Tag Archives: theatre

NCT Opens '' The Crucible ' Oct. 19 in the Black Box Theatre

The Nevada Conservatory Theatre (NCT) checks out worry, stress and anxiety, jealousy, and witchcraft with Arthur Miller’s The Crucible Oct. 19-28 in the Black Box Theatre. Darren “Daz” Weller directs.

Miller’s searing 1953 commentary on McCarthysim focuses on the town of Salem, Massachusetts, in the 1690s. A series of bad luck, indiscretions, and regional girls dancing “devilishly” in the woods cause the notorious Salem witch trials. This traditional American drama explores what takes place when a community turns against its own people.

Weller moved to Las Vegas from Australia in 2010 and is the artistic director at Cockroach Theatre Company. He finished with a bachelor’s degree in acting from the Queensland University of Innovation in 1998 and has worked extensively with the majority of Australia’s major theatre companies, including the Sydney Theatre Business, Company B Belvoir, Griffin Theatre Business, the Bell Shakespeare Business, Theatre of Image, Melbourne Theatre Company, Queensland Theatre Business, and the State Theatre Company of South Australia. His U.S. directing credits consist of: Macbeth and Great Kids (NCT), Spinning into Butter, 7 Fatal Sins and The Father (Cockroach Theatre Company), The Piff the Magic Dragon Show (the Flamingo), and The Small Area Festival (Emergency Arts). He is resident director of Human Nature’s The Motown Program (the Venetian) and Spiegelworld’s Vegas Nocturne (Rose.Rabbit.Lie. inside the Cosmopolitan). This year he will direct Lynn Nottage’s Pulitzer Prize-winning play Sweat at Cockroach. Because transferring to Las Vegas, he has looked like an actor in the following plays: The Christians and Love, Love, Love ( Cockroach Theatre Business), The Hound of the Baskervilles, To Kill a Mockingbird and Pippin (NCT), The Beauty Queen of Leenane (A Public Fit), Doubt (Las Vegas Little Theatre), The Wizard of OZ and A Midsummer Night’s Dream ( Las Vegas Shakespeare Business). For television, he was among the lead cast members in the 11-part sketch funny series Double Take for Freemantle Media and Channel 7, and has actually appeared in guest roles for many Australian broadcast network programs.

The cast consists of Johann Heske as Reverend Parris; Olivia Enriquez as Betty Parris; Noah Keeling as Tituba; Aviana Glover as Abigail Williams; Jaeda Larkins as Susanna Walcott; Nicole Holbrook as Mrs. Ann Putnam; Spencer Bisek as Thomas Putnam; Sydney Story as Grace Lewis; Juliana Renee Martin as Mary Warren; Nate Marble as John Proctor; Joan Mullaney as Rebecca Nurse; Gail Romero as Giles Corey; Bobby Lang as Reverend John Hale; Tola Lawal as Elizabeth Proctor; Sherri Brewer as Frances Nurse; Maurice Green as Ezekiel Cheever; Matthew Fischer as Marshal Willard; Cameron Bass as Judge Hawthorne; Delius Doherty as Deputy Gov. Danforth; Ashlie Carter as Sarah Good; and Axel Knight as Hopkins. The teen chorus consists of Kyra Bracamontes, Gavin Robertson, Ruliko Cronin, and Kyara Williams.

The production and style group consists of picturesque designer Joe Garcia, lighting designer Kirt Siders, sound designer Rosalie Chaleunsouck, outfit designer Gabrielle Lewis, technical director Marta Sarrion-Arrue, and production stage manager M. Sohaa Smith.

Show Dates/Times
7:30 p.m. Oct. 19 & & 20 and Oct. 25-27.
2 p.m. Oct. 21 and Oct. 28.
Tickets.

Tickets are $20. Discounts are offered.

For tickets or extra info, check out the Performing Arts Center websiteor call 702-895-ARTS (2787 ).

