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Substantial Smith'' s Marketplace to open in northwest Las Vegas Valley

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” 0″ src= “http://kvvu.images.worldnow.com/images/16967257_G.jpg?auto=webp&disable=upscale&width=800&lastEditedDate=20180613022451″ width=” 180″/ > (File). LAS VEGAS( FOX5)-. A brand-new Smith’s Supermarket” shopping experience “opened in the northwest Las Vegas valley Wednesday.

” We are opening our very first Market store in the state of Nevada,” said Aubriana Martindale, from Smith’s Business Department. “We are making Smith’s history.”

The new store, located at 9710 Skye Canyon Park Drive, is 125,000 square feet and will include 275 brand-new jobs to the location. Martindale said the shop is called Smith’s Market, due to the fact that unlike the conventional Smith’s Food and Drug areas It is a multi-departmental store.

” So we’re providing more than just your traditional items,” stated Martindale. “We have actually broadened offerings from toys, clothing to a bigger dine-in food fare.”

It also includes a deli, a bar and food truck preferred, Cousin’s Maine Lobster, along with a big seating location for immediate dining.

” We have actually likewise started prepared meal packages that provide exact components for a party of 2,” said Martindale. “You can cook a meal within 20 minutes.”

Martindale said the modifications comes after Smith’s took a survey of their customer base throughout the state.

” We want to redefine the grocery experience,” said Martindale. “They’ve simply told us they desire more than their conventional grocery, they want a one stop store.”

The new market shop opened Wednesday at 7:30 a.m.

Copyright 2018 KVVU (KVVU Broadcasting Corporation). All rights booked.

Hip-hop American tale ‘Hamilton’ sweeps into the Smith Center

It’s time to put the musical Hamilton right up there with the Statue of Liberty and Mount Rushmore. It’s art that has risen into the American experience, a groundbreaking, box office-busting, hip-hop-styled origin story of our starting daddies.

It has won 11 Tony awards (consisting of Finest Musical), a Grammy for Best Musical Comedy Album and a Pulitzer Prize for Drama, and the show is still making the news. This week, the cast provided a private performance to President George H.W. Bush. “I will never forget,” he tweeted. “History never sounded so powerful.”

Hamilton informs the life story of immigrant-turned-Founding Daddy Alexander Hamilton. He rose from orphanhood in the West Indies to creating the United States’ treasury system. All the stars of the American Transformation exist: George Washington, Thomas Jefferson, Aaron Burr and King George III. The sweeping storyline also sticks out for its color-conscious casting: black and Latino stars play the lead roles. Puerto Rican super star Lin-Manuel Miranda wrote the music, book and lyrics and played the title function in the original cast production.

Smith Center president and CEO Myron Martin explains the first time he saw Hamilton: “I went in understanding what I was visiting, and I was still was overwhelmed with the remarkable beauty of this work,” he stated, contacting from New york city City, where he’s participating in Broadway League conferences, seeing all the newest shows and preparing to finish his Tony Awards tally. “It’s unlike anything I ‘d seen before. Honestly, I had to go back to see once again right now. And I did.”

So it’s no small offer that Hamilton is concerning town May 29 through June 24 at Reynolds Hall. “When once again, Las Vegas becomes part of the very first nationwide tour,” Martin says. “Before the Smith Center, Las Vegas typically didn’t get very first nationwide tours; we ‘d get tours later on in their life.”

Naturally, such a hot ticket remains in short supply. Think it or not, the program wasn’t entirely offered out at press time. A scattering of tickets remained readily available on the Smith Center website, most of them in the greatest, $629 rate range.

If that’s out of your budget plan, there’s still hope. All you require is a little bit of luck and a Hamilton. Forty orchestra tickets will be provided for each show at $10 each through a pre-show lotto. Check out hamiltonmusical.com/lottery for more details or download the Hamilton app to your phone for hassle-free lottery game entry, show news and enjoyable perks like sticker labels. Simply watch out for scammers or scalpers. If you didn’t purchase direct, you can’t be ensured the ticket is genuine.

