Tag Archives: print

Northern Nevada-area newspapers decreasing print editions

Tuesday, July 3, 2018|9:57 a.m.

CARSON CITY– The owner of 4 northern Nevada-area papers says it’s decreasing the number of days it prints the papers each week.

The Nevada Appeal in Carson City reports owner Sierra Nevada Media Group is cutting the paper’s publishing schedule from six days a week to simply Wednesdays and Saturdays.

Sierra Nevada Media Group is also cutting The Record-Courier in Gardnerville from printing 3 days a week to just Thursdays and Saturdays. The Lahontan Valley News in Fallon will shift from 2 days of print to Wednesday only and Tahoe Daily Tribune will shrink from publishing three days a week to Fridays only.

The newspapers will still release online regularly.

Sierra Nevada Media Group says tariffs on newsprint, the effect of paper on garbage dumps and altering habits of readers all affected the choice to alter the publishing schedule.

A History of Play in Print

Research study connects the product legacy of gaming in the Renaissance with contemporary board and card video games.

Research| Aug 1, 2017|By

UNLV News Center This Milton Bradley, & Co. lithograph illustrates the Springfield Bike Club– Bike Camp-Exhibition & & Tournament, Sept. 18-20, 1883. (Library of Congress)

Editor’s Note:

UNLV Center for Gaming Research study Eadington Fellow Kelli Wood is an assistant teacher in the Department of the History of Art at the University of Michigan and a postdoctoral scholar in the Michigan Society of Fellows. An art historian, she has looked into the art of game play from the 16th century to contemporary. She will provide a colloquium, “A History of Play in Print: Paper Games from Cards to Candyland” at 2 p.m. Aug. 4 in the Goldfield Room, Lied Library. RSVP here. For certain generations, Milton Bradley was synonymous with parlor game, notoriously producing hits such as Life, Chutes & & Ladders, Battleship, and Candy Land well into the 2000s. Couple of, nevertheless, keep in mind Milton Bradley as an artist or printer, with works like his vibrant 1883 poster marketing the Springfield Bike club all but forgotten.

Moreover, and perhaps remarkably to some, this contemporary product culture of video games– consisting of not just parlor game, but likewise gambling video games– is rooted in a legacy of printmaking started during the Renaissance. The material history of printed games has actually impacted not only the circulation and economics of our games, however also their social, ethical, and visual significance.

Kelli WoodKelli Wood I take a look at the advancement from Renaissance cards to modern parlor game and what they tell us about how we have fun with storytelling, creativity, and opportunity. The mix of cards, dice, and video game boards including envisioned journeys in our contemporary games is rooted in printed video games from the early modern-day era. These games link cash and commerce; produce fictional maps and worlds; and teach morality and technique in relation to fortune and chance.

During my time at UNLV Special Collections, my research study has made particular usage of the Taxe Collection, which includes significant 16th- and 17th-century materials that shed light on both the practical and moral sides of gaming.

On the practical side are works such as La maison academique contenant les jeux (Paris: Chez Estienne Loyson, 1659), which describes the guidelines and mode of play for many popular printed video games at the time, consisting of card video games such as piquet, and parlor game such as the video game of the goose.

The ethical side includes works such as an unusual copy of a 1585 tract devoted to the Grand Duchess of Tuscany, Del giuoco: discorso del padre m. Tommaso Buoninsegni (Florence: Giorgio Marescotti, 1585), which contextualizes betting within a doctrinal structure. Magnificent providence drives fortune, clearing the way for a popular court activity to continue.

‘Treasure hunter’ discovers Dali print at Henderson garage sale

Dave Shaw held the thick white paper to his bed room’s sliding-glass door. As the sunshine streamed through it, the word “ARCHES” lit up on the outdoors margin, like a hidden idea in a Dan Brown novel.

“Resembles that’s it,” the Henderson local stated.

The sign, called a watermark, verified exactly what Shaw had actually expected for more than a week: The Salvador Dali print he acquired for $5 at a late May yard sale in his community, near the intersection of Sundown Roadway and Eco-friendly Valley Parkway, was authentic.