Event Parking.

UNLV Carrying out Arts Center customers are welcome to park in the Cottage Grove Parking Garage.Parking is complimentary after 7 p.m. Monday – Thursday, after 1 p.m. Friday, and all weekend. Check out UNLV Parking and Transport Solutionsfor additional information.

Pertain To Majestic Repertory Theatre for ‘Cabaret,’ stay for ‘Clown Bar’

Willkommen, bienvenue, welcome! Whether you’re a clown, a Berliner or a “beige person” (that’s clown slang for non-clowns), Majestic Repertory Theatre invites you to leave your troubles outside as it presents two completely immersive and wholly different shows this August: Cabaret and Clown Bar.

“Somehow I’ve become the social justice theater artist in Las Vegas,” Artistic Director Troy Heard says of Majestic’s current programs having deep resonance, such as Hair, Animal Farm and Marie Antoinette. With its Nazi-era Berlin setting and styles of resistance, Cabaret fits right into the pattern. “On the other hand, Clown Bar is a show that happily has no redeeming social value whatsoever,” Heard states. “It’s an enjoyable roller rollercoaster flight.”

Heard selected Cabaret to lead off Majestic’s 2018-19 season after listening to the musical’s track “So Exactly what.” Sung by a German character in the 1930s, the lyrics have to do with not sweating the small stuff. “Regrettably at the time, the small things was the rise of Adolf Hitler,” Heard states. He instantly thought about the “why vote?” mindsets surrounding the 2016 election.

“There’s no navigating an allegory, when it pertains to Cabaret,” Heard states. “It’s a show that speaks to each generation.” Heard says that because debuting in 1966, Cabaret has actually been an allegory for the American Civil Liberty Movement, the persecution of gays in Russia, and now, the “bubbling up of fascism enabled by the Trump routine.” Heard’s version stars Charlie Starling as the stubborn British ingenue Sally Bowles and Anita Bean as the Emcee.

And then, due to the fact that the space was currently established like a bar, Heard chose to reprise last summer’s effective run of Clown Bar, which likewise played LA’s Viper Space. It’s a movie noir-style mystery filled with mobsters and gumshoes– all of whom take place to be clowns.

“We all really enjoy it,” states Natalie Senecal, who will resume her role as Petunia, the rubber chicken-loving clown hooker with a heart of gold. “It’s simply fun to do, to be honest. There’s a great deal of shows you always want you could restore, so when the stars align and you can do that, why not?” In fact, Senecal enjoys Clown Bar a lot, she plans to get a rubber chicken tattoo.

Kady Heard, who takes place to be wed to Troy, will perform in both Cabaret and Clown Bar, as a Package Kat Woman and as Blinky Fatale, respectively. “I finally get to dance while I’m acting in both of them,” she states. “Cabaret does go to some dark places, and I have to tap into some uneasy psychological circumstances, but in both I am playing a seasoned female who’s been treated improperly by men, so it’s not that tough to go back and forth.”

So ways to watch? Heard recommends a double feature: “See Cabaret. Pop throughout to Velveteen Bunny for a drink. And come back for Clown Bar as a taste buds cleanser.”

CABARET August 2-26; Thursday-Saturday, 8 p.m.; Sunday, 5 p.m.; $15-$28. Majestic Repertory Theatre, 702-423-6366.

CLOWN BAR August 4-25; Saturday, 11 p.m.; $25. Majestic Repertory Theatre, 702-423-6366.

Nevada Conservatory Theatre Announces 2018-19 Season

The Nevada Conservatory Theatre is proud to reveal its 2018-19 season! This 15th anniversary season shows the pioneer spirit of the creators of NCT at UNLV in 2003. Each story reveals the enthusiasm and courage it takes to stay true to yourself versus the odds. Details on tickets and season specials is readily available online.

