Tag Archives: testimonial

Testimonial + pictures: Brian Wilson, with Al Jardine and Rodriguez, pleases at the Chelsea


Erik Kabik/ ErikKabik.com

Brian Wilson, with guests Rodriguez and Al Jardine, at the Chelsea on Friday, July 10, 2015, in the Cosmopolitan of Las Vegas

Wednesday, July 15, 2015|6:45 a.m.

Brian Wilson at the Chelsea
Brian Wilson, with guests Rodriguez and Al Jardine, at the Chelsea on Friday, July 10, 2015, in the Cosmopolitan of Las Vegas.Introduce slideshow “

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Brian Wilson, with guests Rodriguez and Al Jardine, envisioned here, at the Chelsea on Friday, July 10, 2015, in the Cosmopolitan of Las Vegas.

Click to enlarge photo

Brian Wilson, with guests Rodriguez, envisioned here, and Al Jardine, at the Chelsea on Friday, July 10, 2015, in the Cosmopolitan of Las Vegas.

In performance, Brian Wilson typically seems the most unpleasant individual in the space regardless of drawing from a brochure of some of the 20th century’s most overtly joyous tunes. On Friday night at the Chelsea in the Cosmopolitan, he was favorably buoyant by his own requirements.

The Beach Boys mastermind’s victorious “return” from years of privacy and substance abuse was heralded in the 1970s when atrioventricular bundle pressed him uncomfortably onstage as part of its “Brian’s Back” project; the 1980s, when questionable therapist Eugene Landy rescued him from the verge of death but exacted his own toll on Wilson’s health; and the 2000s, when Wilson and members of his touring band finished the long-abandoned “Smile” cd.

That conquest narrative sustains, as Wilson’s chatty, passionate performance in Las Vegas recommended that at 73, the revered singer-songwriter is in one of the more comfortable grooves of his long career. The current departure of longtime band member/concert MC Jeffrey Foskett has actually forced Wilson into more of a speaking function, exposing a funny bone and wonder that’s silly and lovely in equivalent procedures.

He also is now sharing the stage with Al Jardine, who at 72 sounds the most youthful of any of the initial Beach Boys, and Blondie Chaplin, who toured with the band in the 1970s. And he expressed pride at “Love & & Grace, “the recently released biopic he discussed multiple times.

“How loud can the women shout?” Wilson cried after his 10-piece band and he wandered onstage. “How loud can the boys shout?”

The hymnal, wordless “Our Prayer” opened the show, followed by fellow “Smile” track “Heroes and Villains.” The band consistently reproduced the Wall of Sound method that Brian looked for to proper from his idol, Phil Spector, back in the 1960s– which left Brian’s voice too low in the mix at times.

The instrumental track that starts “California Girls” elicited loud joys from the diverse crowd and started a four-song suite of early hits that likewise included “Shut Down” and “Little Deuce Coupe,” both sung capably by Jardine, and “I Navigate.”

Longtime Wilson band member Darian Sahanaja dealt with the vocals for “This Whole World,” the very best track on exactly what’s possibly The Beach Boys’ finest album, “Sunflower.” Although he could have been a bit louder in the mix, Sahanaja managed the vocal much better than either Wilson or Jardine might at this point in their professions.

Undoubtedly, Wilson battled with the greater notes in the occurring tune, “You’re So Good to Me,” a skyrocketing and easy paean to a partner from early in the band’s history. Wilson then introduced “Then I Kissed Her,” sung by Jardine, and Wilson might well have actually been referring to the entire program as he explained it as “Something delighted– helpful for you.”

Jardine had problem with a few of the higher notes in “California Saga: California,” a mid-1970s song he co-wrote. The live variation consisted of an unexpected a cappella break, a treatment used to terrific result in “This Universe” and, more famously, “Yacht John B.”

Wilson dealt with two more classics from the band’s early profession, crowd-pleasers “In My Room” and “Web surfer Girl,” and offered up some of his greatest vocals of the night on the latter.

The evening’s best lead vocal came not from Jardine however from his child Matt, whose falsetto is so appropriate to the enthusiastic and encouraging “Do not Worry Baby” that one could not help however question how he ‘d have dealt with more of the band’s other high-register hits.

Wilson asked audience members how many had seen “Love & & Grace,” which he described as “my film,” and was consulted with a hearty response. He then presented “Cruise Away,” a brand-new tune from his cd “No Pier Pressure,” as a love song he had actually written for his spouse, whose story is partly showcased in the movie.