Still not persuaded Hamilton is special? The New York Times calls it “evidence that the American musical is not only surviving however also developing in manner ins which must enable it to thrive and transmogrify in years to come.”

In addition to the music and the storytelling, Hamilton uses something deeper. “Kids are discovering American history in ways they never ever been able to previously,” Martin states. “They’re being engaged in enjoyment of American history since of exactly what has actually been done. It truly is a cult phenomenon.”

HAMILTON May 29-June 24; Tuesday-Sunday, 7:30 p.m.; Saturday-Sunday, 2 p.m.; $69-$629. Reynolds Hall, 702-749-2000.

Tickets to see ‘Hamilton’ at the Smith Center go on sale April 28

We’re lured to fudge the time and inform you that single tickets for Hamilton go on sale at 10:05 a.m., just to give ourselves a running start. However like George Washington, we can not tell a lie.

So plan to utilize quick fingers on April 28 at 10 a.m. Tickets for the exploring blockbuster will cost $69-$194, with a few “premium” seats priced at $569. Purchase them at thesmithcenter.com. The Smith Center’s box office will also be offering a few tickets from 10 a.m. to 1 p.m. for those who prefer their ticket purchase rush to take place IRL. The show runs May 29 through June 24 at Reynolds Hall.

If you reallywant to test your luck, you can also adopt the $10 orchestra seat ticket lottery. Details about how to enter will be announced later.

And if you’re questioning, can a musical really deserve the difficulty? “Yes, it really is that great,” says The New York Times.

The Smith Center reveals its 2018-19 Broadway Las Vegas season

The Smith Center simply announced its 2018-19 Broadway Las Vegas season, and it has plenty of Tony- and Grammy-winning hits. With 10 shows– up from 9 in the 2017-18 season, and a record for the location– there’s a musical for every single ear. But the best ways to choose? We have actually arranged the shows by type to make the decision process a little easier. Then again, you can always pick them all by acquiring season tickets at thesmithcenter.com/broadway, where existing customers may restore now and brand-new ones might sign up for future purchase. (Sales for private productions will begin later on in the year.)

The classics: The famous Tony-winner Betty Buckley stars as the indefatigable matchmaker in the revival of Hello, Dolly! (March 19– 24, 2019). The sun rises, the sun sets, and Fiddler on the Roofing (June 4– 9, 2019) stays among the most precious musicals of all time. This version is upgraded by Tony-winning director Bartlett Sher and Israeli choreographer Hofesh Shechter.

Movie adjustments: With a brand-new rating by the songwriters of Hairspray and old favorites such as “Pure Creativity,” Roald Dahl’s Charlie and the Chocolate Factory (June 18– 30, 2019) will be next summer’s golden ticket. Can a pie-baking contest conserve a small-town female from her small-town life? Find out in the adjustment of Waitress (October 9– 14), which includes music by Sara Bareilles. And if you missed its residency at Mandalay Bay, make certain to see the Grammy-winning preferred Disney’s The Lion King (November 7-25).

The life-affirming: The Tonys bestowed Dear Evan Hansen (January 15– 20, 2019) with the coveted 2017 Finest Musical award. It also won the 2018 Grammy for Finest Musical Comedy Album. Evan Hansen simply wishes to fit in– and because NBC News calls the program “a motivating anthem,” possibly the title character gets his dream. Come From Away (February 19– 24, 2019) tells the true story of 7,000 travelers stranded in Newfoundland in the after-effects of September 11.

Pop productions: Andrew Lloyd Webber created 14 new tunes for the Broadway adaptation of the hit movie School of Rock: The Musical (August 7– 12). It informs the timeless story of an aspiring rock star who teaches a bunch of kids the best ways to shred. On Your Feet! (September 4-9) follows the victorious life story of Cuban pop stars Emilio and Gloria Estefan.

Madcap comedy: The New york city Times calls The Play That Fails (April 18– 24, 2019) a “gut-busting hit.” The play-within-a-play concentrates on the hilariously dreadful opening night of The Murder at Haversham Manor.

