Tag Archives: musical

Emilio and Gloria Estefan story ‘On Your Feet!’ seems like a musical suitable for Las Vegas

Broadway-style, initial musicals are having a hard time on the Strip nowadays, which is to say there aren’t any such shows in gambling establishment theaters at this particular moment. If we could nominate a program that would likely work well in this environment, one with electrical and beloved music and a timeless true story, it would be the show visiting the Smith Center this week.

On Your Feet! is the story behind the love and music of Gloria and Emilio Estefan. After a 2015 Chicago premiere and an acclaimed two-year perform at Broadway’s Marquis Theatre, the musical written by the multiple Grammy-winning couple and Alexander Dinelaris and directed by Jerry Mitchell– and co-produced by noteworthy Las Vegan Bernie Yuman– bet eight months in the Netherlands prior to starting its U.S. trip last fall.

The production that strikes Reynolds Hall for eight programs from September 4-9 runs for 150 minutes with an intermission, however if you cut that to 100 you might have a huge Vegas winner, and Emilio Estefan knows this possibility.

“Numerous individuals have actually discussed that,” he states. “Vegas resembles Broadway because you have brand-new individuals being available in every single week, and Gloria is so well-known around the world. I believe Vegas would be an extraordinary thing. Bernie has always stated one place the program would do great is Vegas, so I hope we speak with a few of those people and they make a deal.”

The Estefans bring significant power to such a job. A retired pop legend, Gloria regularly brought her tours to Las Vegas, many frequently to Caesars Palace, and Emilio is a distinguished producer of music, movie and television who assisted mold the professions of other Latin stars consisting of Shakira, Ricky Martin and Jennifer Lopez.

“We have a great deal of great memories in Las Vegas, and I’m thrilled to see [how On Your Feet!] does there after seeing it in New York and LA,” Emilio states. “We’re aiming to go [to Las Vegas] for it. It’s been fantastic and sometimes surprising to see the response in various locations, in Holland and the United States, and now we’re going to open in England [next summer]”

On Your Feet! isn’t really simply a musical saturated with hits like “Conga,” “Rhythm Is Gon na Get You,” “1-2-3” and “Coming Out of the Dark,” it’s the story of the Estefans’ lives and professions, from Gloria’s training in Miami’s Little Havana to Emilio’s motivation that drew the shy singer onstage. The post-superstardom second act follows the household’s development and states the 1990 tour bus crash that practically immobilized Gloria. That’s when the program’s one original song is performed: “If I Never Ever Got to Inform You,” co-written by their daughter Emily Estefan, also an artist.

“That’s a very unique minute,” Emilio says. “We see it as often times as we can, and it’s a fantastic sensation. It’s been a stunning career, and it’s been so good to influence through this program, not only to inspire minorities and Latinos however simply to show you can live in this extraordinary country and dreams can become a reality. We always wished to offer something back and we’re happy to do that.”

ON YOUR FEET! September 4-9, times vary, $49-$119. Reynolds Hall, 702-749-2000.

‘Marilyn! The New Musical’ makes a powerful launching on the Strip


Denise Truscello Ruby Lewis captivates as Marilyn Monroe in “Marilyn! The New Musical” at Paris Las Vegas.

Monday, June 4, 2018|2 a.m.

Marilyn Monroe is a certainly fantastic choice as the foundation for a Las Vegas production program, one of Hollywood’s most classic figures and still the really meaning of a sex object. But exactly what sort of Vegas show would you develop around an icon?

Transplanted manufacturer Tegan Summer season, in collaboration with Caesars Entertainment and Authentic Brands Group representing the estate of Marilyn Monroe, has selected a big Broadway-style musical crammed with original tunes and detailed biographical storytelling, now playing at the Paris Theater. If that sounds a bit dense, it deserves noting that the grand opening efficiency on June 1 was a rapid-fire affair, bouncing from tune to song with roller-coaster momentum and a remarkable amount of feeling from a talented cast anchored by Ruby Lewis as Marilyn.

The Paris Theater is an appropriately glamorous venue for this original production, written and directed by Summer season with additional musical contributions from orchestrator Gregory Nabors. The show’s onstage guide is Charlie, Marilyn’s relied on driver and confidant, played with energy and love by Frank Lawson. He narrates as we watch innocent, distressed Norma Jeane Mortensen (Brittney Bertier) discover her way to Hollywood to end up being a star who deals with love and loss and chemical reliance while defending expert respect.