He likewise introduced Chaplin, who shone on the follow-up, “Wild Honey.” While Chaplin’s vocal was notably aged– he sang in a much lower register than in his 1970s prime time– he youthfully pranced about the phase while performing extended guitar solos at the middle and end of the track.

Sahanaja’s take on the rollicking “Darlin'” was another concert highlight sung by a non-Beach Boy. Follow-ups “Wake the World” and “Hectic Doin’ Nothing” dissatisfied by contrast, the previous because Jardine severely flubbed the opening lyrics and the latter due to the fact that Wilson’s now-brassy shout not fits the breezy material.

“Surf’s Up” provided the program’s spiritual climax, with the audience in rapt attention as Wilson dealt with the lower-register verses while leaving the greater parts to his bandmates. Matt Jardine stepped to the fore once again on “Would not It Be Nice,” marking the second time in 2 attempts that his vocal singing had actually rapidly brought the crowd to its feet.

Wilson’s efficiencies of “God Just Knows” and “Excellent Vibrations” formed the night’s artistic peak, with the latter satisfying casual and important fans in similar way it did upon its release almost 50 years earlier. A string of easier hits– “All Summertime Long,” “Assist Me Rhonda,” “Barbara Ann,” “Surfin’ U.S.A.” and “Fun, Enjoyable, Enjoyable”– kept spirits high.

As per usual, Wilson closed with the opener from his launching cd, the song for which his biopic is called. His flubbing of the second verse rendered the tune enjoyable however not quite ideal– a fitting method to explain the whole evening.

Guitar player Sixto Diaz Rodriguez, 73, who carries out as Rodriguez, functioned as the opening act.

Brian Sanford is a copy editor at the Las Vegas Sun.

Robin Leach of “Lifestyles of the Rich & & Famous” popularity has actually been a journalist for more than 50 years and has invested the previous 15 years offering readers the within scoop on Las Vegas, the world’s premier platinum play area.

Follow Robin Leach on Twitter at Twitter.com/ Robin_Leach.

Follow Las Vegas Sun Entertainment + Luxury Elder Editor Don Chareunsy on Twitter at Twitter.com/ VDLXEditorDon.

Cosmopolitan of Las Vegas.

The Cosmopolitan of Las Vegas dares to be different. From the hotel’s red reservations desks to fine art discovered throughout the resort, The Cosmopolitan’s trademark style is helping to pave its own path on the Las Vegas Strip.

Upon going into the resort, you’re welcomed by pillars of video boards playing video art by Digital Kitchen area and David Rockwell Studio solely produced for The Cosmopolitan. Just beyond that, you’ll find all your preferred gambling establishment video games on the resort’s 100,000-square-foot casino floor.

The Cosmopolitan’s spaces standout as the resort’s most distinct function. About 2,220 of The Cosmopolitan’s 2,995 rooms have 6-foot deep terraces that cover the length of the room, an initially at a contemporary Strip hotel. Other in-room facilities consist of soaking tubs, kitchenettes and eccentric devices like artsy coffee table books.

The dining experience at The Cosmopolitan isn’t really something you’ll discover at other Strip resorts, either. All of The Cosmopolitan’s 13 restaurateurs are new to the Las Vegas market. You’ll find American steakhouse fare in a modern-day setting at STK, superior sushi at Blue Ribbon Sushi Bar & & Grill and the freshest fish flown in from the Mediterranean daily at Estiatorio Milos.

Whether the sun is up or down, Marquee Nightclub & & Dayclub is the location to find the party at The Cosmopolitan. The venue is a dayclub/nightclub, total with a swimming pool and cabanas outdoors and three different rooms with 3 various vibes inside.

If nightclubs aren’t your thing, you can grab a beverage at one of The Cosmopolitan’s five other bars, like The Chandelier, which is encased in 2 million dripping crystals.

3708 S. Las Vegas Blvd. Las Vegas, NV 89109

Testimonial + images: Marilyn Manson, Smashing Pumpkins join forces at the Joint


Wayne Posner/ Kabik Image Group

The Smashing Pumpkins, with frontman Billy Corgan, at the Joint on Friday, July 10, 2015, in the Acid rock Hotel.

Wednesday, July 15, 2015|7:14 a.m.

