Tag Archives: starlet

Starlet Anne Jeffreys, star of TELEVISION'' s ' Topper ' dies at 94


Jordan Strauss/Invision/ AP In this Aug. 14, 2014, file picture, Anne Jeffreys gets to the Hollywood Foreign Press Association’s Grants Banquet in Beverly Hills, Calif. Jeffreys, an actress and opera vocalist who starred as Marion Kerby in the 1950s TELEVISION series “Topper,” died, Wednesday, Sept. 27, 2017, at age 94.

Thursday, Sept. 28, 2017|2:20 p.m.

NEW YORK– Anne Jeffreys, the actress and opera vocalist who likely had her biggest effect on TELEVISION audiences as Marion Kerby “the ghostess with the mostess” in the 1950s TV series “Topper,” has passed away. She 94.

Jeffreys, whose spouse, star Robert Sterling, died in 2006, died peacefully in her sleep at her Los Angeles house on Wednesday night, her supervisor Don Gibble stated Thursday.

More recently, she invested two decades playing Amanda Barrington on “General Hospital” She was featured in the role of the wealthy on more than 350 episodes of the daytime drama from 1984 until 2004.

In “Topper,” she and Sterling starred as fun-loving husband and wife George and Marion Kerby who, after dying in a Swiss avalanche, return as ghosts to their mansion and comically haunt its new resident, actor Leo G. Carroll as staid banker Cosmo Topper.

Every week they were presented to viewers as George, “that most sporting spirit,” and Marion, “the ghostess with the mostess.”

They were among numerous differed roles in a long career in movies, television, opera and on Broadway for Jeffreys, who continued to work well into her 70s. Her last on-screen appearance was on the HBO series “Getting On.”

Early in her profession, she appeared opposite John Wayne in “Flying Tigers.” In later years, she appeared on such TV programs as “L.A. Law” and “Murder, She Composed” and played David Hasselhoff’s mom on “Baywatch.”

The blonde appeal with the lilting soprano voice started her carrying out career in 1940 with the New York City Opera, the Ford Symphony and the Los Angeles Opera Company, singing Mimi in “La Boheme” and Cho San in “Madame Butterfly.”

She had actually made her movie debut at MGM in 1942 in “I Married an Angel,” which marked the last costarring of Jeanette MacDonald and Nelson Eddy.

Throughout a contract with Republic, she appeared with Wayne in “Flying Tigers” and made B westerns. Hughes signed her to an agreement at RKO and cast her in “Step Lively.”

In a 1993 interview, Jeffreys recalled Sinatra as “smart-alecky, little, skinny, wide-eyed,” including that although she was never brought in to him the two did become buddies.

“I have actually found the other side of Frank that a great deal of people do not know: his kindness and his taking care of individuals,” she explained.

Throughout her RKO days, Jeffreys appeared in 15 films, mostly B films. She made 2 movies in the 1940s as Tess Trueheart, girlfriend of sleuth Dick Tracy.

Seeing no future in Hollywood, Jeffreys went back to New York to appear in a musical variation of “Street Scene.” She continued in opera, light opera and musicals and played the lead in the visiting business of “Kiss Me Kate.” Later on, she changed Patricia Morison, the original Kate, in the Broadway production.

It was during the program’s New York run that she met the dashingly handsome Sterling, who was likewise starring in a New york city program. Their love was disrupted when he returned to Hollywood for such films as “The Sundowners” and “Program Boat.” They married in 1951.

In addition to “Topper,” Sterling and Jeffreys appeared in their own nightclub act and starred together in another TV series, “Love That Jill” which lasted for half a season in 1958.

Throughout her later profession Jeffreys divided her time in between tv and musical theater, singing on the Ed Sullivan and Perry Como shows and appearing on many sitcoms, dramas and soap operas.

Throughout one stressful duration in the 1980s she was featured on 2 TELEVISION series, the daytime soap “General Healthcare facility” and the prime-time drama “Finder of Lost Likes.”

Jeffreys also visited the nation in musical productions such as “Camelot,” “Bells Are Ringing,”” Kismet,” “Friend Joey,” “The King and I,” “The Sound of Music”

and “Follies.” She was born Anne Carmichael on Jan. 26, 1923, in Goldsboro, N.C.

. Her mom, who had aspired to be an opera vocalist, taught her child to sing at an early age, and at 5 Anne made her debut before a regional audience. After studying at Anderson College, S.C., she introduced her profession.