The Importance of Being Earnest by Oscar Wilde
Directed by J.R. Sullivan
Judy Bayley Theatre
Sept. 28– Oct. 7
Jack Worthing loves glamorous Gwendolyn Fairfax however he has a secret: his double life as “Ernest Worthing.” His buddy, Algernon Moncrieff, finds his secret and adopts the personality of “Earnest” to woo his pal Jack’s ward Cecily Cardew. What follows is an onslaught of uproarious mistakes seasoned by the wittiest discussion, not to mention tea and muffins. Oscar Wilde’s gleaming funny teaches us all the value of being Earnest.

The Crucible by Arthur Miller
Directed by Darren Weller
Black Box Theatre
Oct. 19– 28
Worry. Anxiety. Jealousy. Witchcraft. Arthur Miller’s searing 1953 commentary on McCarthysim concentrates on the village of Salem, Massachusetts, in the 1690s. A series of bad luck, indiscretions, and local ladies dancing “devilishly” in the woods result in the notorious Salem witch trials. This traditional American drama explores exactly what occurs when a community turns versus its own individuals.

Love’s Labour’s Lost by William Shakespeare
Judy Bayley Theatre
Nov. 30– Dec. 9
The young and positive– possibly overly confident– King of Navarre and his 3 loyal school pals make the ultimate oath: for 3 years they will study, quick, and give up sex. Their vow is quickly tested when the stunning and lovely Princess of France and her 3 witty women reach court. What follows? Subterfuge, shenanigans, and sonnets. Shakespeare’s hilariously wise and hot comedy shows the hard work of accomplishing love while maturing.

The African Business Provides “Richard III” by Carlyle Brown
Directed by Melissa Maxwell
Judy Bayley Theatre
Feb. 15– 24
New York. 1821. America’s first black theater business, the African Business, provides classic plays at a theater in downtown Manhattan for both black and white audiences. However they are challenged when they attempt to put on Shakespeare’s Richard III at the exact same time as the powerful and popular Park Theatre. Carlyle Brown’s amusing and touching play, based upon real-life events, attempts to ask the concern: does Shakespeare come from everyone?

Blood Wedding by Federico García Lorca
Directed by Allegra Libonati
Black Box Theatre
March 8– 17
On the early morning of her set up wedding, a young bride is gone to by the previous love of her life. Old enthusiasms of love and hate are revived when the two lovers leave together. Can their fervent ardor overcome the strictures of Catholic Spanish society? Through the lyrically haunting landscape of poet Federico García Lorca’s moon-soaked imagination, we see the penalties and the satisfaction of rebelling against the status quo.

Legally Blonde by Heather Hach
with music and lyrics
by Laurence O’Keefe and Nell Benjamin
Judy Bayley Theatre
May 3– 12
Based upon the hit motion picture starring Reese Witherspoon, this fabulously enjoyable musical adjustment follows the adventures of West Coast sorority girl, Elle Woods. When her sweetheart discards her to go to Harvard Law, Elle figures out to recover his heart at any expense. How far will she go? Will she need to transform herself or will she hold on to her authentic Elle self? One thing’s for sure: Harvard Law will never ever be the very same.

Verba Shadow Theatre Carries Out at UNLV April 27

The UNLV Performing Arts Center invites the Verba Shadow Theatre– established in 2010 — at 7:30 p.m., April 27, in Artemus Ham Auditorium. The entertainers bring worlds to you using just their bodies, props, and light. From the Ukraine, they have been finalists in television talent displays in the Ukraine, Russia, Poland, and Germany.

Shadow is the universal language of interaction. Imagining numerous topics– drawn from life or existing in books and films– the stars transfer the audience to a new truth, providing the chance to be amazed, to rejoice, understand, and show.

Tickets

Tickets to the Verba Shadow Theatre are $50, $40, $30, $20, and can be acquired through the Carrying out Arts Center ticket officeor by calling 702-895-ARTS (2787 ). Trainee rush tickets are $10 each (not inclusive of the facilities charge) and available one hour prior to each occasion, based on accessibility and with valid student ID. UNLV professors and personnel discount rates also are readily available.