Smashing Pumpkins + Marilyn Manson
Marilyn Manson at the Joint on Friday, July 10, 2015, in the Hard Rock Hotel.Introduce slideshow “

Marilyn Manson at Home of Blues
Marilyn Manson performs at House of Blues on Saturday, Feb. 14, 2015, in Mandalay Bay.Introduce slideshow “

An end-of-times prediction was given that 4 “blood moons” through 2015 will certainly symbolize the extremely prepared for 2nd Coming. Exactly what this prophecy did not state is the Second Coming and reunion of alleged enemies Marilyn Manson and The Smashing Pumpkins frontman Billy Corgan for their “End of Times Trip,” which made its third stop Friday night at the Joint in the Hard Rock Hotel.

Corgan and Manson had not spoken in 15 years due to a reported rift in which Manson compared Corgan to Charlie Brown and suggested that his trip souvenirs need to include bald caps and Charlie Brown T-shirts. Manson likewise stated that hostility established after Corgan sent him a letter cautioning him about now-ex-girlfriend actress Rose McGowan.

Differences aside, this paradoxical heaven-and-hell duo fixed up with Manson taking the very first leg as the audience was dispatched into the Pale Emperor’s inferno.

Manson, who is no stranger to Las Vegas, having performed at House of Blues in Mandalay Bay on Valentine’s Day(!), brought the same restored showman who appeared on the “Hell Not Hallelujah Trip” early this year.

“I was born once more and once more and again, however this time it was far better since it was in Las Vegas, and I am a f * cking rock star,” stated Manson as he emerged into “Dope Program” while squashing a bag of white powder.

If you missed church the previous Sunday, Manson was prepared to baptize the attendees as the cathedral of Manson was garnished with patriarchal crosses, faux stained glass and pulpit for his spoken Manson-isms.

“God appears to be so far away, we can’t even punch him in the goddamn face. So you can raise your hands like this since if you are going to state f * ck you, Jesus, make it personal,” preached Manson as his encounter into his cover of Depeche Mode’s “Personal Jesus.” This was followed by Manson’s trademark Bible burning.

The hellacious ringmaster never failed at stimulating audience participation. Mid-set, Manson refused to continue playing until all the women lobbed their undergarments onstage. Bras showered band members, and Manson kept his pledge, rewarding the crowd with “Rock Is Dead.”

As it was nearing the time of resurrection, Manson ended his ceremony and bid the audience so long with “Coma White,” an ariose change into the raw contrast of the heavenly Smashing Pumpkins.

Manson’s opposing force had a minimalist approach as the stage was cleared of props and adorned with flowing pieces of white material brightened with alabaster lights.

While The Smashing Pumpkins just have 2 original band members, Corgan and percussionist Jimmy Chamberlin, they were reminiscent of the ’90s Pumpkins full with Corgan’s outfit of an easy button down and relaxed-fit gown trousers.

The Pumpkins transitioned from song to song, focusing generally on time-honored classics such as “Cherub Rock” and “1979,” while spackling in newer product from the 2014 cd “Monoliths to Elegy.”

Unlike the reign of Manson, Corgan kept to his music and was a minimalistic male of few words. “Are you enjoying?” Corgan asked the audience. “Did you take pleasure in the show? It doesn’t sound really persuading. Thank you quite. … I look like the individual from the Pearl Jam video.”

As the dichotomous program was nearing its final episode, The Pumpkins provided 2 last hoorahs with a drum-ushered musical interlude, followed by “The Star-Spangled Banner.” The Las Vegas farewell was full with fan-favorite “Today” as Corgan sang the lyrics, “Today is the greatest day I’ve ever understood.”

Today has yet to fade for these 30-year music veterans. Both efficiencies provided an evening of vibrant remembrance while likewise bearing these artists’ new chapters, which Las Vegas will certainly not soon forget.

Melina Robinson is a Las Vegas-based freelance writer.

Robin Leach of “Lifestyles of the Rich & & Famous” fame has actually been a reporter for more than 50 years and has spent the previous 15 years giving readers the inside scoop on Las Vegas, the world’s premier platinum play ground.

Follow Robin Leach on Twitter at Twitter.com/ Robin_Leach.

Follow Las Vegas Sun Home entertainment + Luxury Senior Editor Don Chareunsy on Twitter at Twitter.com/ VDLXEditorDon.