An early marriage ended in divorce, but the union with Sterling withstood up until his death. They had three children, Jeffreys, Dana and Tyler.

Sterling gave up acting in the 1970s for service ventures. A victim of shingles, he was bedridden the last 5 years of his life, passing away at age 88.

AP Home entertainment Writer Anthony McCartney and the late AP Entertainment Writer Bob Thomas added to this report.

McDonald'' s honors starlet, Olympian, others at yearly awards

Sunday, July 2, 2017|4 p.m.

NEW ORLEANS– McDonald’s 365Black Awards reveal, held annually at the Essence Festival, honored starlet Tichina Arnold and Olympic gold-medalist Sanya Richards-Ross to name a few on Sunday as part of a program that each year salutes people committed to making positive contributions that strengthen the African-American neighborhood.

This year’s program was scaled back and is not being revealed on national cable network Black Home entertainment Television as has happened in previous years. The event and luncheon was held at the Ritz-Carlton hotel in New Orleans and consisted of performances by vocalists Kelly Rate and Jekalyn Carr.

This year’s honorees likewise included Valeisha Butterfield Jones, head of black community engagement for Google and the co-founder and CEO of the Ladies in Home entertainment Empowerment Network, and Margaret “Marty” Gillis, an operator/owner of numerous McDonald’s franchises in New Jersey.

In addition, the corporation bestowed its Community Option Youth Award to Chasity Hale, an author, poet and community leader who served an ambassadorial year as a Southeastern National Student Poet under the Obama administration.

Arnold, known for her function of Pam on the hit show “Martin,” stated she was thrilled to get the recognition for her work as an advocate for Lupus survivors.

“It’s good to be recognized for your contributions to society, not simply show service. God has actually blessed me to have a lorry to operate in that I like and that’s home entertainment. I’ve been doing this considering that age 11 and I just turned 48 three days ago. Still having the ability to contribute is fantastic,” she told The Associated Press.

She stated the recognition is essential however secondary in her life.

“Although I’m lively and loud, I do not like compliments. They make me very uneasy. I want to do what I do in silence,” she stated.

Still, she notes, she’s grateful for the opportunity to stand on a platform where she can promote her We Win Structure, which was founded in 2013 with her sister/manager Zenay Arnold, a Lupus survivor. The foundation was formed to help individuals, their households and caregivers who support those experiencing Lupus and other related autoimmune diseases.

“I don’t search for recognition for exactly what we’re doing however desire it so everyone can help us do what we need to do,” she said.

On a lighter note, Arnold said she’s having a grand time working with Vanessa Williams on her latest task, “Daytime Divas,” which looks into the goings-on at a daytime talk show.

“I’m having a lot enjoyable,” Arnold stated. “It’s just a lot of goodness to be a part of another excellent group of people and another cool program. I like doing it since it’s far gotten rid of from my ‘Survivor’s Regret’ character and I get to do devilish things. I really enjoy that. I’m living vicariously through Mo.”

She also stated she has strategies to showcase her singing voice.

“I have music ready to go,” she stated. “I simply need to find out how to package it and how I can fit it in with the times we’re currently in. I’m going to launch a single before the year is out.”

‘Baz’ starlet Ginifer King: ‘Your head will certainly be spinning– an entire world blows up’.


Abel Armas

The full cast performs “A Little Celebration Never Killed Nobody” from “The Great Gatsby” in “For the Record: Baz”

Wednesday, June 3, 2015|2 a.m.

Click to enlarge photo

Ginifer King as Satine from “Moulin Rouge” in “For the Record: Baz”

‘For the Record: Baz’
Launch slideshow “

For the Record: Baz.

Broadway and Hollywood starlet Ginifer King says that Las Vegas has provided almost everything when it pertains to home entertainment, however her castmates and she in “For the Record: Baz” vow that we haven’t determined anything yet.

Their program opens at Light in Mandalay Bay on June 19 (likewise the grand-opening night of Reba McEntire and Brooks & & Dunn at Caesars Palace and the opening night of the 2015 Electric Daisy Carnival at Las Vegas Motor Speedway), and Ginifer says: “You do not even know what’s going to hit the town.

“It’s a 360-degree theatrical experience. The audience and you are uncertain what you’re in for, and all of a sudden a whole world explodes. The first 5 minutes, your head will be spinning since so many things will certainly be happening.”

