Tag Archives: residency

Another rebel shout: Billy Idol returning for Las Vegas residency

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Courtesy Edison Graff/ House of Blues Las Vegas

Billy Idol carries out Friday, Sept. 2, 2016, at your house of Blues.

Tuesday, Sept. 18, 2018|8:05 a.m.

. A rebel scream will be heard once again in Las Vegas.

Palms Gambling Establishment Resort and Live Nation on Tuesday have announced Billy Idol is returning for his 2nd residency at the Pearl Concert Theater. The 62-year-old, known for such hits as “Rebel Shout,” “Dancing with Myself” and “Mony Mony,” will be signed up with by his long time guitarist Steve Stevens for the 10-show run in 2019.

Idol will play five dates in January and five dates in October. Tickets go on sale Friday.

Idol’s new disc, “Crucial Idol: Rejuvenated,” including remixes of his traditional hits, will be launched Sept. 28.

Gwen Stefani glams it up for opening night of her Las Vegas Strip residency

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class =” photograph” src= “https://photos.lasvegassun.com/media/img/photos/2018/06/28/gwen-ts_t653.jpg?214bc4f9d9bd7c08c7d0f6599bb3328710e01e7b” alt =” Image”/ > Todd Stefani Gwen Stefani makes her Zappos Theater

contact) Friday, June 29, 2018|2 a.m.

. There were many concerns heading into the debut production of “Gwen Stefani: Simply a Lady” at World Hollywood’s Zappos Theater Wednesday night, none more vital than this: When would Stefani present some extra-large banana props for a performance of her 2004 hit “Hollaback Lady,” which invested a month at No. 1 on the Billboard Hot 100? And when, not if, that happened, would this show be bananas, B-A-N-A-N-A-S?

The former No Doubt frontwoman and current judge on “The Voice” rolled out the big yellow items from the dive, appearing onstage at 9:19 p.m. atop a grand black-and-white staircase flanked by dancers and showgirls equipped with stated bananas. It was a splashy Vegas arrival to be sure, one that prompted an audience of varied ages from their seats clapping and singling along.

Image Gallery Gwen Stefani arrives on the red carpet for her new residency at Planet Hollywood Thursday, June 28, 2018. Gwen Stefani Begins Residency at World Hollywood Gwen Stefani commemorated the start of her residency” Simply a Woman “at Zappos Theater at Planet Hollywood in Las Vegas with a red carpet Wednesday, June 27, 2018. Thumbnails < a id

=” gallery31180″ href =” https://lasvegassun.com/photos/galleries/2018/jun/28/20180627_lvnb_Gwen_Stefani_red_carpet/662093 “> Gallery Stefani is not a pop star along the lines of Britney Spears or the Backstreet Boys, nor is she an all-around entertainer like Jennifer Lopez. In between No Doubt’s stockpile of rock hits and her dance and pop-oriented solo work, she has plenty of music, however it was difficult to anticipate exactly what her program would feel and look like. After night one, it’s clear Stefani and her team have a vast appreciation of Vegas-style glitz and glamour and have fashioned excessive visuals that link the dots with her style and brand name. For the brassy “Spiderwebs,” the staging is a speaker-stocked neon houseparty. For “Wind It Up,” the entire theater ends up being a colorful cupcake-rainbow explosion. Digital teardrops fall during the climax of “Used to Love You” and Stefani is elevated on a rose-covered platform for the ballad “Do not Speak.” Numerous videos played between sets of songs allowed her to inform little bits of her life story and describe where she discovers motivation.

Stefani’s opening night enjoyment was palpable. After getting here with “Hollaback Woman” and following it with the funky No Doubt track “Bathwater,” she dove into the more current “Infant Don’t Lie,” exclaiming, “I can’t believe you’re here!” She revealed thankfulness to the first ticket purchasers and guaranteed an impressive night. By my count she reeled off 23 tunes, including covers of Rihanna’s “Umbrella” and “The Tide Is High,” made well-known by Blondie in 1980. Her greatest performances came in the 2nd half of the show with the Dr. Dre-produced track “Rich Woman,” the energetic electro-pop single “Exactly what You Waiting on?” and “Do not Speak,” which triggered the most significant crowd action of the night.