Poncho Sanchez brings a dynamic mix of latin jazz and R&B mix to the Smith Center

You don’t go to a Poncho Sanchez performance to relax like a limp potato. His grooves bring your feet to life. “I wish to welcome the general public to having fun,” Sanchez says about his upcoming Smith Center efficiencies. “We’re going to jump, shout and shimmy.”

The 66-year-old Texas native grew up listening to the soul and R&B of Otis Redding, Motown and the Four Tops, in addition to salsa. “So I put all those things in my show,” says the conga player and vocalist. The result is a melting pot of joyous noises called Latin soul music. “Jazz, doo-wop, Latin jazz, salsa, soul music, rhythm and blues– that’s the music I love,” Sanchez states.

Sanchez is jolly and passionate, with a big beard and a ritual of wrapping his fingers like a boxer to avoid them from suffering damage when they hit the drums. He’s a writer and a born entertainer. He’s the uncle you want at your household event because he’s guaranteed to make it fun. He’s also an outstanding artist who gathers uncommon James Brown records.

After 47 years of carrying out, Sanchez has actually more than made his awards, that include a Grammy, several Grammy nominations and a Latin Grammy Life Time Achievement Award. Lesser artists may think about retirement, but the bandleader remains enthusiastic. “I still enjoy playing the drums,” Sanchez states. “I do feel blessed and still enjoy it. After the program’s over, you know you have actually done a great show, people are delighted, and I believe, ‘Wow, it still works.'”

Plane travel is another story. After traveling the world, Sanchez has grown sick of long flights. He sticks to carrying out in the region around his Whittier, California, home.

Fortunately, Las Vegas is close sufficient to make the cut. A Poncho Sanchez show is a must-see, partially due to the fact that it’s always brand-new. Prior to each show, the band collects backstage, fractures beers and prepares a setlist, drawing from Sanchez’s deep catalog of 27 albums. That series can likewise change mid-concert, and the group even more twists the kaleidoscope through jazz improvisation. “We never ever play the exact same music,” Sanchez says. “We prefer to mix our set so it’ll be a lot of different tunes, although a program can not go by without individuals requesting ‘Watermelon Man’ or ‘Besame Mother’– the hits, so to speak. Got ta keep individuals delighted.”

In early December, Sanchez and his band will get in the studio to tape-record album No. 28– a homage to late saxophone terrific John Coltrane. It will be a mix of Coltrane-penned songs and Sanchez’s own product, consisting of some older salsa music. “Nowadays we have so many strategies, a great deal of recordings have simply one man recording at a time. But when you hear [them], they sound excellent however calculated,” Sanchez states. “We go in like we’re playing a live program.”

PONCHO SANCHEZ December 1, 7 p.m.; December 2, 6 & & 8:30 p.m.; $37-$59. Cabaret Jazz, 702-749-2000.

Melody Sweets brings naughty enjoyable back to the Smith Center

It seems like Tune Sweets has actually been one of Las Vegas’ most identifiable performers given that she arrived from New York City in 2011 to carry out in the acclaimed Absinthe at Caesars Palace. That’s probably due to the fact that the small burlesque star with the huge, soulful voice pops up all over town to support her fellow entertainers and take part in charitable events, something she states has been simple to do.

“The artist community here invited me with open arms,” Sweets states. “When you first come, you are led by exactly what you currently think about [Las Vegas], the ‘exactly what occurs here.’ It took me a minute to see this is an actually fantastic place which the neighborhood wanted to reveal that, and it made me fall in love with Las Vegas.”

She’s bringing a seasonal edition of her Sugary foods’ Spot show back to the Smith Center’s Cabaret Jazz this month, a Halloween-flavored magnificent with a 10-piece band, huge burlesque names like Kalani Kokonuts and LouLou D’vil and, for the very first time in this venue, boy-lesque performers.