For Ginifer, her work on the Strip is a dream come true. For among her castmates, Justin Mortelliti, it’s a homecoming as he was a lead in “Rock of Ages” at the Venetian for 2 years. He’s acted in numerous of the “For the Record” reveals in Los Angeles.

The cast there has actually been expanded for the step from Hollywood to Las Vegas: Constantine Rousouli, Ciaran McCarthy, Ruby Lewis, Olivia Harris, James Byous, Jason Paige, Zach Vacation home, Derek Ferguson, Briana Cuoco and Amy Ryerson.

Right here’s my Q+A with a very fired up Ginifer:

This is a really goofy theatrical show being performed in a bar and not a theater?

I’m so excited to get to Las Vegas! It’s all of my dreams becoming a reality. You do not even know exactly what’s going to hit the town. Everybody’s so excited.

When you state all your dreams are becoming a reality, what dreams did you have?

As a child, I have actually constantly loved performing live. My dad and moms were so remarkable constantly taking me to New york city City and Las Vegas to see all of these remarkable performers and shows growing up.

To have the opportunity in my career to have actually been on Broadway with individuals like Bernadette Peters and Kevin Kline and Jennifer Garner, and now to obtain to go to Las Vegas and star in a show that is a party of one of my preferred film directors (Australian Baz Luhrmann) in among my favorite movies.

I like Las Vegas. I believe the whole town is going to take pleasure in the stagecraft and all the sexiness that is the program. We have actually been pertaining to Las Vegas over the years. Most just recently, among my favorites was when Garth Brooks was doing his one-man program at the Wynn. That was one of the very best shows I ‘d ever seen, and to see it so disrobed in such a location where things are normally flashy and shiny, it was a remarkable juxtaposition. He’s such a performer.

Obviously, all of the Cirque programs, “Love” was one of my favorites. I’m a huge Beatles fan. Just the method they married the music with all the aerial things and all their balancings and the method they tell the story simply floors me. It’s an entire new way of telling a story.

That’s what necessarily attracted me to “For the Record: Baz”– it’s a new method of telling a story. Extremely immersive, extremely amazing.

Did you determine the show “Absinthe” at Caesars Palace? When I wrote that your program was coming right here, I said the only method that I can describe it without having actually determined it is that it sounds like Joel Grey from “Cabaret” roamed into “Absinthe” one night plastered out of his mind.

No, I have not determined “Absinthe” yet, however I will. I believe you could feel confident with your description.

How do you describe “Baz” from dealing with the within the show?

It is like a modern cabaret. It’s a 360-degree theatrical experience. We’re taking movies and celebrating them through their soundtrack. It’s practically like you have actually wandered into the best basement cabaret experience. The 4th character to everyone is the audience, and you’re not sure what you remain in for and all of an abrupt a whole world simply blows up.

The first five minutes, your head will certainly be spinning since so many things will be happening. You literally would have strolled into the party scene in “The Terrific Gatsby.” It’s just all the motion pictures flowing in and out of each other. It’s the bar that we today imagine due to the fact that you are experiencing it in addition to us.

It’s so hot, it’s so exciting, and it’s so different. You’re not just observing. You belong of it. It’s happening all around you.

When you initially heard of this principle before you really understood exactly what it was, what was your initial response to it?

I believed this is probably going to be really cheesy, and I’m unsure that any live performance should do his motion pictures justice because I’m such a big Baz Luhrmann fan. So throughout the experience and when I went to go determine one of their very first programs, it boggles the mind how you were eliminated from any type of thoughts in your day. You’re simply swept up in the magic.

Individuals who I’m performing with are a few of the very best vocalists I have ever heard, some of the best entertainers. It’s truly incredible to determine such gifted individuals carrying out a few of the best scenes, a few of the very best songs ever written. It’s magic. I was onboard right from Day 1.

Is it just since it’s Baz Luhrmann, or is it because of the way that the translation of his hit films have been finished up together that makes it work?

Well the “For the Record” series is not simply Baz Luhrmann. With this show particularly, the theatricality and the way his motion pictures are shot, they’re so lovely. They have such a stunning way of taking that off the screen and making it come to life, so it naturally provides itself to be very theatrical. However what’s interesting is getting all these films that people recognize … the stories are told in a brand-new story, in a manner that all of these star-crossed enthusiasts are woven together.