A 49-year-old British expatriate who purchases and offers antiques for a living, Shaw stated he noticed the print immediately, sitting in the driveway in the sun.

“I knew but I had not been sure, you know what I suggest?” he said. “You’re looking for treasure, you can be wrong 10 times, and on the 10th time …

“I called my friend, and he said, ‘Ah, do not get excited. There’s so many phonies of Dali. No one will buy it.’ “

But his pal likewise put him in touch with Emily Sharbani Hamilton, an art dealer in Olympia, Wash. When Hamilton searched for the piece, entitled “Reflection,” in the main brochure of the Spanish surrealist, she found there were no recognized forgeries of it.

That was great news, although unlike an original painting, the marketplace for prints is not as financially rewarding. Beginning in the late 1800s, artists started making use of print such as lithography to develop an original masterpiece, then reproduce it by the hundreds or more, signing the copies in pencil. The practice allowed artists to bring in money and gain exposure.

Before Dali passed away, said Joan Kropf, director of the Dali Museum in St. Petersburg, Fla., he frequently worked in prints.

“Dali didn’t want to be bad,” Kropf said. “Every print represents a piece of art. He would do a watercolor or something to represent that print, then there would be a lithographic approach to print it. So it would be offered for the typical individual to buy.”

Known for “The Determination of Memory,” his most popular painting, showcasing melting clocks, Dali was one of the most prominent surrealists in history. Flamboyant and highly creative, the Spanish artist grew a wiry mustache that became his trademark. He also worked in sculpture, photography, literature and film. He passed away in 1989 at age 84.

“Reflection” is the 3rd work in a three-piece set, called the “Cycles of Life” suite. It depicts that familiar Dali image– a melting clock– on a wrist whose hand indicate a landscape in the top right corner. Two sketches of heads, one young, one old, inhabit the top left and bottom right corners, respectively.

Frank Hunter, commonly considereded as the foremost authenticator of Dali works, said that Dali probably repainted the clock onto the arm, which was puttinged by someone else, and that the sketches were what made the piece distinct. He hypothesized in a telephone interview with the Las Vegas Review-Journal that they might represent the passage of time.

He advised there are numerous clues that would verify whether Shaw’s print was real. One was the “ARCHES” watermark, which means a kind of uncommon paper produced in France for printers. Shaw’s print matched each of the tests.

In 2012, one copy of “Reflection” that appeared in a Goodwill shop in Washington state eventually cost more than $10,000 after a crush of promotion, though the print’s market price is approximated to be far less. Hamilton appraised the value of the print at $9,500, with its market value at under $1,000.

“To find it at a garage sale is quite darn cool,” Hamilton stated. “However like I said, it’s not that this is an incredibly uncommon piece.”

For Shaw, who lives off of his incomes from the sale of antiques and, occasionally, used vehicles, the find is an adventure. The Henderson house he leases with his girlfriend and child is decorated with their finds. A $600 Pottery Barn table set acquired for $40 lines the kitchen wall, a 100-year-old teddy bear sits framed in glass in his bedroom. He owns a first edition hardbound book of “Willy Wonka,” with what appears to be author Roald Dahl’s autograph inside.

“One of his quotes is something like, ‘If you do not care about magic, you’ll never find it,'” Shaw mused, looking at the book. “That is among me prizes, right there.”

But the Dali print is for sale once again. Shaw has put it up for auction on Ebay for $1,000 under his screen name, “octreasurehunters.”

The first thing that popped into his mind at the thought it will sell? The price might cover this month’s room and board.

Shaw described the experience of finding treasure out of perceived junk as “gratifying.”

“It’s not like I haven’t been praying for it,” he stated. “I need a miracle each month simply to pay the lease. If you do not ask for it, it doesn’t come.

“I wish I could keep it also. Part of me is sad. Money simply goes, however this is a piece of history.”

Contact Knowles Adkisson at [email protected]!.?.! or 702-224-5529. Discover him on Twitter: @knowlesadkisson.