Stefani closed in a sparkly cowgirl getup, one of a number of spectacular outfits, with “Make Me Like You,” “Hey Infant” and “Just a Lady.” Prior to the finale, she teased her partner in the audience: “You don’t know exactly what it’s like to use a cowgirl costume in front of Blake Shelton right there. It’s my dream become a reality.” For Stefani and her many different, faithful fans, the first big Vegas program satisfied the ultimate fantasy.

” Gwen Stefani: Just a Lady” continues at 9 p.m. June 29 and 30, and July 3, 6, 7, 11, 13, 14, 18, 20 and 21 at the Zappos Theater at Planet Hollywood (3667 Las Vegas Blvd. South, 702-777-2782) and more information can be discovered at caesars.com.

Rüfüs Du Sol launches its Repetition Beach Club residency

Repetition Beach Club is commemorating its 8th anniversary this weekend with an uncommon Las Vegas performance from Australian alt-dance attire Rüfüs Du Sol. The group played in 2015’s Electric Daisy Carnival and will drop the first in a series of 2018 DJ sets at EBC Saturday. The Weekly spoke with Jon George, one-third of Rüfüs (with Tyrone Lindqvist and James Hunt), about the group’s Wynn Nightlife debut and upcoming third album.

Are you eagerly anticipating spending more time in Las Vegas?

We moved to LA in 2015 to start composing this record so we’re so near to Vegas now, we can smell it. It will be good to obtain out there and have some enjoyable. We’ve had some good times in Vegas currently throughout our last trips and it’s a pretty extravagant experience. At EDC last year we headed out in a helicopter into the festival and that was pretty mindblowing, to absolutely feel the energy before we will play. We’re all set.

Why is Repetition Beach Club the perfect place for Rüfüs?

Definitely because of the lineups they are placing on now, [with] Jamie Jones and Solomun and Guy Gerber. We truly like that type of music and it’s simply ideal for a swimming pool party. We wanted to be amongst that crowd and to have that place to evaluate out all our brand-new records and what we’ve been dealing with.

Will there be any live instrumentation or are these conventional DJ sets?

We are strictly there to DJ however I think the distinction with our sets is that we have actually been completing this album so we’ll be able to use a great deal of original cuts people have not heard before, to test those new songs out and have some truly fresh sets. That’s the benefit. But we have actually always been DJs in addition to remaining in the band.

Is your partnership in the club similar to the process of writing and carrying out together in the band?

I guess it’s pretty comparable in the method we’re bouncing ideas back and forth. When we’re getting super-creative on the decks and producing loops and not simply going song to tune, that’s when we get that back-and-forth and start to use our musical background a little more.

When will the new album be finished?

Sometime this year, that’s the plan. We just released a brand-new song [” No Location”] and we’re actually thrilled to start getting feedback on that. It’s been a truly cathartic experience to lastly have some of this music out there due to the fact that we had a lot of fun making a record [for the first time] in America. I think we constantly try to isolate ourselves when we’re writing so we can completely immerse ourselves in it and that’s what we performed in LA. It had to do with drawing on the experiences of the last 2 years of touring, the ups and downs that feature that lifestyle, being away from friends and family for so long, that ecstasy that includes playing big phases. That all speedballs into one big sensation and that’s exactly what has driven the album.

RÜFÜS DU SOL WITH MOTEZ AT ENCORE BEACH CLUB NIGHTSWIM June 9, 10:30 p.m., $25-$45. Encore, 702-770-7300.

Barry Manilow announces new residency at Westgate Las Vegas

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Tom Donoghue/ DonoghuePhotography.com

Barry Manilow performs at MGM Grand Garden Arena on Friday, April 10, 2015, in Las Vegas.

Friday, April 27, 2018|12:50 p.m.

Barry Manilow is all set to gamble again on Las Vegas. The Grammy, Tony and Emmy Award-winning vocalist and songwriter revealed today on CBS’ “The Talk” that he’s returning to the Vegas stage next month at Westgate Las Vegas for a brand-new production program dubbed “Manilow Las Vegas: The Hits Come Home.”

“They wanted me to come back and I have nothing but great memories of my five years there so I stated yes,” Manilow said on “The Talk.” He performed in the Westgate’s International Theater from 2005 to 2010 when the resort was still called the Las Vegas Hilton, and more just recently played for 2 years at Paris Las Vegas on the Strip. However the Westgate is the location that feels like house for Manilow. “It’s gorgeous now, but the space is among my favorite places to play. I’m usually on the roadway playing for 10,000 individuals and it’s terribly interesting but I enjoy this space. It’s still huge, 3,000 people, but for me, it makes love. I attempt to connect with people and it’s tough with 10,000 people. This room, I just like it.”