A rare stabilizing force in Marilyn’s life– and a necessary efficiency in the program– is ex-boyfriend Bill, played with strength and vulnerability by Chris Fore. As Marilyn develops and wrangles with her devils, she’s continuously considering Expense, whose kindness works as a canvas for Marilyn’s irregular, precarious life. A tender moment shows up when Lewis and Fore sing “Somebody else Ago,” one of many big, psychological songs in the program; “Do not Wan na Be Me” discovers Marilyn and Norma Jeane singing with and versus each other, and Lewis shows her powerful, expressive voice in “The Time of My Life (I Should Have More).”

The story informed in “Marilyn!” is remarkable however the cast makes it engaging. Travis Cloer returns to the phase where he played Frankie Valli in “Jersey Boys” to portray among Marilyn’s numerous allies and agitators, professional photographer and producer Milton Greene. Randal Keith takes all his scenes as studio primary Darryl Zanuck. You want to see and hear more when these and other characters slip into the spotlight, however the runaway train of Marilyn’s presence creates a manic rate throughout the production.

When Lewis sings that infamous rendition of “Happy Birthday” for JFK, the unpredictability is tangible. Contrasting enjoyment comes early when Lewis performs her very first number, Cole Porter’s “My Heart Belongs to Daddy,” sung by Marilyn in 1960’s “Let’s Have sex.” That minute is one example of this show at its best, when Lewis is being showcased and Marilyn is being commemorated.

This is only the beginning. It will be interesting to see how “Marilyn!” evolves with time, however the Vegas home entertainment community is currently grateful to have an original piece of musical theater on the Strip phase. “Marilyn! The New Musical” is performed at 7 p.m. Tuesday through Sunday at the Paris Theater (3655 Las Vegas Blvd. South, 702-777-2782) and more info can be discovered at caesars.com.

All The Vegas Podcast: Ruby Lewis of '' Marilyn! The New Musical''.

There’s a new, Broadway-style musical on the Las Vegas Strip and it has to do with time. Marilyn! The New Musical has made its launching at the Paris Theater and among our preferred Vegas performers Ruby Lewis stars as Marilyn Monroe.”I feel like I’ve been training for this my entire life,” she says of the role.

All The Vegas ATV5: Ruby Lewis

All The Vegas hosts Brock Radke and Mark Shunock talk with singer and actress Ruby Lewis, star of “Marilyn! The New Musical” at Paris Las Vegas.

You may have seen Ruby in Baz at Venetian, on Broadway in Cirque du Soleil’s Admirer or on TELEVISION shows like Medium, Masters of Sex and Desperate Houswives. We talk about her home town of Shelbyville, Kentucky; dealing with the great Felicity Huffman; stepping into the diamond-drenched function of a Hollywood icon; home hunting in Las Vegas and far more.


Ruby wants you to find the charming new tiki bar hidden at regional Italian food preferred Casa Di Amore. Mark recommends the tasty food and cool jazz at the brand-new Pizzeria MonzĂș. Brock discovered the best mixed drink bar for the summer season. It’s at Park MGM and it’s called Juniper and it’s everything about the gin.

Sheila E. brings her musical message to the Golden Nugget


Discover Sheila E. at the Golden

1980s hits”Attractive Life”and” A Love Bizarre” and for her long time connection and cooperations with Prince. However the Oakland-born artist has also worked with legends like Ringo Starr, Marvin Gaye, Herbie Hancock, Diana Ross, Lionel Richie, Gloria Estefan and more and she truly does it all as a singer, songwriter, multi-instrumentalist and producer. She added another impressive achievement in September when she released”