“This is my fourth show, and it’s an honor to be able to play there,” Sugary foods says. “I did the first burlesque the Smith Center ever had. The room is just spectacular, and it’s the best place to bring that sense of old Vegas meets brand-new Vegas.”

If vintage performance like the kind in which Sweets specializes sounds like something various for the Downtown carrying out arts center, she concurs. “For the first program I was a bit nervous about bringing burlesque there, due to the fact that I wished to ensure it’s sophisticated and still edgy, beautiful but still naughty. Trying to tread that line was a bit nerve-wracking. However the audience liked it and they asked me back, so I figured they loved it, too.” The Sweets’ Area at Myron’s Cabaret Jazz at the Smith Center, October 24.

Michelle Johnson goes back to the Smith Center with ‘Tapestry Unraveled’


Michelle Johnson performs September 15 at the Smith Center’s Cabaret Jazz theater.


Netflix makes Hall H debut with big spending plan Will Smith picture


Al Powers/ AP Will Smith reacts at the Netflix Films’ “Bright” panel on the first day of Comic-Con International on Thursday, July 20, 2017, in San Diego.

Thursday, July 20, 2017|6:38 p.m.

SAN DIEGO– Picture “End of Watch” but with orcs and fairies and magic. That’s the vibe of Will Smith’s big budget Netflix film “Bright,” which unveiled its very first complete trailer Thursday in a presentation at Comic-Con.

The movie reunites Smith with his “Suicide Squad” director David Ayer and takes audiences to a gritty Los Angeles setting where 2 police officers, one human (Smith) and one orc (Joel Edgerton) have to contend with some legendary, evil forces plaguing the city. Noomi Rapace and Edgar Ramirez likewise star.

It was the Hall H launching for the streaming service, which brought out Smith, Edgerton, Ayer and the movie’s other stars to charm the 6,500 incredibly fans in presence and get them delighted about the $90 million movie, which makes its Netflix debut on Dec. 22.

Ayer stated “Intense” is not some “standard concern PG-13 motion picture.”

“I was able to do some real (curse),” Ayer said. “I had the ability to tell a genuine story. I was able to do my thing.”

He praised Netflix for its support.

Smith said the movie has the tough “rated-R grind of ‘Training Day'” mashed up with “Lord of the Rings.”

His character is stuck with the force’s very first orc police officer, which Smith said gave him a rare character opportunity: to be racist.

“You never ever get to be racist when you’re black,” Smith stated. “You’re like, ‘Look male, I do not want no orcs in my automobile.'”

Smith is simply the current A-list film star to try his luck doing a big movie with Netflix and has made waves in Hollywood with his support of the service.

“There is a distinction in between seeing a movie in a theater and seeing it on Netflix,” Smith yielded, however included that he is “really thrilled” to see “whatever this new wave of home entertainment is going to be.”

Netflix also trotted out the director and cast of its upcoming movie horror pic “Death Note,” which some Comic-Con guests will get to see in full Thursday night before its Aug. 25 Netflix launch.

Based on the manga series of the very same name “Death Keep in mind” follows a high school student (Nat Wolff) who finds a supernatural notebook that gives him the power to choose who passes away and how. All he has to do is compose a name and an approach in the note pad and the Willem Dafoe-voiced devil Ryuk carries out the grim job.

Netflix is simply one of a few studios previewing movies for audiences at the yearly fan convention. Previously on Thursday, Fox showed footage from “Kingsman: The Golden Circle” and on Saturday the comic book giants DC and Marvel will go head-to-head with prolonged presentations.

Comic-Con runs through Sunday.

Best choices: Wynonna at the Trop, Chita Rivera at the Smith Center and more for your Las Vegas weekend


Tom Donoghue/DonoghuePhotography. com Wynonna Judd performing in

Las Vegas in 2010. By ( contact) Friday, April 28, 2017|2 a.m.

Music from bygone eras and unforgettable theatrical efficiencies are on the docket for this Vegas weekend. Go out there and take it all in.