“Manilow Las Vegas: The Hits Get back” opens May 24 and tickets go on sale May 2 at barrymanilow.com and westgatelasvegas.com. Tickets will range from $20 to $330 and Manilow fan club members and Westgate Resorts owners will have access to a presale that started today. Show dates going on sale will be May 24-26, June 14-16 and 21-23, July 19-21 and 26-28 and October 4-6 and 11-13.

Long a Vegas favorite, Manilow has actually sold more than 85 million albums around the world and has actually notched fifty Top 40 songs throughout his profession. Billboard ranks him as the No. 1 Grownup Contemporary artist of perpetuity.

The residency is another home entertainment expansion at the Westgate, which recently arranged performances from Alan Parsons on June 9, Yes on September 1 and John Prine on December 12, along with the musical production program “Soundtrack” starring Clint Holmes and Earl Turner.

Black Coffee brings new textures to his Wynn residency at XS

The Wynn Night life DJ roster is loaded with stars from different dance music categories, and among the most awaited new additions releases his residency Sunday. Increasing South African manufacturer Black Coffee takes the decks at XS for the very first time on March 25, with support from Brooklyn duo (and fellow Ibiza) pillars Bedouin.

We spoke with Black Coffee (genuine name: Nkosinathi Maphumulo) right prior to his Wynn residency was revealed at the start of 2018 to obtain a much better understanding of how his music could take the noise of the Strip in brand-new directions:

What are your first impressions of Las Vegas? It’s bigger than I thought, and the quality is incredible. Typically it’s a truly amazing place and really various from exactly what I have actually seen on TELEVISION and how we understand it from the movies.

Did your residency originated from another relationship or did Wynn Night life simply contact you? They called my manager. We had no relationship with the group or anyone as far as the artists are worried, it simply happened. And it’s very amazing, due to the fact that I consider myself to be in a different space musically. I’m from South Africa, and I’m a little an underdog. I’ve constantly seen my music as the type that will never be mainstream.

Considering that your music is a bit various from exactly what we generally hear in Vegas clubs, how do you describe your noise? It’s home music with a great deal of soul, a great deal of song, color and texture. I get a lot of various remarks. It’s hot home music, the vocals are incredible and spiritual and it’s all these various things, however [they] still punch at the very same time. But the punch is not a dry punch. It’s vibrant. And it works everywhere.

You have a great deal of artists in the United States and all over lining up to team up with you. Any specific tasks you’re eagerly anticipating? Even before the Drake track [2017’s “Get It Together”] I was working with different manufacturers doing Puff Daddy’s album, and before that there were guys like Puff who comprehended who I am and what I’m trying to do and desired me to come onboard. It’s [amazing], however I’m likewise very familiar with my story and exactly what I’m aiming to inform. I’m definitely not going to be all over, no matter what does it cost? the need is. I want to deal with people as much as it suits what I’m trying to do as I grow as an artist, also recognizing that these artists are really open-minded and I can learn a lot from them at the same time.

BLACK COFFEE March 25, 10:30 p.m., $25-$45. XS at Encore, 702-770-7300.

Blink-182 announce Vegas residency

Blink-182 at The Palms Caisno Resort (Photo credit Willie T.)
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The Palms Caisno Resort( Photo credit Willie T.) “border=” 0 “src=” /wp-content/uploads/2018/03/16346342_G.jpg” width=” 180″/ > Blink-182 at The Palms Caisno Resort( Photo credit Willie T.). LAS VEGAS( FOX5 )-. Grammy-nominated trio Blink-182 are rockin their way to Vegas with their very first residency at The Palms Casino

Resort. The” Kings of the Weekend” residency will go for the recently remodelled Pearl Concert Theater on May 26. Completely, there will be 16 efficiencies through November. Here’s a list of the scheduled performances.

Blink-182’s “Kings of the Weekend” 2018 dates:

May– 26-27June– 8-9, 15-16, 23-24October– 26-27November– 2-3, 9-10, 16-17

” Blink-182 is one of those bands that crosses over several categories of music, as well as transcends many generations of music fans. They’re a perfect suitable for a true rock residency– our first at the Pearl,” said Palms Gambling establishment Resort General Manager Jon Gray.