It’s not like you’re just going to watch “Moulin Rouge: The Musical” or “The Excellent Gatsby: The Musical.” It’s its own program. It is its own homage to all things Baz Luhrmann. With “For The Record,” they’re able to do this with many movie directors. “The Quentin Tarantino Program” boggles the mind, and “The John Hughes Program” is so enjoyable and takes you back to those ’80s teenager films.

They have actually necessarily done a remarkable task with this series of totally changing you to another time or age or location. You get so concluded, that’s why we have so many people right here in Los Angeles who keep coming back to determine it. We have people who flew in from Australia to determine our program since they ‘d become aware of it.

It’s one of those lives that at first, it’s hard to discuss since it is so brand-new. There’s not truly a definition for it It’s so different, it’s not your standard Broadway show, it’s not your standard Las Vegas program. It’s a total immersive experience.

I utilized the word goofy. Can you offer me three words similar to it that would explain it? I’m guessing eccentric would be one.

Eccentric might work. I would probably say tasty. I would say creative. I would say amazing.

For the Record: Baz.

Click to enlarge photo

Ginifer King and Constantine Rousouli from “Moulin Rouge” in “For the Record: Baz.”

You know that in Las Vegas, the bar company has drawn a lot of cash out of the theatrical side of home entertainment. Scott Zeiger from Base, now the head of the Cirque du Soleil theatrical department who’s bringing your program here, thinks that what you have actually created in L.a is a method to obtain individuals back into theater prior to they go to bars. How do you feel about that?

Well what’s necessarily cool out right here in Los Angeles where we’re performing at DBA in West Hollywood is the party continues, and that’s something that’s truly been fun. The program out right here is 2 hours, however for 90 minutes of it it’s like having a club experience, and that’s so exciting.

You’re so concluded that the celebration just continues. When the show is done, it’s smooth the way they change that space, and all of a sudden it ends up being a club and a celebration, and the audience is motivated to stay. People stay and more people come later on. Maybe they have actually seen the show before but had headed out to dinner however wanted to be a part of the program’s club celebration.

It’s a really terrific celebration before a club. It’s the very best pre-party you might ever imagine. Among my preferred things is to say to somebody who’s never ever been, “I promise you, you will love this, and if you don’t, I will spend for your ticket.” Then they end up staying till 3 a.m. when the club closes.

Is everybody in your cast thrilled about concerning Las Vegas to do this residency?

Oh my gosh, are you joking? Our manufacturer simply got wed this previous weekend, so everybody were in Connecticut for the wedding and we could not stop talking about it. That’s all we discuss now: We can’t wait to get to Las Vegas and bring the show and share it with the audience. It’s a new location that we haven’t done the show prior to.

You touched on Quentin Tarantino, John Hughes. “Baz” is one of a series of “For the Record” reveals that are being done, however how long has “Baz” been running in L.a?

“Baz” has been operating on and off for about 4 years. The show has necessarily resembled an American Dream because is started out simply a little concept and it was extremely bare bones in the start. We would stand up and maybe individuals would sing tunes and perhaps perform a scene, and each time they have actually brought “Baz” back, they have actually refashioned it to make it a little bigger and grander.

So it hasn’t been running concurrently for 4 years, however we’ve done four versions of it, and normally it runs about 9 months. It seems like it’s constantly running, but we have actually taken little breaks. The demand for the show out here is unbelievable. People enjoy “The Baz Luhrmann Program.” It’s so hot and charming and awful. it’s all those feelings individuals love feeling in a 90-minute period.

Have you been with the show from the start?

Not from the very beginning. When I moved out to L.a, they were probably on their 2nd program. They had done Tarantino then John Hughes. A buddy discussed the “For The Record” shows and said I need to check it out.

I went but was doubtful. Immediately, however, I was hook, line and sinker. I’ve certainly been around a great strong 3 1/2 years, close to 4 years, and it’s been incredible. His shows are wonderful. I seem like I’m a part of something significant.

Significant quirky?

Significant eccentric, yes, however it’s likewise how you can explain me. It’s like a band of mischiefs who have actually all come together to create this incredible theater experience that is completely immersive and so interesting.

Did you get to satisfy Baz Luhrmann when he concerned determine the program that he had nothing to do with?

Isn’t really that crazy? I sadly didn’t see him when he came, which has been the despair of my heart due to the fact that I’m such a big fan. He liked it. After the show, obviously you have actually seen his quote, “It’s f$% *