WYNONNA & & THE BIG SOUND Wynonna Judd certifies as country music royalty after rising to popularity in the 1980s carrying out with her mom, Naomi, before launching 8 solo studio albums. She’s still mixing rock, blues, gospel, pop, folk and R&B into her Kentucky-rooted nation sound, and now, backed by brand-new band the Big Noise, brings her Roots & & Revival trip to the Tropicana Theater for a one-night engagement. April 28, info at 800-829-9034 or < a href="

http://www.troplv.com/las-vegas/shows-entertainment/wynonna-and-the-big-noise” target =” _ blank” > troplv.com. STEELY DAN: REELIN ‘IN THE CHIPS Friday and Saturday mark the last performances of the Dan’s nine-show engagement at the Opaline Theater at Venetian. With co-founder Donald Fagen embarking on a solo tour in late summer season, who understands when you’ll have another possibility to see this iconic, eccentric band crank out its hits? April 28-29, details at 702-414-9000 or < a href="

https://www.venetian.com/entertainment/steely-dan.html” target & =” _ blank “> venetian.com. HEDWIG & THE MAD INCH The Crossroads inside the House of Blues at Mandalay Bay plays host to a regional production of the Tony Acclaimed rock performance musical– the program’s very first time on the Las Vegas Strip– Friday and Saturday. Starring Enoch Augustus Scott (Zombie Burlesque) and Anne Martinez (Baz: Star Crossed Love), this variation is an immersive experience where the audience belongs to the program. April 28-29, information at 702-632-7200 or < a href=" http://www.houseofblues.com/lasvegas/EventDetail?tmeventid=17005284C27A611D&offerid=45601" target=

_ blank” > houseofblues.com. Related material DISCO EXPLOSION Head to the Cannery in North Las Vegas and travel back in time to the 1970s with the Town Individuals, Sis Sledge and the Trammps including Earl Young. Confess: It’s been too long since you grooved to “YMCA,” “We Are Household,” and “Disco Inferno.” April 29, info at 702-507-5700 or < a href=" http://www.cannerycasino.com/" target="_

blank “> cannerycasino.com. CHITA RIVERA WITH SETH RUDETSKY Here’s a roundabout Vegas connection for Chita Rivera, the Broadway icon best known as Anita from West Side Story: Another of her many popular roles is Rosie Alvarez, the sweetie secretary from Bye Bye Birdie– a role that will be played by existing Strip local performer Jennifer Lopez in NBC’s next live musical occasion in December. Rivera checks out the Smith Center’s Reynolds Hall Sunday with pianist and host Rudetsky to run through her numerous remarkable efficiencies. April 30, details at 702-749-2000 or thesmithcenter.com.

Q+A, Part 2: ‘Idaho’ at Smith Center’s development, barriers and casting



“Idaho: The Funny Musical.”

Friday, Oct. 9, 2015|2 a.m.

Click to enlarge photo

Keith Thompson, musical director for “Jersey Boys,” sings an opening number as he hosts The Composers Display at Cabaret Jazz in The Smith Center for the Carrying out Arts on Wednesday, Aug. 8, 2012.

‘Jersey Boys’ 5th Anniversary
Deven May, Bob Gaudio, Rob Marnell, Jeff Leibow, Frankie Valli, Graham Fenton and Travis Cloer celebrate the fifth anniversary of Introduce slideshow “

In Part 1 of 2 of our Q+A with brand-new musical “Idaho: The Funny Musical” writer Pal Sheffield and author Keith Thompson, now under production at our Smith Center for the Carrying out Arts, the vibrant duo discussed the motivation for the musical, the Smith Center and, obviously, Idaho potatoes.

In Part 2, the discussion counts on the progress, challenges and casting of “Idaho”:

In regards to portions, are you 90 percent house with the task?

I would say 90 percent sounds about right. Every time we have actually done any variation of it or reading or anything, there have actually been changes, and I anticipate modifications this time. One thing that writing for television taught me was not to be afraid of rewrites. The good idea is that in this case, rewrites are my own ideas and what I wish to see occur rather than some suit at the network informing me what to do.