” When the Palms asked us to do a residency here in Vegas, we stated ‘Definitely!'” said blink-182’s Mark Hoppus.

Blurring the line in between rock, punk, and pop, Blink-182 with Mark Hoppus (vocals/bass), Travis Barker (drums), and Matt Skiba (guitar), will bring it’s nearly 25-year history of hit songs, inappropriate tales, and ridiculous shenanigans to life in “Kings of the Weekend.” The band is hectic creatively putting together a musical adventure for the Vegas residency.

The band’s seventh studio release California, includes the Signboard Alternative Chart-topping “Bored to Death” and catchy “She’s Out of Her Mind,” along with the residency title track “Kings of the Weekend.”

Tickets for blink-182’s “Kings of the Weekend” begin at $59, plus relevant fees and go on sale Friday, March 23, 2018. For additional information, click < a href="

https://www.blink182vegas.com/” target=” _ blank” > here. Copyright 2018 KVVU (KVVU Broadcasting Corporation). All rights booked.

Adam Sandler discovers the sweet spot for funny residency at the Chelsea

Adam Sandler has actually been a motion picture star for so long– and before Billy Madison made him mega-famous in 1995, he was a beloved Saturday Night Live cast member– it’s difficult to decide exactly what sort of expectations to take into his current stage show, which has found a repeating house at the Chelsea at the Cosmopolitan. You understand there will be tunes and d * ck jokes. However you don’t anticipate the 51-year-old household name to provide the very same uneasy, giggly-stoner stage presence that has guided his funny since he broke through playing characters on late-’80s MTV video game show Remote Control.

But he does. That goofball is older and has a spouse and kids, but as a comic he hasn’t altered, much to his fans’ roaring pleasure. The audience at his 2nd Cosmo show (November 17) couldn’t get enough of the Sandman, and the more juvenile and disgusting the material, the larger the applause. There was a healthy quantity of time committed to old men’s balls in the health club locker room. He thrice repeated the line “If you mistakenly make a farty,” from a tune about brand-new love, since he understood everybody desired him to. He aimed to disrupt his child’s winning mini-golf shot by whispering throughout her backswing: “I tea-bagged your mom today.” The joke continues, “And the kid sinks the putt and says, ‘I know, I saw.'”

Sandler even attempted philosophical toilet humor. “Have you ever been wiping your ass numerous wipes in a row that you go, Okay, no matter what, after this wipe, from concept, I’m f * cking done. That’s it. I don’t offer a f * ck what takes place later on in the day.” Later, one of the program’s openers, SNL buddy Rob Schneider, returned to duet (as cosmonaut Yuri) with Sandler on a song about 2 “accidentally” intertwined astronauts–“Now we remain in zero gravity simply spinning round and round/Next thing I understand I’m rightside up, and Yuri’s advantage down”– in among the evening’s peaks, “Simply Another Mishap on Station 69.”

However just because he’s remaining in his lane does not mean he isn’t remaining sharp. Sandler snuck a quick quip into the intro for his pianist Dan Bulla, informing the audience Bulla’s father was in the health center right now and wasn’t succeeding. At the first hint of sympathy sounds, Sandler inserted, “His daddy is Charles Manson.” His memorable rap about just having to take his phone, wallet and secrets every place he went was better composed and carried out that the majority of mumbly trap tunes on the radio.

If other comics earnestly lament getting older and settling down, Sandler is clearly pleased with his version domestic happiness, even in wonder of it– but he’ll never ever stop teasing it. He’s ideal on the cash with an anecdote about riding a roller coaster with some person from Oklahoma after his family leaves him in the dust to take their dad-less flight together; and in a quick tune about resolving arguments with his spouse by searching for the answer on his phone, only to pretend he can’t find that answer when it proves that he’s wrong.

“I’ve been with my woman Twenty Years now. It’s quite terrific,” Sandler says. “Marriage is the best, however it is fun to be alone on celebration. And I do not search for pornography, I search for empty driveways. Ooh … no one’s in the house. How f * cking beautiful. I do not need to enjoy ‘Cupcake Wars.'”

Sandler returns to the Chelsea on January 27.