A $1.50 centers fee, in addition to the ticket rate, is charged on all Carrying out Arts Center tickets. Package office is open from 10 a.m. to 6 p.m. Monday through Friday and 10 a.m. to 4 p.m. Saturday.

About the PAC

The UNLV Performing Arts Center is Southern Nevada’s very first home for the arts: it opened in 1976 and commemorates its 42nd season this year. It hosts a range of efficiencies and events and is home to productions provided by the Nevada Conservatory Theatre, UNLV School of Music, UNLV Dance, Desert Chorale, and the Southern Nevada Musical Arts Society. The UNLV PAC also is pleased to host various Clark County School District Fine Arts festivals and performances.

NCT Provides “” Pippin”” April 27-May 6 in the Judy Bayley Theatre

The Nevada Conservatory Theatre (NCT) provides Pippin – book by Roger O. Hirson and music and lyrics by Stephen Schwartz – April 27 – May 6 in the Judy Bayley Theatre. Michael Lugering directs.

Recently returned from college, Pippin decides to become a war hero and joins his father, King Charles, on the battlefield. However soon, Pippin fears his intoxicated and irregular father has actually ended up being a tyrant and eliminates him. Quickly regretting this choice, Pippin gets in touch with the Leading Gamer’s theatrical magic to bring his daddy back. Turning his back on the cruelty of war, Pippin fulfills Catherine and falls in love. Will he select a domestic life with her or among adventure and magic? Lugering is a master teacher of voice, motion, and acting at UNLV and has invested more than 15 years looking into the physical, psychological, behavioral, and aesthetic aspects of human expression. His book, The Expressive Star: An Integrated Technique of Voice, Motion & & Actor Training, is released by Heinemann Drama Books. He has acted as a professional voice coach for the Utah Shakespearian Festival and the NCT.

The cast consists of Ryan Baker as Pippin; Kyra Bracamontes as Gamer; Sherri Brewer as Gamer; Brandon Dawson as Lewis; Allison de Jong-Irving as Player; Delius Doherty as Leading Gamer; Joshua Horton as Player; Alexis Hudson as Leading Gamer; Aries Johnson as Player; Bobby Lang as Player; Tola Lowal as Player; Nate Marble as Player; Kalie McLaughlin as Player; James Palmquist as Theo; Alexandra Ralph as Fastrada; Sarah Rice as Gamer; Isabella Rooks as Player; Daniel Shim as Gamer; Keach Siriani-Madden as Player; Alyssa Tortomasi as Catherine; Katy Veneris as Player; Darren Weller as Charles; Rachel Wells-Dawson as Gamer; Pleasure Wheatley as Gamer; and Kyara Williams as Gamer.

The production and style team includes musical director James Whiting; choreographer Cathy Allen; picturesque designer Trevor Dotson; lighting designer Andrew Killion; sound designer Doniel Richardson; outfit designer Hailey Eakle; technical director Ryan Pope; production impresario Emma Slaney; and dramaturg Lezlie Cross.

Show Dates/Times
7:30 p.m. April 27 & & 28 and May 3, 4, and 5
2 p.m. April 29, May 6
10 a.m. Student matinee May 1
Tickets

Tickets are $33. Discount rates are available.

For tickets or extra information, check out the Performing Arts Center siteor call 702-895-ARTS (2787 ).

‘Baz’ makes its mark at Palazzo Theatre

When it made its Las Vegas debut in 2015 at Light Nightclub in Mandalay Bay, Baz felt like a little an experiment– something fresh and various in a not likely place, yet plainly targeted at a younger showgoing audience. That wasn’t the right area for the genre-bending show produced by LA-based theatrical company For the Record, however it has actually given that found its footing at the Palazzo Theatre, where last week the cast and team came together to commemorate program No. 400 given that opening there in July 2016.