Iconic: Message 4 America,”a musical call to action that landed her back on the Signboard Albums chart for the very first time given that 1991. Since she’s performing at the Golden Nugget this weekend, I took the opportunity to talk with Sheila E. about the album and how essential it is to her, and how her fans are responding to such a politically charged piece of work. We simply saw you on “American Idol “for the program’s Prince episode. How much fun was that? It was a great deal of fun and it was an important thing to do, too. Everybody wants to do Prince songs and is motivated by him and no one is trying to replace him– because you can’t– however we need to keep taking the chances to continue his tradition and commemorate it, to teach the next generation what that is. I’m really thankful” American Idol” did that. If we do not educate about him and continue to commemorate him, then individuals will forget and everything goes away. He’s done so much. It would be a pity for people to not keep in mind all the great things he left us. And you were in Las Vegas right before you did”Idol. “Did you capture a program last time you were in town? I enjoy Vegas. I have household there and I like to obtain in and out and see programs, from Cirque do Soleil to more recent ones. I saw Earth, Wind & Fire [at Venetian] however before that I saw Ricky Martin, who places on a great program. I love his songs which theater he’s performing in, & you do not even realize it’s a theater since he turns it into one enormous club. Everyone is partying, singing and dancing which’s exactly what you want music to do. Is it true that you were dealing with the”Renowned “album before the 2016 election? It was a couple years prior that I began a job called”Political correctness.”I knew the record I wanted to compose several years ago however I believed it would take at least six months to put it together due to the fact that the lyrical content needed to be quite deep. But then whatever happened so quickly. I was grieving Prince and after that I was mourning our country, with the method the election was going, so I recognized I needed to put something out right now. And so I started considering the tunes I grew up listening to in the ’60s and ’70s, terrific songs that were so relevant for that time and again today with exactly what’s taking place now. And so”Iconic”is a collection of curated covers of songs like “Come Together”with Ringo Starr and “Everyday People” with Freddie Stone from

Sly & The Household Stone and”Pusherman “by Curtis Mayfield. Right. “Pusherman,” today, that pusherman is the drug administration. We are resolving things that are taking place right away with these tunes and paying tribute to those artists. We did”One Country Under a Groove”with George Clinton. It’s time to come together through peace and love, so we picked that due to the fact that we need to unify, even though there’s so much hatred and division and even though the lyrical material can be crazy, the property is bringing individuals together. All of it suggests something. Existed any apprehension for you when you were making the album, considering this is not something your fans would necessarily expect from you? My fans are not used to me speaking about these kinds of things.

That’s why I knew it would take a while to compose it. However these songs deal with the issues I would have written about, issues like hardship and all the things about the National Anthem. And it’s going terrific when we’re playing these tunes. We open up with a funky variation of the National Anthem, our variation, and if they’re sitting they begin standing and singing and we love that. When you go to our programs, you see variety in the audience. Music brings individuals together. It does not matter what does it cost? cash you make or exactly what your status is or who you like or if you’re Republican or Democrat. Our audience is exactly what America looks like, all individuals, all of the above. Sheila E. takes the stage at 8 p.m. on May 18 at the Golden Nugget Display Room(129 E. Fremont St., 800-745-3000) and more info can be discovered at goldennugget.com.

Kenny Davidsen marks five years at the Tuscany with a blowout musical celebration


You can catch Kenny Davidsen at the Tuscany, at Do not Inform Mother downtown and throughout Mondays Dark at The Space.


Harry Connick Jr. takes a TELEVISION timeout for some musical nights at Wynn


Chris Pizzello/AP Harry Connick Jr. at this year’s Daytime Emmy Awards.

Wednesday, Nov. 15, 2017|2 a.m.

Recording artist and star Harry Connick Jr. included a new title to his resume last year when he introduced his syndicated daytime talk show “Harry” on CBS. As it ends up, a talk program requires quite a bit of work. “I didn’t have a great deal of time to do much else due to the fact that we were figuring a great deal of stuff out,” he says, but he’s back onstage for 2 programs this weekend at Encore Theater. “Now I have time to play and I’m thrilled. I have fun with my band every day on the show but there’s nothing like taking it on the roadway, and I like Vegas and I like that space. I have actually always had an excellent time out there. Exactly what I love most is you can do nothing or you can do tons of things. There are many choices.”

Here’s the rest of my discussion with the New Orleans born pianist, vocalist, bandleader and more:

You’re getting your very own star on the Hollywood Walk of Fame next year. Congrats! It’s extraordinary. I’m simply blown away, because that’s something I’ve never ever actually thought of. It’s an incredibly pleasant surprise.

You’re being inducted with some excellent company: Snoop Dogg, Weird Al, Jack Black, Jennifer Lawrence, Richard Branson, and Erick McCormack, your co-star from “Will & & Grace. “That I didn’t know. That’s great.

Exactly what was it want to reprise your function as Leo in the “Will & & Grace” reboot? It was so fun despite the fact that I only did one episode. The cool thing was that it was nearly like time stopped– the set looks he same, the cast looks the exact same, much of the authors are back. It’s an experience I have actually never ever had before in program service. To be part of a huge hit like that one time is unusual, to have the experience twice was novel and I was thrilled to be welcomed back.