The primary character in the program is a person named Whip, and he is a young man who up until now has actually simply been a jokester and doesn’t really take anything really seriously, however he fulfills and falls in love at very first sight, as individuals in musical theater are wont to do, with a young woman who has pertained to town to marry another person who happens to be the bad individual who has everyone in the area under his thumb.

Our hero becomes a reluctant hero. Fulfilling the lady and falling for her modifications his life because it makes him recognize that he has a responsibility to the neighborhood, and the irony is that that commitment might be the very thing that keeps him from having the ability to be with the female.

Is this a difficult task due to the fact that it’s “out-of-town” theater, or exists a benefit to it?

Perhaps because of our early experience, we can work anywhere. It makes it a little more difficult for the Smith Center in needing to put some people up, and we’re going to be casting people in Las Vegas initially, then there might be some who originate from New York and L.a. It’s a logistics problem for the production team, but for us not really.

It always ends up sensation like a household, and we have an excellent collaborative, working relationship with the director and choreographer. Any time we gathering, it just feels like we remain in the playpen, like we remain in the sandbox having a good time.

We are acutely aware that New York and Broadway have specific attitudes about things that are available in from different locations, and I know that New York most likely has specific attitudes about Las Vegas. Since I’ve been right here, among my huge objectives has actually been to make Las Vegas– to put us on the map as far as initial music, as far as theatrical music and new programs. This is an excellent chance for us to state, “Yeah, here we come, yeah, we’re from Las Vegas.”

As far as running out town, I believe we’re lucky to have this chance, not to have it under the microscope, off the charts, if you will, off the radar. Although the Smith Center is anything but off the radar. We’re simply going to take advantage of the opportunity that we’re not saying, “Here’s the big end product.” We’re going to state, “This is a work in progress.”

I’m guessing that Broadway has a little more respect for La Jolla Playhouse than it does for Las Vegas as a birthing ground for Broadway productions.

Yes, I would need to say that’s true, which’s what we’re taking care of to change. Look at the number of programs Broadway has actually sent out to Las Vegas. It’s time we send one back.

I such as that attitude. Talk with me about the casting time table.

The Smith Center Broadway Period 3
Launch slideshow “

Dolly Parton in Primm
Introduce slideshow “

We’ll probably begin casting in February, March, April– that time frame. At this moment, no one has been picked. We’re leaving it open. We’re going to think about individuals who have succeeded for us in the past, but we’re open to casting concepts. We desire the piece to really have to do with the piece and not so much about a star or stunt casting.

We’re not unfavorable to it. I indicate if Dolly Parton wanted to come and remain in it, we ‘d say, “OK!” But today it’s more of an ensemble piece. We have 8 main characters and a town of wackos, and we just want the very best individuals we can get for all those roles.

I’m sure we’ll be announcing probably mid-spring about the very same time the majority of the summertime stock theaters in America will be doing their casting calls. Our time slot is right about the same. We would be a very practical task for anyone, a star or starlet who’s aiming to put their period together.

It’s new work with genuine potential to head to New York, so we’re excited about it. Something that has been extremely motivating to me is that when we have had readings in New York, we have had a great deal of actors who have actually been in a lot of Broadway shows, and they definitely like “Idaho.”

They like belonging of it, they absolutely get it, they enter the household aspect of it where they recognize there’s something there that’s bigger than any of them as people, and they have a lot of fun doing it. That means a lot to me.

You pointed out Dolly Parton. Would that sort of a character be the girl in the town?

No. In fact, I know Dolly, and I have actually worked with her for a very long time, however at this point if she were to be in the program, she ‘d be the Aunt Perli character, which is the equivalent of Aunt Eller in Oklahoma.

Provide me a concept of a male who would fit the role of Whip.

Simon Jackson would be perfect. We have actually considered him many times. I have no idea that he ‘d be available for a summer season job at the Smith Center, but he’s somebody who we have actually thought about in the past. He’s fairly the leading man. He’s a handsome, earthy hero type. He’s naughty.