Just recently renamed Baz: A Musical Mash-Up, the energetic, immersive production notoriously mixes songs and scenes from film visionary Baz Luhrmann’s motion pictures Romeo + Juliet, Moulin Rouge and The Terrific Gatsby. The powerhouse ensemble cast continues to develop buzz for one of the Strip’s many special programs. There really is absolutely nothing else like it. Baz: A Musical Mash-Up at Palazzo Theatre, Tuesday-Sunday, 7 p.m., 702-414-9000.

Nevada Conservatory Theatre Announces its 2015-16 season

The Nevada Conservatory Theatre at UNLV is pleased to announce its 2015-16 season, a thrilling mix of Shakespeare, contemporary Broadway hits, and valued American classics.

Christopher Edwards, the artistic director for the NCT, invites the whole Las Vegas neighborhood to engage with the NCT throughout the 2015-16 season: “With an eye towards community engagement and entertainment for young and old alike, we want to get back to exactly what has actually made this theatre business promoting and available.”

The 2015-16 season provides something for everyone in your household, from among Shakespeare’s most long-lasting comedies, to Cole Porter’s traditional American musical, to a dramatization of Harper’ Lee’s ageless novel about coming of age in the racially-segregated south, to Quiara Alegr?a Hudes’s Pulitzer-prize winning play, which checks out the impact of war on a Latino household. Thrill your senses with our creepy Halloween program and feel the magic of the holiday season with our bi-annual production of A Christmas Carol.

In the Main Phase Series audiences will experience 5 expert programs including the work of nationally recognized theatre artists. The NCT will likewise provide three conservatory shows highlighting UNLV’s gifted MFA and Bachelor’s Degree students in its Studio Series. Also look for special events surrounding the theatrical offerings, such as a Halloween celebration, a Holiday celebration, Brush-Up-Your-Shakespeare workshops, playwriting workshops and new trainee matinees.

The 2015-16 season is as follows:

Much Ado about Absolutely nothing

by William Shakespeare
Sept. 17-20 (Studio Series)

In Shakespeare’s cherished romantic comedy, a lover’s trap is set for Benedick, a sworn bachelor and Beatrice, his preferred spoken sparring partner– the gloves are off and a comic love story remains in the making.

Water by the Spoonful

by Quiara Alegr?a Hudes
Oct. 2-11 (Main Phase Series)

When Elliot, a young Puerto Rican guy, returns home from Iraq, he finds that the lives of his member of the family are likewise in chaos. Through the strength of household and the neighborhood of chatroom, we see Elliot’s “look for human connection in a severe and destabilizing world” (Time). This play is winner of the 2012 Pulitzer Reward.

Title TBA

Oct. 23-Nov. 1 (Main Stage Series)

A Halloween treat of a program for the first annual Halloween Celebration.

A Christmas Carol

by Charles Dickens
December 2-13 (Main Phase Series)

The timeless holiday tale of Ebenezer Scrooge who believes Christmas is a “humbug” till the spirits of Christmas Past, Present, and Future remind him (and us) of what Christmas is truly all about.

To Kill a Mockingbird

by Christopher Sergel adjusted from the unique by Harper Lee
February 12-28 (Main Stage Series)

Harper Lee’s brilliant maturing story, told from a child’s viewpoint, which shows all of us how understanding and guts can accomplishment over hatred.

subUrbia

by Eric Bogosian
March 10-13 (Studio Series)

Bogosian’s disturbingly contemporary portrait of young, agitated, and disaffected Americans is as relevant today as it remained in 1994 when it premiered at Lincoln Center in New york city.

Kiss Me, Kate

by Cole Porter
April 29-May 8 (Main Stage Series)

Brush up your Shakespeare with this hilarious, toe-tapping musical about the joys and insanity of blending love, rivalry, and the theatre. This terrific traditional American musical presents the very best of well-known composer-lyricist Cole Porter, with hits such as “Too Darn Hot,” “So in Love,” and (obviously) “Brush up Your Shakespeare.”