Elton John ending his Las Vegas residency next year

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Jordan Strauss/ Invision/ AP In this March 25, 2017 file picture, Elton John comes to Elton John’s 70th Birthday and 50-Year Songwriting Partnership with Bernie Taupin event in Los Angeles.

Monday, Oct. 16, 2017|10:45 p.m.

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Elton John will be pushing back from his piano at Caesars Palace in Las Vegas for the last time next year.

John’s last performance of his show “The Million Dollar Piano” will be on May 19, 2018, after more than 200 programs. It is John’s second residency at Caesars Palace. His “The Red Piano” reveals ranged from 2004 through 2009.

Tickets for the final block of performances will go on sale on Oct. 22.

Earlier this year, the 70-year-old needed to cancel numerous shows at The Colosseum at Caesars because of a bacterial infection he contracted during a South American tour.

The Caesars show is called after John’s piano, which has lots of LED video screens that display images while the singer performs some of his most significant hits.

Boyz II Men’s Mirage residency is a musical gem stacked with surprises

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Boyz II Men takes the stage at the

, 2017|2 a.m.

. Exactly what a wonderland of popular song Las Vegas has actually ended up being. Luis Fonsi’s “Despacito,” probably the biggest song of the summertime, simply tied 1995’s “One Sugary food Day” by Mariah Carey and Boyz II Guys with 16 weeks at No. 1 on Billboard’s Hot 100 chart. Fonsi’s tour brings him to Las Vegas at the Pearl at the Palms next weekend on Sept. 8. We simply saw Mariah sing “One Sweet Day” at the Colosseum at Caesars Palace in July, and Boyz II Guys continues to perform throughout the rest of this year at the Terry Fator Theatre at Mirage.

With Celine Dion, Bruno Mars, Elton John, Britney Spears and more going back to the Strip every few months, it’s simple for one of these acts to get a bit lost in the shuffle, and that’s what may have occurred to Boyz II Guys, the all-time finest selling R&B group that started its Mirage gigs in 2014. Perhaps fans believe they know what a Boyz II Guys show appearances and sounds like in 2017, but the group has a lot of surprises in store. Far from a collection of sluggish ballads, this program is energetic, interactive and totally musical, among the very best general home entertainment choices on the Strip.

Definitely, there are ballads, slow-burning opportunities for this talented trio of singers to take their turn in the spotlight. Wanya Morris, who competed in the 22nd season of “Dancing With destiny,” breaks out the vocal acrobatics early in “On Bended Knee.” They take every chance between songs to thank the audience for their continued assistance and drop a little behind-the-scenes storytelling into the mix, consisting of the one about how nation band Lonestar’s mega-hit “Surprised” was used initially to the Boyz; they are sorry for handing down the tune, but they still performed their own variation.

Then the genuine fun begins. Boyz II Men is the last excellent Motown group, and not just because they are constantly motivated by the renowned record business’s timeless noise and style. They tape-recorded their first 3 albums for Motown, and covered their preferred tracks from the Motown era with 2007’s “A Journey Through Hitsville USA.” When they enter into their Motown sector at Mirage, the energy is transmittable– they could easily do a whole show of these hits. From “Reach Out (I’ll Exist)” to “The Tracks of My Tears,” the performers are clearly having as much fun as the audience.

And after that they begin having more enjoyable than the audience. After a throwback section commemorating their a capella origins, Shawn Stockman gets a guitar, Nathan Morris straps on a bass and suddenly Boyz II Men is a rollicking rock cover band, blasting through hits by Lenny Kravitz, Bruno Mars and the Beatles. It’s the type of spontaneous minute that separates these Vegas residencies from the pack, when a routinely occurring program seems like a one-night-only concert. Not every artist has the skill to pull it off.

When the Boyz enter into their greatest hits, the audience requires them to extend the songs out permanently. Ladies run up to the stage to get a rose tossed to them throughout “I’ll Make Love to You,” and “End of the Roadway” takes everybody back, if not to 1991 then the location of some personal, emotional memory. Not all well-known pop music is classic, but these songs are, and this group’s capabilities have not subsided one bit.

Boyz II Men carries out Sept. 1-3 and 15-17 in the Terry Fator Theatre at the Mirage, and continues with set up Friday-Sunday performances in October, November and December. For ticket information, call 702-792-7777 or see mirage.com.