The Joint The Joint, which holds 4,000 people, features 7 luxury suites, a VIP studio level, a modern stereo and a remarkable video system. It has actually gotten numerous awards including “Best Show Venue” in Las Vegas Review-Journal’s “Best of Las Vegas” awards in 2010, 2011 and 2012, “No. 1 Hottest Club in America” award by Billboard Publication in 2011, “Best New Significant Show Place” at the 2010 Pollstar Awards, and “Finest Live Music Location” in AOL City’s Best 2010 awards. The Joint has actually been the location for concerts by Paul McCartney, Prince, The Killers, Bon Jovi, Kenny Chesney, Game Fire, Avenged Sevenfold, Weapons N’ Roses, Rise Versus, Paramore, Muse, Drake and No Doubt. The venue hosted Vegas’s very first rock n’ roll residency, “Supernatural Santana: A Trip through the Hits,” and in February 2012, Vegas’s very first acid rock residency, “Mötley Crüe in Sin City.” In 2011, the venue invited “Tiësto In Performance,” a groundbreaking live program created solely for The Joint featuring the world’s No. 1 electronic DJ and manufacturer Tiësto. See Home entertainment schedule.
4455 Paradise Road Las Vegas, NV 89169

Hard Rock Hotel & & Casino

Probably one the coolest joints in town, the Acid rock Hotel & & Casino houses some of Vegas’ best home entertainment, dining establishments and night life.

At Acid rock, it’s all about the music. From the light fixtures constructed of drum cymbals and guitar shaped door handles to stage outfits and devices of the trade of legendary musicians showed on the walls, the hotel screams rock-and-roll. The Hard Rock’s Joint has actually hosted some the biggest names in music– from The Who to Bob Dylan to home town heroes, The Killers.

Aside from the music places, the swimming pool at the Acid rock is one of its biggest destinations. Expand over 4.7 acres, the pool location features swim-up blackjack, a bar and grill, personal cabanas, a bunch of remote nooks, a waterfall and a comprehensive live music location with a dance floor. During the summer, the swimming pool transforms into the Rehab club on Sunday afternoons.

The resident nightclub Body English merges European sophistication with a rock star bachelor pad and it often a hot spot for going to celebs and popular DJs. Vintage rock memorabilia lines the walls at Wasted Space, Hard Rock’s anti-club.

Dining establishments at Hard Rock are simply as hip as the rest of the casino. Pink Taco dishes out Mexican meals, in addition to a Central American and Caribbean menu. Nobu, among five around the world Japanese-specialty dining establishments from famous Nobu Matsuhisa, satisfies a various taste. For day-and-night cuisine, Mr. Lucky’s 24/7, makes certain to reduce your appetite even after a Vegas-all-nighter.

4455 Paradise Roadway Las Vegas, NV 89169 702-693-5000

Testimonial: Bryan Adams, at Mandalay Bay, still wishes to rock at 55– and does


Bryan Haraway/ Mandalay Bay

Bryan Adams carries out throughout his “30th Anniversary Negligent Trip” stop Saturday, May 16, 2015, at Mandalay Bay Events Center

Friday, May 22, 2015|4:30 a.m.

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Bryan Adams performs during his “30th Anniversary Negligent Trip” stop Saturday, May 16, 2015, at Mandalay Bay Events Center.

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Bryan Adams is at Mandalay Bay Events Center on Saturday, May 16, 2015, in Las Vegas.

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Bryan Adams carries out during his present “30th Anniversary Negligent Trip.”

A “One Night Love Affair” with Canadian singer-songwriter, producer and rock-star guitar player Bryan Adams?


It’s been three years since Adams’ hit cd “Careless” was launched and generated memorable 1980s strikes consisting of “Heaven,” “Go to You,” “Summertime of ’69” and “Someone.”

Adams brought his “30th Anniversary Reckless Tour” to Mandalay Bay Occasions Center on Saturday night, and it was a journey down memory lane– the entire “Reckless” cd was carried out, plus a few cuts that were, ahem, cut like a knife from the collection– that was amusing from beginning to complete.

(Side note: Other 30th anniversaries that have been in the headings in recent weeks: “Back to the Future,” “The Breakfast Club” and Easy Minds’ No. hit “Don’t You (Forget Me)” from “The Breakfast Club.”)

Thoughts and highlights:

Adams– with his band, who were all dressed likewise in head-to-toe black (throughout “Please Forgive Me” at the piano, it appeared like Adams was playing, however it was his doppelganger, as Adams was singing at phase right)– discovers as refreshingly earnest, although he has need to be pleased with his classic hits– guest Maren Wade of “Confessions of a Showgirl” correctly noted that his tunes might be hits today– and his voice and guitar skills as strong as ever.