Organic and Home Grown Playwright’s Festival

Dates TBA (Studio Series)

This brand-new Playwright’s Festival will provide world-premiere presentations of plays by Nevada playwrights. In this two-day brand-new plays workshop and reading series the NCT will showcase the best of regional voices from Southern Nevada.

Nevada Conservatory Theatre Announces 2017-18 Season

Take Me Out– by Richard Greenberg

Darren Lemming is the star baseball player for the NY Empires who is cherished by fans and teammates alike. When he casually announces he’s gay, he triggers a series of troubled and unexpected occasions that reveal a deeply appealing and thoughtful take a look at America’s obsession with baseball and professional athletes.

Judy Bayley Theatre
Sept. 29– Oct. 8

Great Kids– by Naomi Iizuka

Something happened to Chloe after that celebration last Saturday night. Something she says she cannot keep in mind. Something everyone is discussing. Set at a Midwestern high school, in a world of Facebook and Twitter, mobile phones and YouTube. Whose variation of the story do you think? And what does that state about you?Black Box Theatre Oct. 20– Nov. 5 A Christmas Carol– by Charles Dickens-Adaptation TBA Mean-spirited and greedy, Ebenezer Scrooge is checked out by 4 phantoms that show him what the significance of excellent will, cheer, and joy to all mankind really suggests. This new adaptation will have a look at the varied melting pot that is the multi-cultural world we live in.Judy Bayley Theatre Dec. 1– 17 Fences– by August Wilson Troy Maxson, a previous star of the Negro baseball leagues, now works as a garbage guy in

1957 Pittsburgh. Left out as a black

man from the major leagues during his prime, Troy’s bitterness takes its toll on his relationships with his wife and his kid, who now desires his own opportunity to play ball. Judy Bayley Theatre Feb. 9– 18 Julius Caesar– by William Shakespeare A successful politician and military leader desires total control of Rome. Unfortunately, she is met opposition from all sides. William Shakespeare’s tragedy about power, corruption, and the fluctuate of a leader is explored in this all female production. Black Box Theatre March 9-25 Pippin– by Stephen Schwartz Heir to the Frankish throne, the young prince Pippin is in search of the trick to true joy and satisfaction. He seeks it in the glories of the battleground, the temptations of the flesh

and the intrigues of
political power.

In the end, however, Pippin discovers that happiness lies not in remarkable undertakings, but rather in the un-extraordinary moments that happen every day.Judy Bayley Theatre April 27 -May 6 Tickets can now be purchased on a subscription basis from the PAC box office by phone at 702-895-ARTS(2787). Package office is likewise open one hour prior to and one half-hour past posted curtain time for all ticketed occasions held at the Performing Arts Center.

'' Baz– Star Crossed Love' ' commemorates an effective first year at the Palazzo Theatre

Image

Romeo and Juliet is just one of the love stories set to music in

Saturday, July 29, 2017|2 a.m.

. When it opened in the middle of 2015 at Light Club at Mandalay Bay, Baz was a bright, fresh, various musical production on the Las Vegas Strip, aiming to make its mark in a tempestuous live entertainment landscape. Now, as the program commemorates its first anniversary as Baz– Star Crossed Love in a more natural home at the Palazzo Theatre, it’s that much closer to making to making that mark.

“Vegas has actually been a wild flight for us,” states Shane Scheel, executive producer and co-creator at For The Record, the Los Angeles-based live entertainment company behind Baz. “Dealing with the Cirque du Soleil [team] at Light provided us what we called our Vegas workshop and it was an amazing experience to put that together, then to have everyone at Venetian [and Palazzo] come see it and fall for it and think we can do it even much better, that has been a reward for us to continue to explore the program.