You’ve got a year of doing your daytime talk show under your belt. How has it progressed? We learned a lot the very first year. It was a time for us to discover exactly what we are aiming to say and the best ways to state it, and we attempted a great deal of various things and had a good time doing it. We kinda figured it out and were getting ready to opt for the 2nd year whether we got picked up or not, and we were lucky to get 5 Emmy nominations and got gotten [for another season], so I’m simply delighted. I feel like we understand the show and everyone is having a good time.

And you’re intending on having a fun time in Vegas? Me? For sure. The dining establishments out there, the shows, plus it’s a terrific household town … there are a lot of diverse things to do. If you want to you can just relax by the swimming pool, or you can see some remarkable entertainers. I like it out there.

You’re staying busy with TELEVISION however are you planning to get back in the studio to produce a new album at any time soon? I have some ideas floating around in my head. At some time in the future I’ll be making a record, and I’m also looking at scripts for movie and Broadway. I just need to choose exactly what the next thing is going to be and keep arranging through them. But it won’t be long prior to we’re back in the studio.

Harry Connick Jr. performs at Wynn’s Repetition Theater at 8 p.m. November 17 and 18 and December 1 and 2. For info, check out wynnlasvegas.com.

Boyz II Men’s Mirage residency is a musical gem stacked with surprises


Boyz II Men takes the stage at the

, 2017|2 a.m.

. Exactly what a wonderland of popular song Las Vegas has actually ended up being. Luis Fonsi’s “Despacito,” probably the biggest song of the summertime, simply tied 1995’s “One Sugary food Day” by Mariah Carey and Boyz II Guys with 16 weeks at No. 1 on Billboard’s Hot 100 chart. Fonsi’s tour brings him to Las Vegas at the Pearl at the Palms next weekend on Sept. 8. We simply saw Mariah sing “One Sweet Day” at the Colosseum at Caesars Palace in July, and Boyz II Guys continues to perform throughout the rest of this year at the Terry Fator Theatre at Mirage.

With Celine Dion, Bruno Mars, Elton John, Britney Spears and more going back to the Strip every few months, it’s simple for one of these acts to get a bit lost in the shuffle, and that’s what may have occurred to Boyz II Guys, the all-time finest selling R&B group that started its Mirage gigs in 2014. Perhaps fans believe they know what a Boyz II Guys show appearances and sounds like in 2017, but the group has a lot of surprises in store. Far from a collection of sluggish ballads, this program is energetic, interactive and totally musical, among the very best general home entertainment choices on the Strip.

Definitely, there are ballads, slow-burning opportunities for this talented trio of singers to take their turn in the spotlight. Wanya Morris, who competed in the 22nd season of “Dancing With destiny,” breaks out the vocal acrobatics early in “On Bended Knee.” They take every chance between songs to thank the audience for their continued assistance and drop a little behind-the-scenes storytelling into the mix, consisting of the one about how nation band Lonestar’s mega-hit “Surprised” was used initially to the Boyz; they are sorry for handing down the tune, but they still performed their own variation.

Then the genuine fun begins. Boyz II Men is the last excellent Motown group, and not just because they are constantly motivated by the renowned record business’s timeless noise and style. They tape-recorded their first 3 albums for Motown, and covered their preferred tracks from the Motown era with 2007’s “A Journey Through Hitsville USA.” When they enter into their Motown sector at Mirage, the energy is transmittable– they could easily do a whole show of these hits. From “Reach Out (I’ll Exist)” to “The Tracks of My Tears,” the performers are clearly having as much fun as the audience.

And after that they begin having more enjoyable than the audience. After a throwback section commemorating their a capella origins, Shawn Stockman gets a guitar, Nathan Morris straps on a bass and suddenly Boyz II Men is a rollicking rock cover band, blasting through hits by Lenny Kravitz, Bruno Mars and the Beatles. It’s the type of spontaneous minute that separates these Vegas residencies from the pack, when a routinely occurring program seems like a one-night-only concert. Not every artist has the skill to pull it off.

When the Boyz enter into their greatest hits, the audience requires them to extend the songs out permanently. Ladies run up to the stage to get a rose tossed to them throughout “I’ll Make Love to You,” and “End of the Roadway” takes everybody back, if not to 1991 then the location of some personal, emotional memory. Not all well-known pop music is classic, but these songs are, and this group’s capabilities have not subsided one bit.

