los Angeles setting where 2 police officers, one human (Smith) and one orc (Joel Edgerton) have to contend with some legendary, evil forces plaguing the city. Noomi Rapace and Edgar Ramirez likewise star.

It was the Hall H launching for the streaming service, which brought out Smith, Edgerton, Ayer and the movie’s other stars to charm the 6,500 incredibly fans in presence and get them delighted about the $90 million movie, which makes its Netflix debut on Dec. 22.

Ayer stated “Intense” is not some “standard concern PG-13 motion picture.”

“I was able to do some real (curse),” Ayer said. “I had the ability to tell a genuine story. I was able to do my thing.”

He praised Netflix for its support.

Smith said the movie has the tough “rated-R grind of ‘Training Day'” mashed up with “Lord of the Rings.”

His character is stuck with the force’s very first orc police officer, which Smith said gave him a rare character opportunity: to be racist.

“You never ever get to be racist when you’re black,” Smith stated. “You’re like, ‘Look male, I do not want no orcs in my automobile.'”

Smith is simply the current A-list film star to try his luck doing a big movie with Netflix and has made waves in Hollywood with his support of the service.

“There is a distinction in between seeing a movie in a theater and seeing it on Netflix,” Smith yielded, however included that he is “really thrilled” to see “whatever this new wave of home entertainment is going to be.”

Netflix also trotted out the director and cast of its upcoming movie horror pic “Death Note,” which some Comic-Con guests will get to see in full Thursday night before its Aug. 25 Netflix launch.

Based on the manga series of the very same name “Death Keep in mind” follows a high school student (Nat Wolff) who finds a supernatural notebook that gives him the power to choose who passes away and how. All he has to do is compose a name and an approach in the note pad and the Willem Dafoe-voiced devil Ryuk carries out the grim job.

Netflix is simply one of a few studios previewing movies for audiences at the yearly fan convention. Previously on Thursday, Fox showed footage from “Kingsman: The Golden Circle” and on Saturday the comic book giants DC and Marvel will go head-to-head with prolonged presentations.

Comic-Con runs through Sunday.

Aetna Makes great on Plans to Pull HQ Out of Connecticut

Insurance company Leases 145,000 SF in NYC’s Meatpacking District in New Office complex by Vornado, Aurora Capital Scheduled for Conclusion in 2018

Following through on its strategies to take out of Connecticut, Aetna, Inc. will move its home office from its longtime Hartford place to Manhattan by late 2018.

The insurance coverage firm will transfer 250 headquarters jobs to a brand-new building at 61 Ninth Ave. in Manhattan’s Meatpacking District. It consented to occupy 145,000 square feet in the 167,170-square-foot office building slated for 2018 shipment by Aurora Capital Associate and Vornado Real estate Trust (NYSE: VNO). Terms of Aetna’s lease were not instantly readily available.

In revealing the move, Aetna included a parting shot at Connecticut legislators, saying, “Aetna’s long-lasting dedication to Connecticut will be based upon the state’s financial health. The company remains confident that lawmakers will come to an agreement that puts Connecticut on sound monetary footing which the state will support required reforms to make Hartford a vibrant city as soon as again.”

Just a month earlier, Aetna verified that the managed-care service provider was deep in talk with move corporate operations from Hartford, where its roots go back 200 years. Boston and New York City were said to be the front-runners, and on Thursday the business revealed the decision to relocate to the Huge Apple, “an understanding economy hub and a driver of the innovations that will play a significant part in our ongoing change,” stated Aetna Chairman and CEO Mark T. Bertolini.

In the meantime, numerous essential Aetna companies will remain primarily based in Hartford, while the customer health and services team will continue to operate out of Wellesley, MA. Nevertheless, Bertolini hinted that Aetna might double down on New York City, where it currently has a recognized existence, leveraging its deep talent swimming pool as “an important resource as we think about additional investments in the city moving forward.”

Empire State Advancement provided Aetna $24 million in performance-based tax credits over Ten Years to encourage the moving. Aetna will add 250 senior positions and invest $84 million to fit out and equip its brand-new headquarters structure, inning accordance with New york city Gov. Andrew M. Cuomo.

“New York has a deep, diverse talent swimming pool and pro-growth environment that companies have to succeed, and today more companies are choosing New york city to grow and diversify their business,” Cuomo stated.