“To have it running for a year there is surreal due to the fact that Vegas is a wild city to produce in. There’s a great deal of competition, and our goal was produce something very different. Every day that’s how we think.”

For The Record’s programs– called a “unique postmodern cabaret” by Vanity Fair– celebrate the work of well-known and famous film directors like Quentin Tarantino, John Hughes, Martin Scorsese, and in Las Vegas, Baz Luhrmann. Baz is centered on the love stories in Luhrmann’s movies Romeo + Juliet, Moulin Rouge and The Great Gatsby, set to a contemporary pop music soundtrack including tunes like Prince’s “When Doves Cry” and Amy Winehouse’s “Back to Black.” The show has been hailed for generally strong vocal efficiencies from its ensemble cast and its ability to surround its audience with noise and action.

“When we set out to the Palazzo, we were truly able to take the area and craft it into something that matches the show. Light was a fun play ground however it wasn’t developed for the show,” Scheel states. “The Palazzo Theatre was developed for the For The Record experience, to bring the action off the screen and into people’s laps, and their minds and hearts, so you can become completely immersed in these films and stories and, most significantly, the soundtracks.”

Accompanying the anniversary of the program is the return of its original star, Ruby Lewis, who plays Gatsby’s Daisy Buchanan. Lewis, who’s likewise worked in film and television on Girl Satisfies World, Masters of Sex, Desperate Homemakers and more, just covered a year-long run as the lead in the Broadway debut of Cirque’s Paramour, a function that was born from her operate in the very first variation of Baz.

“It sort of fell into my lap due to my connection through Baz with Cirque du Soleil’s theatrical [group],” Lewis states. (Cirque was included with Baz at Light but is not included with the Palazzo production.) “Paramour was an entirely various beast. The artistic process was absolutely natural, very various from what I was utilized to, which is setting up a program in a couple weeks. We took our time constructing the program, and it was my first time on this grand scale where I got to be such a huge part of the procedure and have a lot input.”

Constructing the Concubine character around her strengths was a perfect circumstance for Lewis, and she states it altered the method she approaches her performances now– including repeating her function in Baz. “It’s not that my efficiency has actually been bashful, however as you experience more, it colors your performance,” she states. “I feel like I have the ability to go a little deeper which it feels more comfy in this function for me now. And I’ve really been munching at the bit after I saw it open [at Palazzo] and the area is so stunning, and the way the program has been reimagined is so vibrant and interesting.”

Baz has actually come a long way, Scheel explains, and it’s since of a serious dedication from everybody included.

“We have actually done shows in a lot of various type of locations, from a bar in East Hollywood to a 2,000-seat theater at South by Southwest,” he says. “We could not do Baz without the commitment of many people, from designers and actors taking a chance and heading out to Vegas, to everybody from the president of the casino on down to the innovative group [at Palazzo] It’s been extremely exciting to see how they have actually sort of combined the program into the entire hotel, not just [marketing it] to visitors however envisioning how the program matches the opulence and love of the general experience at the home.”

Baz– Star Crossed Love carries out Tuesdays through Sundays at 7 p.m. in the Palazzo Theatre. Tickets start at $59.50 and more info can be found at venetian.com.

College of Fine Arts Welcomes New Chair of Theatre July 15

Dean Nancy Uscher is pleased to invite Norma Saldivar as the incoming chair of the department of theatre. Saldivar signs up with UNLV following her work as executive director of the Arts Institute and professor of theatre at the University of Wisconsin-Madison. Previously, she functioned as producing director and professor at the exact same organization. She earned her BFA in Theatre-Acting from Illinois Wesleyan University, and her MFA in Theatre-Directing from the University of Illinois.

“We could not be more thrilled with the addition of Teacher Saldivar to our already stellar theatre department and Nevada Conservatory Theatre,” said Uscher. “Her knowledge and knowledge will help continue to shape the department as a leader in the theatrical arts.”

Saldivar will begin in her position July 15.