Cassie is the woman. She’s probably 25 to 30. She would remain in that classification because she’s a mail order bride-to-be. We believe she’s a virgin, however she’s from a town back East. The man who bought her actually paid additional due to the fact that she’s a virgin. She would think about the mail order bride idea since time is passing her by, and she has to go on and make something take place there.

However she’s got an ulterior motive. It’s all really, really complicated, Robin. She ‘d be a young Meryl Streep. Slim resembles a Will Parker in Oklahoma. The wicked one’s name is Jed Struck, sort of named after Jud Fry in Oklahoma, the bad guy.

He’s mean, and we like that he can be mean and funny at the exact same time. We have the kind of wide-open-eyed idiot who is in love with the town trollop, the Ido Ida woman, then simply completely does not care about her background. He’s been in love with her all his life, and he wants to marry her.

You’re going to have a good time casting this.

It constantly is, and I anticipate it will be even more this time. One of my favorite parts of the entire thing is to put the ideal individuals together. It’s an obstacle, however it’s enjoyable.

I have one amusing silly concern to end our interview: Does everyone get a potato when they go house?

I think we can work that out. I think that we’re going to be doing a lot of potato merchandising, and individuals like potatoes. They such as tater tots and French fries, and I’m hoping they’ll serve French french fries at intermission.

I can see it now: Discount rate coupons from McDonald’s.

They would need to make certain they were Idaho potatoes.

And a packet of Idaho seeds with every ticket offered.

There you go!

* * *

Written by Pal Sheffield with music by Pal Sheffield and Keith Thompson, “Idaho: The Funny Musical” is produced by the Smith Center and will certainly be presented from July 12-17, with previews July 6-8.

Robin Leach of “Lifestyles of the Rich & & Famous” popularity has actually been a reporter for more than 50 years and has spent the past 15 years giving readers the within scoop on Las Vegas, the world’s premier platinum playground.

Follow Robin Leach on Twitter at Twitter.com/ Robin_Leach.

Follow Las Vegas Sun Home entertainment + High-end Senior Editor Don Chareunsy on Twitter at Twitter.com/ VDLXEditorDon.

Paris Las Vegas The Paris Las Vegas carries visitors to the City of Light. Paris Las Vegas records all the information of Paris, right down to the cobblestone pathways and half-scale reproduction of the Eiffel Tower and Arc de Triomphe. Wrought iron street lamps line the 85,000 square foot casino with the legs of the Eiffel Tower sit in the middle of 1,700 slots and 90 table games. Visitors can dine at the Eiffel Tower Dining establishment, but beware, it’s by reservation only. Diners can view the world go by at Mon Ami Gabi, a fine French restaurant where the most popular tables are the ones outside dealing with The Strip. Dining isn’t simply limited to the French, Asian dining establishment Ah Sin is host to lots of meals from the Pacific Rim. If you’ve simply struck it rich on the casino floor, attempt the $777 Kobe beef and Maine lobster at Le Burger Brasserie. Famous pastry chef Gaston Lenôtre opened a branch of his distinguished bakery on the cobblestone-lined Le Boulevard, a street filled with intimate shops and restaurants, all below a blue cloud-filled ceiling. Walking along Le Boulevard don’t be shocked to see an incredibly natural bronze statue move, that’s since it’s a genuine individual The City of Light doesn’t go dark after dark. Anthony Cools – The Uncensored Hypnotherapist checks restraints at the door and pushes the limitations of the audiences mind and body. Sitting right above the dining establishment is club Risqué, Paris’ ultra lounge that is as fun as it is great.
3655 S. Las Vegas Blvd. Las Vegas, NV 89109

Smith Center for the Performing Arts The Smith Center for the Performing Arts offers a blend of efficiencies by resident business and touring tourist attractions. The 5-acre cultural school features 3 efficiency areas, that includes a main performance location with more than 2,000 seats. This downtown cultural center of Las Vegas aims to educate, entertain and thrill community members.
361 Symphony Park Ave Las Vegas, NV Las Vegas, NV 89106