Boyz II Men carries out Sept. 1-3 and 15-17 in the Terry Fator Theatre at the Mirage, and continues with set up Friday-Sunday performances in October, November and December. For ticket information, call 702-792-7777 or see mirage.com.

Jermaine Dupri talks Atlanta influence and musical creativity

The noise of Atlanta has actually been the defining noise of hip-hop and R&B for quite a while now. And maybe nobody has been more prominent in molding that sound than songwriter, performer and superproducer Jermaine Dupri. We overtook JD, who returns to his DJ residency at Tao and Tao Beach this week, to talk music and more.

You just ended up the So Summertime tour with a few of the entertainers from The Rap Game. Exactly what was that like? It was pretty amazing, 17 cities with nine kids from The Rap Video game where they got to carry out in front of their fans. It was a dope program. We got a larger response than we actually anticipated, due to the fact that the kids that came out were really real fans. I think the most expensive tickets sold out the fastest.

You’ve established a lot of artists over the years, however The Rap Video game is different. It’s easy, since on TELEVISION you do not see me actually working, you see me putting them through tests to obtain to me. I do not deal with them together, so TELEVISION is definitely easier. However I have actually been doing it for so long and I choose my fights– I understand which [artists] have that it aspect that is going to make my task much easier. If I see someone and simply gravitate to them, I seem like it will not take wish for me to establish that person into something this industry requires.

Artists from Atlanta are when again on top of the charts. Do you believe Atlanta’s impact is bigger than it’s ever been? It can’t be larger, since people are not buying music and selling records the way they were years earlier. The biggest ever? We have actually most likely seen that period. But it’s just as lively. That earthquake of artists that came before, we offered a lot of records and created so much culture that the ones you find out about now are almost residing on the fumes of all that. Ludacris, Jeezy, Usher, TLC, Toni Braxton, Xscape, Jagged Edge, Kriss Kross, Lil Jon, Goodie Mob, OutKast– these artists all came out in the ’90s, all of this amazing skill. The city still moves off exactly what was currently laid down.

But Atlanta does not truly get the regard of cities that have actually likewise been developmental and influential in this genre. It’s hard for Atlanta due to the fact that people still treat LA and New York the way they do. Eventually, Atlanta has always been fighting to be as appreciated as both of those two coasts, and it’s never ever actually happened, and we have actually had larger artists. I don’t know if LA has actually had R&B artists as huge as Usher and TLC. And it’s been running rap for a minute– Atlanta has the most artists when it pertains to rap music.

Exactly what is it about Atlanta than cultivates creativity? It’s simply a city that strives to be accepted, to be recognized, when you do that you wind up with something different. Most of the music industry is people declaring they want to do something different however truly they just want a shot to do something that’s already been done. Atlanta artists seem to come out doing something various than exactly what we have actually seen, if you think of, for example, the method Andre 3000 was dressing. It was so odd, simply completely different.

At this point in your career, how do you feel about producing versus performing? I do it all at the same time. I carried out on the tour. I like writing and having those artists go out and get appreciation and people loving those songs. And after that at my programs, people yell when we come out and I get that, too. It’s the very same thing when I concern Vegas to DJ. It’s intriguing when I DJ because maybe half of the crowd desires me to perform as Jermaine the artist, so I need to aim to handle when is the correct time to play something or carry out.

It’s the exact same thing if you ask me what I’m working on today. I have no idea if you’re discussing the TELEVISION show, or an artist, or my own music. However I get satisfaction from all of it.

Which JD tracks are the most asked for when you’re trying to DJ and they make you carry out? Most likely “Invite to Atlanta,” and “Cash Ain’t a Thang.” In Vegas you’ve got the Mariah [Carey] residency, so fans come out and request Mariah records, which is funny since that’s not exactly what I’m playing. I did the Super Bowl when Atlanta was playing and I began the set with “Invite to Atlanta,” and the action was undoubtedly insane. It constantly just depends on how I feel. I DJ from feel, I do not actually have a set I do each time.

So I don’t wish to ask what you’re dealing with now, but … what are you working on? I’m starting on Usher’s brand-new album. I’m staring with Bow Wow. I’m dealing with more records from Nova, who won the program last season. A lot of stuff. Jermaine Dupri at Tao at Venetian, July 13 & & August 3; at Tao Beach, July 15 & & August 5.– Brock Radke