His stellar guitar abilities were shown throughout a solo of crowd favorite and sing-along “Heaven,” his very first No. 1 from the movie “A Night in Heaven.” After “It’s Only Love,” his hit with Tina Turner, he thanked the music legend– “Love you, Tina”– and kept in mind that he carried out the duet with her “at the ripe old age of 24.”

Adams carried out for 2 solid hours with no breaks or costume modifications, and the phase, aside from a big LED screen as a backdrop, included no bells and whistles due to the fact that they just weren’t necessary. Adams’ 30-year-plus profession shows his talent, and it was on full screen at Mandalay Bay.

In almost 7 years of covering performances at the occasions center, this was the very first where a big drape cut off maybe a third of the location. Despite the small crowd for the events center, fans were loud, pleased and offered Adams numerous standing ovations during the night. Note: Adams would definitely offer out and rock the Joint in the Acid rock Hotel, Chelsea in the Cosmopolitan of Las Vegas and Pearl at the Palms.

Our Q+A with Adams, aka “The Soundtrack King,” was published last Saturday. Adams’ “Reckless Trip,” which hit Canada, Europe and Africa in addition to the United States, continues through Aug. 1.

Last Saturday night’s setlist of Adams, who along with his music has become a celebrated professional photographer: “Reckless,” “One Night Love Affair,” “She’s Only Happy When She’s Dancin’,” “Go to You,” “Boys Night Out,” “Heaven,” “Children Wan na Rock,” “It’s Only Love,” “Long Gone,” “Somebody,” “Ain’t Gon na Cry,” “Summer season of ’69,” an acoustic over of Roger Daltrey’s “Let Me Down Easy” and “Everything,” which concluded the “Negligent” cd.

Adams quipped that he luckily had more than a dozen cds to his credit and continued the performance with “If Ya Wan na Be Bad, Ya Got ta Be Excellent,” “Cuts Like a Knife,” “Cannot Stop This Thing We Started,” “Please Forgive Me,” “18 Till I Die,” “This Time” (with the video– remember those on MTV?– from the 1980s) and “The Only Thing That Looks Excellent on Me Is You.”

The repetition at 10:10 p.m.: “You have actually Been a Friend to Me,” a cover of Eddie Cochran’s “C’mon Everybody,” “She Knows Me,” “Straight From the Heart” and “All for Love,” the No. 1 hit with Sting and Rod Stewart from “3 Musketeers.”

Don Chareunsy is the Las Vegas Sun’s arts and entertainment senior editor and has actually been a journalist for almost two decades.

Robin Leach of “Lifestyles of the Rich & & Famous popularity” has been a reporter for more than 50 years and has spent the previous 15 years providing readers the within scoop on Las Vegas, the world’s premier platinum playground.

Follow Sun A&E Senior citizen Editor Don Chareunsy on Twitter at Twitter.com/ VDLXEditorDon.

Follow Robin Leach on Twitter at Twitter.com/ Robin_Leach.

Mandalay Bay Events Center.
3950 Las Vegas Blvd. Las Vegas, NV 89119

Mandalay Bay Resort & & Gambling establishment Mandalay Bay Resort & & Casino is a special location resort set on 120 rich acres on the Las Vegas Strip. The resort provides 3 unique hotel experiences: Mandalay Bay, a AAA 4 Diamond acclaimed hotel, with 3,211 elegant spaces and suites reflecting a modern-day tropical atmosphere; 4 Seasons Hotel, a AAA Five Diamond hotel-within-a-hotel, offering 424 rooms and suites; and the stand-alone all-suite THEhotel which will certainly be upgraded and rebranded Delano Las Vegas in late 2013. Mandalay Bay boasts an 11-acre tropical swimming pool paradise, including real sand, a wave pool and the only climate-controlled, poolside video gaming in the city. Other home highlights consist of world-class home entertainment at the 12,000-seat Mandalay Bay Occasions Center, award-winning dining by celeb chefs and restaurateurs, Shark Reef Fish tank and the 1.7-million-square-foot Mandalay Bay Convention Center. Mandalay Bay’s offerings also include BATHHOUSE Health club, Home of Blues Concert Hall and restaurant, and The Shoppes at Mandalay Place, a collection of special stores and dining establishments. In 2013, Mandalay Bay will certainly become the home of a resident Cirque du Soleil production based on the music and choreography of the King of Pop, Michael Jackson.
3950 S. Las Vegas Blvd. Las Vegas, NV 89119